Sign up free, get 10,000 credits

Starter credits added when you sign up.

Sign up and create 8 images for free

Starter credits added when you sign up.

AI artwork featuring #Fate series and #Fate/Grand Order
Generate for Free

Fate series, Fate/Grand Order

#Fate series#Fate/Grand Order
黒

黒髪ロング片目隠れ青目八重歯大好きおじさん

More to See

Comments

clock hand motif, clock face on back of hand, silver gears, gear-encrusted gauntlet, shoulder-mounted gear assembly, steampunk, no humans, empty scene, still life, object focus, from above, close-up, dutch angle, macro, brass and silver, copper piping, rivets, pressure gauge, dark workshop, volumetric dust A close-up looking down at a steep dutch-tilted angle onto a single empty workbench where one articulated gauntlet lies abandoned, its wrist cuff open and its finger plates curled loosely inward as though just slipped off a hand that is no longer there. The camera is above and slightly to one side, so the whole back of the hand faces the lens: a round clock face is inlaid flush into that back plate, its numerals engraved into brushed brass, and four slender black steel clock hands are riveted flat across the dial in a stopped position -- the long minute hand crossing the knuckles toward the index finger base, the short hour hand angled down toward the wrist, and two thin counterweight needles pinned at a quarter past, all casting crisp thin shadows onto the dial beneath them. The gauntlet's cuff flares up toward the shoulder end, and there a nest of silver gears is mounted: three interlocking toothed wheels of different diameters bolted to the outer plate, their teeth meshing at exact contact points, a smaller brass pinion tucked between them, each gear on a raised riveted boss so the assembly stands proud of the silver shell instead of sinking into it. The metal shell itself is riveted plate -- brushed steel over the fingers, warm brass at the cuff, copper piping running along the forearm channel with a small pressure gauge at the elbow end, its needle resting at zero behind clouded glass. Every surface is cold metal and nothing is warm except the single light. The gauntlet rests on scarred dark walnut, its fingertips touching the wood at three points, its weight settled back on the open cuff, and the leather inner glove visible inside the opening is creased and empty. The only light is one low amber work lamp off the upper left of frame; it rakes across the back of the hand, so the clock hands throw long thin hard shadows along the dial in the direction of the lower right, the gear teeth catch a bright edge on their left flanks and go dark on the right, and the hollow inside the cuff falls into total black. Beyond the lamp's pool the workshop dissolves into absolute darkness -- only a suggestion of a brick wall and a rack of illegible tools far back, unlit. Dust motes drift through the beam and are the only things moving. Palette is restricted to cold silver, warm brass, dark copper and the amber light, nothing else admitted. Fine single-variable physics: a thin film of oil sits in the engraved numerals and in the roots of the gear teeth, and the lamp's reflection stretches in a distorted sliver across it. Still, silent, quietly abandoned.
Show Parameters
Original Prompt
時計の針が手の甲に　肩回りに銀の歯車のあるガントレット, スチームパンク風, 人はいない
Mode
flash
Size
1104 x 1824

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.06k

Similar Images

Show more
AI artwork
黒
clock hand motif, clock face on back of hand, silver gears, gear-encrusted gauntlet, shoulder-mounted gear assembly, steampunk, no humans, empty scene, still life, object focus, from above, close-up, dutch angle, macro, brass and silver, copper piping, rivets, pressure gauge, dark workshop, volumetric dust A close-up looking down at a steep dutch-tilted angle onto a single empty workbench where one articulated gauntlet lies abandoned, its wrist cuff open and its finger plates curled loosely inward as though just slipped off a hand that is no longer there. The camera is above and slightly to one side, so the whole back of the hand faces the lens: a round clock face is inlaid flush into that back plate, its numerals engraved into brushed brass, and four slender black steel clock hands are riveted flat across the dial in a stopped position -- the long minute hand crossing the knuckles toward the index finger base, the short hour hand angled down toward the wrist, and two thin counterweight needles pinned at a quarter past, all casting crisp thin shadows onto the dial beneath them. The gauntlet's cuff flares up toward the shoulder end, and there a nest of silver gears is mounted: three interlocking toothed wheels of different diameters bolted to the outer plate, their teeth meshing at exact contact points, a smaller brass pinion tucked between them, each gear on a raised riveted boss so the assembly stands proud of the silver shell instead of sinking into it. The metal shell itself is riveted plate -- brushed steel over the fingers, warm brass at the cuff, copper piping running along the forearm channel with a small pressure gauge at the elbow end, its needle resting at zero behind clouded glass. Every surface is cold metal and nothing is warm except the single light. The gauntlet rests on scarred dark walnut, its fingertips touching the wood at three points, its weight settled back on the open cuff, and the leather inner glove visible inside the opening is creased and empty. The only light is one low amber work lamp off the upper left of frame; it rakes across the back of the hand, so the clock hands throw long thin hard shadows along the dial in the direction of the lower right, the gear teeth catch a bright edge on their left flanks and go dark on the right, and the hollow inside the cuff falls into total black. Beyond the lamp's pool the workshop dissolves into absolute darkness -- only a suggestion of a brick wall and a rack of illegible tools far back, unlit. Dust motes drift through the beam and are the only things moving. Palette is restricted to cold silver, warm brass, dark copper and the amber light, nothing else admitted. Fine single-variable physics: a thin film of oil sits in the engraved numerals and in the roots of the gear teeth, and the lamp's reflection stretches in a distorted sliver across it. Still, silent, quietly abandoned.
黒髪ロング片目隠れ青目八重歯大好きおじさん
#Fate series#Fate/Grand Order
AI artwork
黒
clock hand motif, clock face on back of hand, silver gears, gear-encrusted gauntlet, shoulder-mounted gear assembly, steampunk, no humans, empty scene, still life, object focus, from above, close-up, dutch angle, macro, brass and silver, copper piping, rivets, pressure gauge, dark workshop, volumetric dust A close-up looking down at a steep dutch-tilted angle onto a single empty workbench where one articulated gauntlet lies abandoned, its wrist cuff open and its finger plates curled loosely inward as though just slipped off a hand that is no longer there. The camera is above and slightly to one side, so the whole back of the hand faces the lens: a round clock face is inlaid flush into that back plate, its numerals engraved into brushed brass, and four slender black steel clock hands are riveted flat across the dial in a stopped position -- the long minute hand crossing the knuckles toward the index finger base, the short hour hand angled down toward the wrist, and two thin counterweight needles pinned at a quarter past, all casting crisp thin shadows onto the dial beneath them. The gauntlet's cuff flares up toward the shoulder end, and there a nest of silver gears is mounted: three interlocking toothed wheels of different diameters bolted to the outer plate, their teeth meshing at exact contact points, a smaller brass pinion tucked between them, each gear on a raised riveted boss so the assembly stands proud of the silver shell instead of sinking into it. The metal shell itself is riveted plate -- brushed steel over the fingers, warm brass at the cuff, copper piping running along the forearm channel with a small pressure gauge at the elbow end, its needle resting at zero behind clouded glass. Every surface is cold metal and nothing is warm except the single light. The gauntlet rests on scarred dark walnut, its fingertips touching the wood at three points, its weight settled back on the open cuff, and the leather inner glove visible inside the opening is creased and empty. The only light is one low amber work lamp off the upper left of frame; it rakes across the back of the hand, so the clock hands throw long thin hard shadows along the dial in the direction of the lower right, the gear teeth catch a bright edge on their left flanks and go dark on the right, and the hollow inside the cuff falls into total black. Beyond the lamp's pool the workshop dissolves into absolute darkness -- only a suggestion of a brick wall and a rack of illegible tools far back, unlit. Dust motes drift through the beam and are the only things moving. Palette is restricted to cold silver, warm brass, dark copper and the amber light, nothing else admitted. Fine single-variable physics: a thin film of oil sits in the engraved numerals and in the roots of the gear teeth, and the lamp's reflection stretches in a distorted sliver across it. Still, silent, quietly abandoned.
黒髪ロング片目隠れ青目八重歯大好きおじさん
#Fate series#Fate/Grand Order
AI artwork
黒
clock hand motif, clock face on back of hand, silver gears, gear-encrusted gauntlet, shoulder-mounted gear assembly, steampunk, no humans, empty scene, still life, object focus, from above, close-up, dutch angle, macro, brass and silver, copper piping, rivets, pressure gauge, dark workshop, volumetric dust A close-up looking down at a steep dutch-tilted angle onto a single empty workbench where one articulated gauntlet lies abandoned, its wrist cuff open and its finger plates curled loosely inward as though just slipped off a hand that is no longer there. The camera is above and slightly to one side, so the whole back of the hand faces the lens: a round clock face is inlaid flush into that back plate, its numerals engraved into brushed brass, and four slender black steel clock hands are riveted flat across the dial in a stopped position -- the long minute hand crossing the knuckles toward the index finger base, the short hour hand angled down toward the wrist, and two thin counterweight needles pinned at a quarter past, all casting crisp thin shadows onto the dial beneath them. The gauntlet's cuff flares up toward the shoulder end, and there a nest of silver gears is mounted: three interlocking toothed wheels of different diameters bolted to the outer plate, their teeth meshing at exact contact points, a smaller brass pinion tucked between them, each gear on a raised riveted boss so the assembly stands proud of the silver shell instead of sinking into it. The metal shell itself is riveted plate -- brushed steel over the fingers, warm brass at the cuff, copper piping running along the forearm channel with a small pressure gauge at the elbow end, its needle resting at zero behind clouded glass. Every surface is cold metal and nothing is warm except the single light. The gauntlet rests on scarred dark walnut, its fingertips touching the wood at three points, its weight settled back on the open cuff, and the leather inner glove visible inside the opening is creased and empty. The only light is one low amber work lamp off the upper left of frame; it rakes across the back of the hand, so the clock hands throw long thin hard shadows along the dial in the direction of the lower right, the gear teeth catch a bright edge on their left flanks and go dark on the right, and the hollow inside the cuff falls into total black. Beyond the lamp's pool the workshop dissolves into absolute darkness -- only a suggestion of a brick wall and a rack of illegible tools far back, unlit. Dust motes drift through the beam and are the only things moving. Palette is restricted to cold silver, warm brass, dark copper and the amber light, nothing else admitted. Fine single-variable physics: a thin film of oil sits in the engraved numerals and in the roots of the gear teeth, and the lamp's reflection stretches in a distorted sliver across it. Still, silent, quietly abandoned.
黒髪ロング片目隠れ青目八重歯大好きおじさん
#Fate series#Fate/Grand Order

Explore more

Recommended Creators

You might like

AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
HomeModelsGenerateRecipeProfile