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幻想郷を敵に回した天邪鬼

Contest Entry

PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn

Published on Nov 9, 2026

Kanon Hanasaki

character: kijin_seija 1girl, solo, kijin_seija, short hair, multicolored hair, black hair, white hair, red hair, streaked hair, red eyes, small horns, grey horns, bow, hair bow, japanese clothes, kimono, dress, short sleeves, puffy short sleeves, bracelet, jewelry, rain, raincoat, hood down, wet, wet hair, water droplets, looking down, head lowered, bowed head, eyes downcast, closed mouth, crying, tears, streaming tears, tear trails, tear on chin, sad, melancholy, from side, profile, cowboy shot, standing, leaning against wall, hands at sides, clenched hand, alley, night, quiet rain Seen in a right-facing profile from a slightly low angle, she stands in a narrow alley with her back and left shoulder pressed flat to a wet brick wall, her head bowed so far that her chin nearly touches her collar and the whole of her face is angled down toward the pavement. Her hair — short, cut in uneven choppy layers, black streaked with white and red strands — hangs lank and heavy with water, the wet tips sticking to her cheek and jaw and the red streaks running along the underside of the strands; a small bow sits at the back of her head, soaked dark and drooping. A pair of small grey horns pushes up through the wet hair above her temples, beads of rain gathered in the ringed grooves and running off their tips in thin threads. Her red eyes are open but lowered, fixed on nothing in the puddled ground about a metre in front of her boots; the lids are heavy and swollen, the lashes clumped into wet spikes. Tears well steadily from the inner corners of both eyes, break over the lower lids, and run in two clean wet lines down her cheeks, cutting pale tracks through the rain film on her skin and gathering at the point of her jaw before dropping. Her mouth is closed, pressed thin at the corners, holding the crying in — no sobbing, no open mouth, just the slow steady leaking of tears and the small tight quiver of her chin. She wears a dark kimono-style dress with puffy short sleeves, the fabric soaked through and clinging to her shoulders and upper arms, the sleeve hems heavy and dripping; a slim bracelet glides at her left wrist where her hand hangs loose and half-curled against her thigh, knuckles pale. Rain falls in visible slanted threads across the whole frame, catching light only where it passes the one source — a cold sodium lamp high and behind her on the left, which rims the top of her bowed head, the curve of her shoulder and the ridge of her sleeve in a thin wet highlight while her downturned face and the front of her body sit in dim blue shadow. The alley wall behind her is slick black brick, its mortar lines darkened, water sheeting down it in a continuous film; under her, the puddles have gone to concentric rings where drops strike, and the lamp's reflection in the nearest puddle is a broken shivering smear of orange rather than a shape. Palette held to cold desaturated blue-grey, wet black, the red of her eye and hair streaks and the tiny orange of the lamp, nothing else. Composition medium-close, negative space of rain-smeared dark wall filling the upper right, her figure low and forward in the lower left, camera at chest height looking very slightly up so the wall and the falling rain loom over her. Quiet grief.

幻想郷を敵に回した天邪鬼

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