Nov 9, 2026

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AI art "うちのことニセ鼓門" featuring #Breasts, #Glasses and #Black hair

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うちのことニセ鼓門

鼓門は学習されてなかった

#Breasts #Glasses #Black hair

Published on Nov 9, 2026

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ねここ

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1girl, solo, (oppai loli:2), huge breasts, short stature, childish proportions, (thin thighs:2), black hair, long hair, large ahoge, scarlet eyes, (scarlet under-rim glasses:1.5), round face, babyface, solid white shirt, round collar, pleated skirt, navy blue skirt, suspender skirt, school uniform, knee-high socks, loafers, standing, arms up, v arms, both arms raised in a V, palms up, open hands, looking at viewer, light smile, half-closed eyes, blush, from below, wide shot, dutch angle, day, outdoors, blue sky, kanazawa station, tsuzumi gate, wooden gate, architecture, Low-angle wide shot from the plaza pavement, tilted slightly off level, so the two latticework pillars of the wooden gate rise past the top of the frame and converge overhead: the girl stands centered in the lower third at the gate's threshold, small in the architecture, dwarfed by the two drum-shaped pillars, both of them stained a deep russet brown so the white of her shirt is the brightest shape in the picture. She is small and round-limbed, head large for her body, and the shirt is a solid white button-up with a round collar closed at the throat, stretched taut over a chest far too heavy for her height and pulling the front placket into curved horizontal tension folds; the sleeves are short and her thin arms are bare. The navy pleated skirt hangs from two suspender straps that come over her shoulders and clip to the waistband, its knife pleats opening in a shallow fan as she lifts her arms, the hem riding high on very slender thighs; white knee-high socks run up to just under the knee, and a pair of dark loafers plant on the pale stone slabs, her weight on the left foot, the right toe turned out. Both arms are flung up and outward in a clean V, elbows nearly straight, palms turned flat to the sky with fingers spread — the pose tips her chin up and her long black hair slides back off her shoulders, and the large ahoge springs up off her crown and bends backward like a reed in the breeze, the rest of her hair hanging down her back and swinging forward at the tips. Behind the scarlet under-rim glasses — thin lenses with the red rim running under the eyes rather than over them — her scarlet irises look up toward the lens from beneath half-lowered lids, the corners of her mouth curved in a small faint smile, a light flush across the round cheeks. The sun sits high and slightly behind the gate, so its edge rims the pillars with a thin warm line, throws dappled lattice shadows across the paving stones that stretch long toward the camera, and fills the undersides of her forearms and the line of her jaw with soft reflected light while the fabric under the shirt's bust falls into cool shadow. Around the base of the gate, a light dusting of fine grit is lifted a few centimeters off the stone and drifts between the pillars — the only thing in the frame that shows the wind. The palette is limited to the white shirt, the navy skirt, the russet timber, the pale stone and the cold blue sky above the crossbeam, with scarlet confined to her eyes and the under-rims of her glasses; everything is rendered glossy and high-finish, skin blended with subtle gradients and warm highlights, colors held in tight harmony and brushwork smoothed nearly out of sight. Effortlessly bright, quietly imposing.

うちのことニセ鼓門

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