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AI artwork featuring #Hololive Production, #Takane Lui and #Takane Lui
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Takane Lui, Takane Lui

#Hololive Production#Takane Lui#Takane Lui
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character: takane_lui 1girl, solo, takane_lui, pink hair, short hair, hair between eyes, hairband, blue eyes, head wings, white shirt, long sleeves, necktie, black high-waist shorts, black fingerless gloves, pantyhose, super huge breasts, super huge ass, curvy figure, wide hips, thick thighs, from below, low angle, cowboy shot, standing, contrapposto, weight on one leg, hand on own hip, other hand adjusting necktie, head tilted down, looking down at viewer, half-closed eyes, smug, lopsided smirk, raised eyebrow, wind, shirt clinging to chest, shorts taut across hips, dutch angle, The camera looks up from hip height at a sharp low angle, tilted a few degrees off level so the verticals of the corridor lean; the frame is a cowboy shot cropped just below the knee, and because the lens sits low and close her body rises away from it in strong foreshortening -- the chest and hips nearest the glass, the head small and high at the top of the frame. She stands in a narrow service corridor of bare concrete, one hip cocked hard against a cold steel door frame: the left hip is the contact point, the shorts fabric compressing and creasing flat where it presses the frame's edge, her left leg straight and load-bearing, the right knee bent and the right foot set forward on the ball of the foot. Her right hand rests flat on her own hip, fingers spread and pressing into the waistband of the high-waist shorts, stretching the fabric sideways so it pulls tight across the seat and the seam runs taut; her left hand is up at her throat, two gloved fingers hooked into the knot of the necktie, tugging it a half-inch loose. The white shirt is buttoned but strained, the placket bowing open between buttons over the bust and the sleeves pushed to the elbow, the black fingerless gloves leaving her fingertips bare where they pinch the tie. Her chin is tipped down toward the lens, blue eyes looking down at the viewer from under the short pink fringe, one brow arched higher than the other, one corner of her mouth pulled up in a lopsided smirk, the other eye slightly narrowed. Her hairband and the paired wings at her temples are lit from behind and read as a pale silhouette; the rest of the pink hair is short and swings against her jaw. The only light source is a fluorescent tube overhead and slightly behind her, so it rims the top of her shoulders, the crown of her head and the outer curve of her hip against the door frame while her face falls into soft shadow with the eyes catching the tube as two small bright points; the corridor beyond her is dim and empty. The palette is restrained to cold concrete grey, the white of the shirt, and the black of shorts, gloves, tie and pantyhose, with the pink of her hair the single warm note. A thin draft moves through the corridor: the loosened end of the necktie lifts and points away from her throat, and the hem of the shirt flutters against her side -- effortlessly smug.
Show Parameters
Original Prompt
超爆乳超爆尻の鷹嶺ルイ
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.06k

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Avatar image of 千災
character: tsukishiro_yanagi, copyright: zenless_zone_zero pov, male pov, 1girl, long pink hair, sidelocks, hair between eyes, ring hair ornament, pink eyes, glasses, hugging, standing embrace, arms around the viewer's neck, bodies pressed together, chest-to-chest contact, huge breasts, k-cup, visible cleavage, dress shirt, white shirt, unbuttoned shirt collar, black pencil skirt, high-waist skirt, black gloves, happy smile, light smile, open mouth, half-closed eyes, melting expression, blissful, pleased, blush, looking at viewer, looking up, head tilt, translucent, clear atmosphere, soft light, close-up, cowboy shot, warm palette, tender The camera is the man's own eyes: a straight-on first-person view, chest height, so his forearms enter the bottom corners of the frame and the pale grey wall of an office corridor fills the space behind her. She is in the middle of the frame, tilted up toward the lens because she is shorter than he is and has pressed herself in close; her chin is lifted, her head tipped a little to his left, and her glasses sit slightly low on the bridge of her nose where they have shifted. Her arms are up over his shoulders, black-gloved hands folded and resting on the back of his neck behind the viewer's head, the right glove's fingers overlapping the left at the knuckles, the cuffs riding up her wrists. Her chest is flattened against his, and because she is pressed to him the shirt strains across it: the top two buttons are open in a narrow V that shows a clean deep line of cleavage, the white fabric pulled taut from each button and creasing outward under the bust where it tucks into the high waist of the black pencil skirt. The skirt's waistband digs a soft line into her middle where his body meets hers, and the skirt front is pressed flat against his hips. Her face is the whole point of the frame. She is smiling with her mouth just barely open, the lower lip relaxed and glossy, corners of the lips drawn up genuinely rather than politely, and her eyes are heavy-lidded behind the glasses, half-closed, lashes low, the pink irises catching the light along the lower edge so they read as wet and bright. A warm flush sits high on both cheekbones. She is looking directly into the viewer's eyes, and her expression is unguarded and pleased, a little giddy, entirely unresisting. Two strands of her long pink hair have fallen forward across the shoulder nearest the lens and one sidelock rests against her jaw; the rest of her hair hangs behind her and spills to the sides of the frame. The light comes from a tall window to her right, cool and broad, and it is what gives the image its translucency: it passes through the loose edges of her hair and leaves a soft luminous fringe on the fine strands at her temple, rim-lights the top edge of the glasses frames, and grazes the white shirt so the fabric reads as thin and bright rather than flat. A second, warmer bounce comes up from the pale floor and warms the underside of her chin and the exposed skin at her throat. In the corridor behind her the background falls away into a clean wash of very light grey and soft pale blue, deliberately desaturated, no clutter, no other people, with the soft blur of depth of field so the only crisp edges in the image are her face, the rim of her glasses, and the strained white cotton across her chest. Palette is restrained and cool-neutral: white shirt, black skirt and gloves, pale grey-blue environment, with her pink hair and pink eyes and the warm blush the only saturated colour, so the picture feels airy and transparent rather than busy. The physics of the press is visible in the cloth: the shirt fabric pools and creases toward the armpits, and the sharp fold lines radiate from the open button area where the bust pushes the cloth apart. Intimate, warm, softly dazed.
千災

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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