Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…
View details息耐者カール
Show Parameters
- Mode
- flash
- Style
- Retro Glam Anime
- Size
- 1632 x 1232
Style: Retro Glam Anime
Model & LoRA used
Similar Images
Show more息
heart-shaped pupils, heart eyes, 1boy, 2girls, three people, man in the center, bride on each side, two brides, wedding dress, kissing cheek, cheek kiss, kiss, both hands on his shoulders, leaning in, closed eyes, blush, smile, open mouth, cleavage, breast focus, heart-shaped frame, glowing frame, heart-shaped light, floating hearts, heart motif, sparkles, bokeh, upper body, close-up, from above, slight dutch angle, looking at viewer, heart-shaped pupils, warm palette, pink and gold, high contrast, soft glow, celebration, romantic, ecstatic
Seen from above and tilted a few degrees off level, three figures fill the frame in a tight upper-body close-up: a young man stands at the exact center, flanked by two brides in white, and the camera looks down on the crown of his head with both women's faces tipped up toward his cheeks. The bride on his left presses her lips to his left cheek, both of her hands planted flat on his far shoulder, her fingers spread over the fabric, her head tilted so her temple brushes his jaw; her eyes are shut, lashes low, mouth compressed soft against his skin. The bride on his right mirrors her exactly on the other side, lips against his right cheek, one hand curled over his near shoulder with the thumb hooked into the collar, the other hand resting at his chest; her eyes are closed too, and her chin is lifted so her veil slides back off her hair. White bridal silk and lace on both of them: off-shoulder bodices with sweetheart necklines and full gathered skirts falling out of the bottom of the frame, short veils pinned at the back of the head, small bouquets abandoned and out of shot. The man's head is tipped back and slightly to his left under the two kisses, shoulders pulled square, chest pushed forward; his eyes are wide open and each pupil has collapsed into a clearly drawn pink heart shape, glossy and reflective, aimed straight up at the lens. His mouth is open in a helpless grin, teeth showing, cheeks flushed red where the two mouths meet his skin, and his hands hang useless at his sides, fingers loose. The woman on the left has long straight dark hair falling over her shoulder; the woman on the right has light brown hair in a low updo, loose strands escaping down her neck. His own hair is short and dark, already mussed by the two heads leaning into it. Both brides' bodices sit low, and the front of the man's view down between their shoulders opens onto a deep, softly shaded cleavage on the left bride's chest, the line of her collarbone catching the light above it. Around all three, a heart-shaped frame of glowing pink light traces a closed loop around the group, its two lobes crowning the top of the frame and its point dropping below the man's chest; the light spills onto the edges of the two veils and along the man's shoulders, brightest at the curve nearest the lens and thinning into a soft halo further back. Small hearts float through the air on every side -- a cluster of solid pink ones near the upper left, a few translucent ones drifting between the two brides' heads, one small heart caught in the right bride's loose hair -- and they are lit from within, each one casting a faint colored bloom on the nearest skin. The only light is the heart frame itself and the glow of the floating hearts: a warm rose-gold key that strikes the top of the man's head, the bridge of both brides' noses and the tops of their shoulders, leaving the undersides of their chins, the hollow of the man's throat and the corners of the frame in deep plum shadow. The palette admits pink, white, rose-gold and warm skin tones and nothing else, with the white silk taking the pink cast of the light rather than staying neutral. Behind them the background is a seamless soft pink gradient, indistinct and out of focus, with a few bokeh circles of heart-shaped light. Depth of field keeps the three faces and the heart pupils razor sharp and lets the frame's far point and the floating hearts soften into glow. Ecstatic, dizzy with affection.
息耐者カール
3girls, 1boy, male focus, man in the center, two brides flanking him, kiss on both cheeks, simultaneous cheek kiss, heart-shaped eyes, heart-shaped pupils, cleavage, deep plunging neckline, white satin bridal gown, bridal veil, bouquet, heart-shaped light frame, glowing heart-shaped border of light, upper body, cowboy shot, facing viewer, from front, head tilt, eyes closed, blush, smile, glossy skin, clean linework, soft shading, warm palette, romantic comedy mood.
A front-facing cowboy shot with the man dead center, framed from mid-thigh up: he is a lean young man in his twenties in a dark formal suit, a white dress shirt unbuttoned at the collar and a loosened tie, his shoulders loose and slightly lifted, chin tipped back and up as his head tilts toward the ceiling in bliss. His eyes are the picture's joke and its focal point — the pupils have become two perfectly symmetrical glowing pink hearts, and the hearts are the brightest thing on his face, catching a wet bright highlight along their upper lobes. His mouth is open in a dopey, delighted grin, and a soft blush sits high on both cheeks where the brides' lips press. Between them the two brides lean in from left and right, each angled toward him at nearly the same tilt so the composition reads as a symmetrical pair: each wears a white satin bridal gown with a deep plunging neckline that bares the chest and reveals cleavage, the satin catching a broad soft sheen along the breast and shoulder curves, a pale veil falling behind the shoulders and a small bouquet held low and out of the way in one hand each. Each bride's eyes are closed in a serene kiss, lashes lying against the cheek, lips pressed to the man's cheek at the exact spot where the blush blooms, and each has one hand resting on his far shoulder while the near hand holds her bouquet — four named contact points, cheek against cheek, palm against shoulder, two of them left and two right. The brides' hair spills forward in the lean, one dark and one light, and the veils sway back away from the motion. All three faces catch the same warm key light from slightly above and in front, which lays a soft sheen on skin, satin and lip gloss; the background behind them is a seamless, gentle warm-pink studio sweep, and around all three figures a heart-shaped frame drawn entirely in glowing light arcs through the air, a luminous pink outline with brighter sparkles at the top cleft and the bottom point, its glow softly bleeding onto the edges of the veils and onto the man's shoulder. Only that light frame and the key light illuminate them; beyond the heart outline the pink sweep falls away into a dimmer, softer wash. Colours are limited to warm pink, cream white, white satin and the man's charcoal suit, with his red tie as the one saturated accent. The three hearts in his eyes are perfectly identical in size, and the specular highlights inside them sit on the same upper-left point in both. Bright, silly, adoring.
息耐者カール
heart-shaped eyes, glowing heart-shaped frame, floating hearts, cleavage, 3girls, 1boy, two brides kissing man's cheeks, kiss on cheek, cheek kiss, bride, wedding dress, veil, bouquet, center figure, symmetrical composition, front view, medium shot, cowboy shot, arms linked, looking at viewer, open mouth, blush, ^ ^, half-closed eyes, heart background, heart, sparkle, romantic, warm lighting.
A centered, symmetrical medium shot seen straight from the front: a man stands at the exact middle of the frame, and two brides flank him, one on each side, each leaning in so her lips press to one of his cheeks. The bride on the left tilts her head to the right and kisses his left cheek, her cheek warm against his jaw, her hand resting on his far shoulder for balance; the bride on the right mirrors her, lips on his right cheek, her fingers curled over his near shoulder. Both brides wear white wedding dresses with lace-edged sweetheart necklines, short veils pinned into their hair, and both have their eyes closed in soft crescent smiles as they kiss. The man's head is tipped slightly back between them, his mouth open in a wide, dazzled grin, his own eyes replaced entirely by two glossy pink heart shapes that shine like polished candy, facing the viewer. His hands hang loosely at his sides, fingers slack with happiness, chest pushed forward so the deep V of his open shirt shows his cleavage in the center of the frame.
The three figures are enclosed by a glowing heart-shaped frame of warm pink light, its point at the bottom of the composition and its lobes arching above their heads; the glow spills onto their hair and shoulders, rimming them in soft rose light. Smaller hearts float around them at different depths, some crisp and near, some soft and blurred behind, and a few heart-shaped glints sparkle in the air. The background is a seamless, dark rose-to-magenta gradient with no scenery, so all detail sits on the three faces, the lips pressed to cheeks, the hands on shoulders and the glow landing on skin. The heart frame is the only light source, so the faces are lit from the front and edges fall gently into shadow. Warm pink, white lace and rose gold palette. Tender, giddy.
息耐者カール
3girls? no, 1boy, 2girls, three people total, brides, bride, wedding dress, white dress, veil, bouquet, kissing cheek, kiss on cheek, one on each side, flanked, heart-shaped pupils, heart eyes, cleavage, large breasts, heart background, heart-shaped frame, glowing frame, light frame, hearts floating, confetti, sparkles, joyful, from front, upper body, cowboy shot, close-up on faces, arms linked, eyes closed, blush, open mouth, smile, looking at another, warm lighting, pastel palette, painterly, sketchy linework, soft blended shading, high contrast rim light
A front-facing cowboy shot frames three figures inside a single glowing heart-shaped light frame that arcs around them like a ribbon of warm pink luminescence, its outline bright against a soft dusk-rose ground; small hearts of the same light drift and scatter across the surrounding air, some near, some far, thinning with distance, a few caught mid-drift so their glow doubles. At the center stands a young man, dark tousled hair, a dark formal suit jacket over a white shirt with the collar open, both arms loosely linked through the arms of the brides beside him, shoulders relaxed and slightly lifted, chin tipped up and eyes wide open with heart-shaped pupils glowing a saturated pink-red inside each iris; his mouth is open in a delighted gasp, brows raised high, a blush banded across both cheeks. On his left, a bride with a long veil and ivory off-shoulder gown leans in and presses her lips to his left cheek, her eyes closed, her free hand coming up to rest flat against his chest; on his right, a second bride in a matching ivory gown leans in at the same angle and presses her lips to his right cheek, her veil sliding forward over her shoulder, eyes closed, one hand cupping the back of his neck. Both brides' bodices are cut low, the gowns' necklines scooping to show their cleavage, fabric gathered and falling away in soft painterly folds; the man's shirt is open enough at the throat to read the stillness of the framed center. Hair and veils are lifted slightly in a gentle current, the brides' hems swaying, the groom's hair falling forward past his brow. The light comes from the frame itself, glowing around the three faces from just beyond them, backlighting the veils into thin translucent light and casting a warm rim along every shoulder and cheek while their faces stay softly lit from the front by the pink spill of the frame; small shadows fall under each chin and where lips meet skin. Palette is restricted to warm ivory, rose pink, soft gold and the deep saturated pink of the glowing hearts against a muted dusty-rose ground, nothing else admitted. Petals and small light-hearts settle slowly downward between the figures, and where a bride's veil touches the glow it lights up from within before falling back into shadow. Tender, giddy.
息耐者カール
Explore more
Recommended Creators
You might like
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
2
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
Comments