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- 帆布のような丈夫な白い布でできた袋に入れられて首だけを出してわずかに膝を折り曲げて立っている平沢唯。体に対して大きすぎず小さすぎないサイズの袋で足の先まで隙間なく包み込まれている。首の部分を紐で何重にも結んであり、そこから布が10センチほど顔の方へはみ出している。口にはガムテープを貼られている。
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- 1104 x 1824
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余
character: hirasawa_yui
1girl, solo, hirasawa_yui, brown_hair, short_hair, hair_between_eyes, brown_eyes, hairclip, hair_ornament, blue_ribbon, full body, standing, knees slightly bent, head only, head out of sack, white sack, canvas sack, burlap sack, cloth sack, body fully enclosed in sack, sack covering feet, snug fit, no gaps, rope around neck, multiple rope coils, thick rope knots, sack cloth extending past neck, cloth cuff around face, duct tape on mouth, gaffer tape over mouth, sealed lips, arms bound inside sack, no hands visible, feet hidden inside sack, from below, close-up on head and shoulders, slight low angle, dutch angle, looking at viewer, tears in eyes, raised eyebrows, worried expression, straining posture, plain concrete floor, single overhead light, harsh shadow
The camera sits low and slightly off-axis, looking up so the girl's head fills the upper third of the frame while the white sack tapers down and away toward the bottom edge, foreshortened and vanishing out of the crop. Only her head is visible: a round face framed by short brown hair with a strand hanging between her eyes, a small hairclip and blue ribbon at the side of her head catching the light, wide brown eyes staring straight down the lens, wet at the lower lids, brows pulled up and together. Duct tape is pressed flat across her mouth, grey and slightly creased, its edges lifting a millimetre at one corner where her lips push against it. Around her throat the canvas gathers into a collar that has been bound over and over with coarse rope, four or five coils stacked and knotted hard, the cord biting a dark crease into the stiff white cloth. The cloth's raw top edge stands up and forward about ten centimetres past the rope toward her jaw, a stiff upright cuff of woven canvas whose fibres fray at the hem. Below it the sack closes over her shoulders and drops straight down, snug against her body with no slack, its weave widening with the strain across her back, and her knees are bent just enough that the sack's front face bows forward and its hem rests on the floor and wrinkles around invisible ankles. Her arms are pinned inside the cloth; the fabric pulls taut in two faint diagonal ridges where her elbows press from within. The ground is bare grey concrete; a single hard overhead lamp lights the crown of her head and the top of the cloth cuff, dropping the underside of the tape, the inside of the rope coils and the lower half of the sack into deep shadow, and one short blunt shadow pools at the base of the sack. Palette limited to off-white canvas, warm brown hair, rope beige and cold grey floor. Tense, unsettling.
余命一万一日
余
character: hirasawa_yui
1girl, solo, hirasawa_yui, brown_hair, short_hair, hair_between_eyes, brown_eyes, hairclip, hair_ornament, blue_ribbon, full body, standing, knees slightly bent, head only, head out of sack, white sack, canvas sack, burlap sack, cloth sack, body fully enclosed in sack, sack covering feet, snug fit, no gaps, rope around neck, multiple rope coils, thick rope knots, sack cloth extending past neck, cloth cuff around face, duct tape on mouth, gaffer tape over mouth, sealed lips, arms bound inside sack, no hands visible, feet hidden inside sack, from below, close-up on head and shoulders, slight low angle, dutch angle, looking at viewer, tears in eyes, raised eyebrows, worried expression, straining posture, plain concrete floor, single overhead light, harsh shadow
The camera sits low and slightly off-axis, looking up so the girl's head fills the upper third of the frame while the white sack tapers down and away toward the bottom edge, foreshortened and vanishing out of the crop. Only her head is visible: a round face framed by short brown hair with a strand hanging between her eyes, a small hairclip and blue ribbon at the side of her head catching the light, wide brown eyes staring straight down the lens, wet at the lower lids, brows pulled up and together. Duct tape is pressed flat across her mouth, grey and slightly creased, its edges lifting a millimetre at one corner where her lips push against it. Around her throat the canvas gathers into a collar that has been bound over and over with coarse rope, four or five coils stacked and knotted hard, the cord biting a dark crease into the stiff white cloth. The cloth's raw top edge stands up and forward about ten centimetres past the rope toward her jaw, a stiff upright cuff of woven canvas whose fibres fray at the hem. Below it the sack closes over her shoulders and drops straight down, snug against her body with no slack, its weave widening with the strain across her back, and her knees are bent just enough that the sack's front face bows forward and its hem rests on the floor and wrinkles around invisible ankles. Her arms are pinned inside the cloth; the fabric pulls taut in two faint diagonal ridges where her elbows press from within. The ground is bare grey concrete; a single hard overhead lamp lights the crown of her head and the top of the cloth cuff, dropping the underside of the tape, the inside of the rope coils and the lower half of the sack into deep shadow, and one short blunt shadow pools at the base of the sack. Palette limited to off-white canvas, warm brown hair, rope beige and cold grey floor. Tense, unsettling.
余命一万一日
余
character: hirasawa_yui
1girl, solo, hirasawa_yui, brown_hair, short_hair, hair_between_eyes, brown_eyes, hairclip, hair_ornament, blue_ribbon, full body, standing, knees slightly bent, head only, head out of sack, white sack, canvas sack, burlap sack, cloth sack, body fully enclosed in sack, sack covering feet, snug fit, no gaps, rope around neck, multiple rope coils, thick rope knots, sack cloth extending past neck, cloth cuff around face, duct tape on mouth, gaffer tape over mouth, sealed lips, arms bound inside sack, no hands visible, feet hidden inside sack, from below, close-up on head and shoulders, slight low angle, dutch angle, looking at viewer, tears in eyes, raised eyebrows, worried expression, straining posture, plain concrete floor, single overhead light, harsh shadow
The camera sits low and slightly off-axis, looking up so the girl's head fills the upper third of the frame while the white sack tapers down and away toward the bottom edge, foreshortened and vanishing out of the crop. Only her head is visible: a round face framed by short brown hair with a strand hanging between her eyes, a small hairclip and blue ribbon at the side of her head catching the light, wide brown eyes staring straight down the lens, wet at the lower lids, brows pulled up and together. Duct tape is pressed flat across her mouth, grey and slightly creased, its edges lifting a millimetre at one corner where her lips push against it. Around her throat the canvas gathers into a collar that has been bound over and over with coarse rope, four or five coils stacked and knotted hard, the cord biting a dark crease into the stiff white cloth. The cloth's raw top edge stands up and forward about ten centimetres past the rope toward her jaw, a stiff upright cuff of woven canvas whose fibres fray at the hem. Below it the sack closes over her shoulders and drops straight down, snug against her body with no slack, its weave widening with the strain across her back, and her knees are bent just enough that the sack's front face bows forward and its hem rests on the floor and wrinkles around invisible ankles. Her arms are pinned inside the cloth; the fabric pulls taut in two faint diagonal ridges where her elbows press from within. The ground is bare grey concrete; a single hard overhead lamp lights the crown of her head and the top of the cloth cuff, dropping the underside of the tape, the inside of the rope coils and the lower half of the sack into deep shadow, and one short blunt shadow pools at the base of the sack. Palette limited to off-white canvas, warm brown hair, rope beige and cold grey floor. Tense, unsettling.
余命一万一日
余
character: hirasawa_yui
1girl, hirasawa_yui, brown_hair, short_hair, hair_between_eyes, hairclip, blue_ribbon, brown_eyes, canvas_body_bag, white_canvas_bag, full_body_bag, head_out_only, no_visible_arms_in_bag, knees_bent, standing, duct_tape_over_mouth, tape_gag, neck_tied_with_string, cloth_flap_over_face, taut_fabric_following_body_contour, feet_fully_encased, from_side, full_body, dutch_angle, looking_at_viewer, blush, worried_eyes, bare_face, indoor, wooden_floor, soft_window_light,
A slightly low dutch-angled side view of a single girl standing on a bare pale wooden floor, caught in a small off-balance shift of weight: her knees are softly bent, both heels still flat, thighs pressed together so the taut white fabric pulls in a straight diagonal from hip to knee. Her whole body from the shoulders down — torso, arms, hips, thighs, calves, ankles, and every toe — is sealed inside one continuous bag of thick sturdy white canvas, cut so close to her body line that it reads as a second skin and not a sack: the weave is plainly visible, the fabric strains pale over the swell of her chest, creases in short tension folds behind the bent knees, and a bulge at the shoulder where her arms are trapped flat against her sides and elbows pressed to her ribs. The bag is neither too big nor too small — it stops exactly at the base of her throat, where a length of thin cord is wound twice and knotted tight, cinching the cloth into a puckered ring of gathered pleats so nothing shows beneath it. Above that knot the top edge of the canvas has been left long and stands up in a stiff 10-centimetre collar of cloth that flares forward past her jaw and leans out over her face, its cut edge slightly frayed and casting a thin shadow across her cheek and the bridge of her nose. Only her head is exposed: short brown hair falling to her jaw, a small hairclip and a blue ribbon at the side of her head, brows drawn up and inward, brown eyes wide and tilted down toward the tape at her mouth. A single strip of grey-silver duct tape is laid flat across her lips and sealed onto both cheeks, its ends pressed down with visible thumb-creased wrinkles, the tape's glossy surface catching the light while strands of hair are trapped under its lower edge. Her gaze is aimed at the viewer, chin slightly lifted, a faint blush high on both cheeks; the small unsteadiness of her stance shows in a tiny scuff of displaced dust under her left heel.
Single light source: a window off to the left, cool daylight at a low angle, striking the left side of the bag so the canvas goes bright to near-white and throwing the side away from the window into soft cool grey shadow; the light rims the stiff protruding cloth collar and leaves a crisp small shadow of the collar on her forehead. No other lighting: the far corner of the room falls away dark. Palette is restricted to white and off-white canvas, warm pale-brown floorboards and her brown hair, the blue of the ribbon and the grey of the tape — nothing else admitted. The room is otherwise empty and quiet. Tender, faintly uneasy.
余命一万一日
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