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Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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DENISE

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DENISE

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1girl, solo, full body, sitting, office, short hair, slicked back hair, messy hair, tousled hair, two-tone hair, green hair, black hair, grey eyes, light skin, soft skin, huge thighs, thick legs, giant legs, wide waist, wide hips, huge hips, pronounced curves, medium breasts, black rings, ring, tattoo, neck tattoo, spiked choker, multiple earrings, ear piercing, black makeup, black lipstick, short dress, tight dress, long sleeves, black dress, black shirt, cropped shirt, long jacket, dark jacket, round glasses, dagger, pen, gold belt, plate belt, tall boots, black stockings, high stockings, fingerless gloves, long gloves, leaning forward, head tilt, looking at viewer, half-closed eyes, smirk, office chair, desk, window blinds, from side, cowboy shot, close-up on face in lower frame From a three-quarter side view, slightly above the desk she works at, we see the woman seated in a dark leather office chair, her huge hips and giant thick legs filling the seat and spilling over its edges, her wide waist cinched by the golden plate belt. She leans forward over a cluttered desk, weight shifted onto her right hip, left hand braced flat on the desk surface. The dagger-shaped pen is pinched between the forefinger and thumb of her right hand, its blade-like silver body catching the light, the tip pressed to a document. Her black rings glint on three fingers of that hand. Round glasses with thin dark frames sit low on the bridge of her nose, and above them her grey eyes look toward the viewer with a smirk on her black-lipsticked mouth. Her short, messy green-and-black hair is slicked back, tousled strands escaping at the temples and behind one ear where several earrings glint. The spiked choker sits tight against her throat, and just above it on the side of her neck the tattoo reading "elina" curves with the skin. Her short tight long-sleeved black dress ends high on her thighs, the long dark jacket worn open over it and falling past the chair's armrest. High black stockings cover her legs from the knee down into tall boots whose tops compress the stocking fabric into a slight fold. The long fingerless gloves reach past her wrists, leaving her fingertips bare on the pen and desk. On the desk: stacked papers, a black desk lamp casting a warm cone of light from the left, a closed laptop, a coffee cup. Gray light from venetian blinds falls in horizontal bands across the far wall and the edge of the desk; the lamp is the dominant source on her face, throwing a soft shadow under her jaw and across the collar of the jacket. Palette limited to black, charcoal, the green of her hair, warm lamp ochre, and her pale skin. The chair's leather shows a crease where her hip presses it. Cool, wry, quietly imposing.
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cabello corto, peinado hacia atrás, cabello verde y negro ,ojos grices , piel clara, piernas grandes cintura grande, caderas grandes,pechos medianos ,cadera ancha,piernas enormes, cadera enorme, cintura enorme, cintura ancha, curvas pronunciadas, cadera grande, , piernas gruesas, caderas gruesas, cintura voluptuosa, cadera voluptuosa, , cintura gigante, cadera gigante, piernas gigantes, anillos negros en los dedos, tatuaje(elina) en el cuello, gargantilla de puas, cabello alborotado ,varios zarcillos en una oreja, maquillaje negro, labial negro, cuerpo completo, piernas bastante gruesas, muslos grandes, vestido ajustado corto manga larga negro, piel suave, Camisa negra corta, chaqueta larga oscura, lentes redondos, lapiz en forma de daga cinturón de placa dorada, botas altas, medias negras altas, guantes largos sin dedos, sentada en una oficina
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1104 x 1824
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1girl, solo, short hair, slicked back hair, green and black hair, messy hair, gray eyes, light skin, soft skin, makeup, black lipstick, black eyeshadow, round glasses, spiked choker, multiple earrings, one ear, black rings, ring, tattoo, neck tattoo, "elina" tattoo, medium breasts, wide waist, wide hips, huge hips, thick thighs, large thighs, thick legs, huge legs, pronounced curves, short tight black dress, long sleeves, short black shirt, long dark jacket, black thigh-highs, tall boots, long fingerless gloves, gold plate belt, dagger-shaped pencil, sitting, office, full body, from below, looking at viewer, crossed legs, leaning back, arm support, hand on own hip, head tilt, smirk, half-closed eyes The camera sits low, near the office floor, tilted up so the seated figure dominates the frame from boot soles to the crown of her head in one full-body vertical. She is planted in a heavy swivel office chair behind a dark wooden desk, one boot heel hooked over the opposite knee in a crossed-leg sit, her weight sunk into the chair's right armrest where her forearm presses down and her gloved fingers curl over its edge. Her other hand rests flat across the desk blotter, the black ringed fingers spread, the dagger-shaped pencil caught between the index and middle finger with its blade-point aimed at the paperwork. The short tight black long-sleeved dress pulls across her chest and clings at the waist beneath the unbuttoned short black shirt, and the long dark jacket hangs open off her shoulders, its hem spilling past the seat in heavy folds. The gold plate belt sits square at her hips and catches the desk lamp in one hard glittering line. Black thigh-high stockings disappear into the tops of the tall boots, and the long fingerless gloves leave her fingertips bare where they grip the armrest and the pencil. Her head is tilted back and to one side, chin lifted, short messy green-and-black hair slicked back with strands breaking loose at the temples and behind her ear, where a stack of small hoops and studs runs up the cartilage. Her neck carries the tattoo reading "elina" in dark script, half-circled by the spiked choker, the metal points tipped with the lamp's warm light. The round glasses sit low on her nose and her gray eyes look straight down the lens past their rims, one brow arched, black lipstick pulled into a lopsided smirk. The office is small and close: filing cabinets stacked to the left, a shelf of binders behind her shoulder, a desk lamp at frame right with a green glass shade. That lamp is the only light source — its warm pool falls across the desk, her forearms, the gold belt and the side of her jaw; beyond it the room drops into deep brown shadow, and her shadow is thrown long and distorted up the back wall. Palette: black, deep brown wood, warm amber lamplight, the green of her hair and the lamp shade answering each other, and the single gold flash of the belt. The pencil's shadow on the blotter lies sharper and darker than the pencil itself. Smug, after-hours confidence.
DENISE
AI artwork
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1girl, solo, short hair, swept back hair, green hair, black hair, two-tone hair, black streaks, spiky hair, messy hair, grey eyes, fair skin, soft skin, makeup, black eyeshadow, black lipstick, round glasses, multiple ear piercings, single ear, spiked choker, black rings, tattoo, "elina" tattoo, neck tattoo, long fingerless gloves, black dress, tight dress, long sleeves, black shirt, cropped shirt, long dark jacket, gold plate belt, belt buckle, black thighhighs, high boots, very thick thighs, huge thighs, wide hips, huge hips, wide waist, voluptuous, prominent curves, medium breasts, sitting, office, full body, holding pen, dagger pen, smile, smirk, looking at viewer, from below, depth of field The view is from slightly below, a full-body shot taken across a desk at seated eye height, so the woman's wide hips, enormous thighs and heavy legs fill the lower third of the frame and the office ceiling recedes above her. She sits in a black leather office chair behind a dark wooden desk, weight settled on her left hip, right leg crossed over the left thigh so the black thighhigh stocking stretches tight and the strap of her high boot cuts a horizontal line across the shin; the bend of her knee threatens the desk edge and her left boot's heel is planted flat on the carpet. Her torso leans a few degrees forward, both forearms resting on the desk, her gloved right hand curled around a dagger-shaped pen — hilt between thumb and forefinger, blade-tip pressed to a paper — and her bare-fingered left hand spread flat beside it, black rings ringing three fingers and clicking against the wood. Under the open long dark jacket, the short tight black long-sleeved dress clings from shoulder to hip and stops high on the thigh, the cropped black shirt layered over its bodice; the gold plate belt buckle catches light at her waist and throws a small warm glint across the dark fabric. The spiked choker sits at her throat, a few black locks of spiky, swept-back green-and-black hair pushed up off her forehead and escaping in messy tufts above the temple with the multiple earrings crowding one ear, the other ear bare and unadorned. Her neck is turned slightly to the right, baring the small tattoo on the left side of her throat where the letters "elina" read in black ink just under the jaw, hair completely unadorned and free of any clip. Her grey eyes look straight out at the viewer over the rims of the round glasses, black eyeshadow smoking the lids, one corner of her black-lipsticked mouth lifted in a lopsided smirk. The light comes from a single desk lamp at the frame's left edge, warm, striking the left plane of her face, the gold buckle and the steel of the dagger pen, while the right side of her jaw, the far arm and the office behind her fall into deep brown shadow; the lamp is the only source and beyond its pool the room is nearly dark. Palette held to black, deep green, warm gold and cool grey. Behind her, a blurred shelf and window blind read as unlit shapes, no legible signage. The pen's blade-point dimples the paper and the paper bows slightly beneath it. Intimate, quietly dangerous.
DENISE
#One-Punch Man
AI artwork
d
1girl, solo, short hair, slicked back hair, messy hair, green and black hair, grey eyes, pale skin, soft skin, black lipstick, black makeup, round glasses, spiked choker, multiple earrings on one ear, black rings on fingers, long fingerless gloves, short long-sleeved tight black dress, short black shirt, long dark jacket, gold plate belt, black high socks, high boots, dagger-shaped pencil, pronounced curves, medium breasts, wide voluptuous waist, enormous wide hips, large thighs, huge thick legs, sitting, full body, sitting in a brightly lit office, neck tattoo, looking at viewer, light smile, desk, office chair, from side, cowboy shot extended to full body, She sits in profile-facing-three-quarter view, turned about forty degrees to the left of the lens, her weight sunk into a low-backed black office chair that she has swiveled halfway round from the desk — one hip pressed hard into the seat cushion so the foam bulges out under her thigh, the other leg crossed over at the knee and swinging slightly, the boot's heel hanging free of the floor. Her pronounced curves read as volume, not line: the short tight long-sleeved black dress pulls taut across medium breasts and a wide voluptuous waist, while the enormous wide hips and large thighs strain the knit and spread wide across the seat; her thick legs are crossed heavy and full, black high socks disappearing into the tall boots. Over the dress she wears the short black shirt open, and over that the long dark jacket hanging off her shoulders, its hem draping behind the chair back and one sleeve pushed to the elbow. The gold plate belt buckles at her waist, the round gold plate catching the light. Her long fingerless gloves run past the wrist with bare fingertips; black rings sit on several fingers of her right hand, which holds the dagger-shaped pencil loosely by its blade, its point resting on the desk edge beside a stack of papers. Her left forearm rests along the chair's armrest, glove-covered knuckles relaxed. Her head turns just enough toward the camera; grey eyes look at the viewer levelly from behind the round glasses, one brow slightly arched, black lips closed in a small, self-assured light smile. Short green and black hair is slicked back and messy at once — the black roots and streaks combed away from the forehead, a few loose green strands escaping at the temple and at the nape. The black spiked choker sits high at her throat, and just under its edge the neck tattoo reads "elina" in small black script, unobstructed, following the curve of the skin. Several earrings climb the rim of her left ear, visible as the head turns; the right ear is turned away behind her hair. Black makeup smudges softly around the eyes. The office is bright and clean: a pale gray desk surface in front of her, a monitor edge, a pen cup, tall glass partition behind with a corridor of soft green plants beyond it, and a broad window off-frame left throwing even cool-white daylight across her face and shoulder. That light is the only source; it makes a soft specular sheen down the slicked hair, glints off the gold buckle and the round lenses, and leaves a light contact shadow of the chair legs and one boot on the polished floor. Palette: black, green, gray, and the one warm gold of the buckle and belt plate against her pale skin. Cool, poised, quietly commanding.
DENISE
#One-Punch Man
AI artwork
d
1girl, solo, short hair, swept back hair, messy hair, tousled hair, orange and black hair, two-tone hair, grey eyes, fair skin, soft skin, full body, sitting, office, huge thick legs, huge thighs, giant wide thick hips, wide hips, voluptuous waist, medium breasts, pronounced curves, black rings, ring on finger, neck tattoo, tattoo reading "elina", spiked choker, multiple earrings, earrings on one ear, black makeup, black lipstick, round glasses, tight short black dress, long sleeves, short black shirt, long dark jacket, golden plate buckle belt, dagger-shaped pencil, high boots, black thighhighs, long fingerless gloves, fingerless gloves, bare fingertips, looking at viewer, legs crossed, leaning back, hand on desk, from side, cowboy shot angle A full-body view seen from a low three-quarter side angle inside a cramped, dim private office, the camera set slightly below the seated woman's eye level so her enormous lower body dominates the lower half of the frame and the ceiling drops away out of shot. She sits in a worn oxblood leather office chair that is pushed back from a cluttered dark-wood desk, her weight settled onto her left hip, the chair groaning and its leather visibly compressed and creased beneath her, one armrest bowed under her forearm. Her right leg is crossed high over her left knee, the black thighhigh stretched taut across the huge thigh, the stocking's elastic band biting a faint line into the soft fair skin just above it; her left foot is planted flat on the floor in a tall lace-up boot whose heel digs into the carpet, a small ring of scuffed pile around it. The tight short black long-sleeved dress clings over her medium breasts and pronounced curves and rides up over her wide hips; the short black shirt sits open over it, and the long dark jacket hangs off her shoulders and spills down the chair's back, its hem and one sleeve caught under her thigh. The golden plate buckle on her belt catches the light at her waist. Her long fingerless gloves run past her elbows, ending in bare fingertips; black rings band several of her fingers, which drum on the desk edge beside a stack of papers. A slim dagger-shaped pencil lies on the blotter where she set it down, point toward the viewer. Her short orange-and-black hair is swept back from her forehead in a tousled, messy fall, a few strands escaping at the temples and one lock springing loose at the crown, black sections alternating with orange across the top and sides. Round glasses sit on her nose, their lenses catching two hard pinpoint reflections. Her grey eyes look straight out at the viewer over the rims, lids heavy with black makeup, black lipstick parted slightly; a small mole of light on her lower lip. The spiked choker rings her throat, its spikes throwing tiny shadows onto the fair skin, and just above the collarbone the tattoo "elina" reads in fine dark lettering, angled slightly with the curve of her neck. A row of several small earrings climbs the rim of her visible ear. The desk lamp is the only light source, a green-shaded banker's lamp at the desk's far corner: it throws warm amber light across her right cheek, the glasses, the gold buckle and the tops of her thighs, and leaves the far wall, the bookshelf and the corner of the room beyond its pool in absolute darkness. Her long shadow stretches across the carpet toward the viewer. The palette holds only black, warm amber, oxblood leather, fair skin and the flash of orange in her hair. Quietly imposing.
DENISE

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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