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Notice: About Recent Slower Generation Speeds and Limited Computing Resources โ€” Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI haveโ€ฆ

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tkiya9143#0

t9
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tkiya9143#0

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character: ellen_joe 1girl, solo, ellen_joe, black hair, short hair, multicolored hair, red inner hair, colored inner hair, red eyes, maid headdress, hair ornament, fish tail, canvas outfit, wearing an unpainted canvas shift, face painted like a palette, multicolored paint on cheeks and forehead, wet paint streaks across face, being painted, paintbrush touching her cheek, holding a paintbrush to her own face, upper body close-up, face close-up, facing forward, eyes open, wide red eyes, open mouth, looking at viewer, paint smeared on chin and lips, standing pose, arm raised, art room, easel, canvas, paint jars, palette, wooden floor, window light, from front, dutch angle, slight from below, depth of field, A close, slightly low dutch-angle shot framed from the collarbones up, the girl centered and squared to the lens, facing forward with her whole face given to the camera. She stands in a dim art room: behind her a wooden easel holds a half-finished canvas, a shelf of jam jars of paint runs along the back wall, and a scatter of brushes and a wooden palette rest on a stool at the lower left of the frame. She wears a canvas shift โ€” raw, pale unbleached cloth with a rough visible weave, cut like a simple short-sleeved smock, its hem stiff and fraying where the cloth has not been finished; a maid headdress of white lace sits back on her short black hair, and streaks of red show through the black at the inner layers, with a small ornament pinned at one side. Her hair is cut short and swings slightly forward at the jaw. Her red eyes are wide open and fixed on the viewer, unblinking, and her mouth is open โ€” an easy, unresisting gape, breath caught mid-exhale. Across her forehead, both cheeks, the bridge of her nose, one eyelid, and down onto her chin and lower lip, wet paint is smeared in patches of red, cobalt, ochre, viridian and white, as though her face itself were a palette being loaded; the paint is still glossy, catching the light in thin ridges along the brush strokes, and one thick stroke has been pulled diagonally from her left temple across her cheek, flattening the fine hairs of her brow. A slender brush, its bristles clotted with red and white, presses into her right cheek, held by her own raised right hand; her wrist angles up from below the frame, her fingers pinched just under the ferrule, and the brush tip deforms the wet paint where it touches, dragging a short new stroke. The paint sits on the skin with a slight raised edge where it meets unpainted flesh. Her left arm is lifted out of the crop. Light comes in from a tall window on the right of frame, cool and gray, raking across the right side of her face and lighting the gloss of the wet paint, leaving the left of her face and the easel behind her in a soft warm shadow; a faint sheen of reflected window light shows on her red irises. The palette is restrained โ€” the raw cream of the canvas cloth, the gray of the room, and the saturated multicolor of the paint on her face as the only strong color. The camera's shallow focus keeps her open eyes and the loaded brush crisp, letting the easel and the jar shelf fall to a mottled blur. Quietly unsettling, painterly.
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Original Prompt
ใ‚จใƒฌใƒณใƒปใ‚ธใƒงใƒผใ€็พŽ่ก“ๅฎคใ€ไบบ้–“ใƒ‘ใƒฌใƒƒใƒˆใ€ใƒใƒผใ‚บใ€ไธŠๅŠ่บซใ‚ขใƒƒใƒ—ใ€ใ‚ญใƒฃใƒณใƒ‘ใ‚นใฎ่กฃ่ฃ…ใ€็›ฎใ‚’้–‹ใใ€ๅฃใ‚’้–‹ใ‘ใ‚‹ใ€้ก”้ขใƒ‘ใƒฌใƒƒใƒˆใ€ๆญฃ้ขใ‚’ๅ‘ใใ€้ก”ใ‚ขใƒƒใƒ—ใ€็ญ†ใงๅก—ใ‚Š่พผใพใ‚Œใ‚‹
Mode
pro
Quality Tag
๏นPrompts๏นž
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

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Tsubaki.3
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AI artwork
t9
character: ellen_joe 1girl, solo, ellen_joe, black hair, short hair, multicolored hair, red inner hair, colored inner hair, red eyes, maid headdress, hair ornament, fish tail, canvas outfit, wearing an unpainted canvas shift, face painted like a palette, multicolored paint on cheeks and forehead, wet paint streaks across face, being painted, paintbrush touching her cheek, holding a paintbrush to her own face, upper body close-up, face close-up, facing forward, eyes open, wide red eyes, open mouth, looking at viewer, paint smeared on chin and lips, standing pose, arm raised, art room, easel, canvas, paint jars, palette, wooden floor, window light, from front, dutch angle, slight from below, depth of field, A close, slightly low dutch-angle shot framed from the collarbones up, the girl centered and squared to the lens, facing forward with her whole face given to the camera. She stands in a dim art room: behind her a wooden easel holds a half-finished canvas, a shelf of jam jars of paint runs along the back wall, and a scatter of brushes and a wooden palette rest on a stool at the lower left of the frame. She wears a canvas shift โ€” raw, pale unbleached cloth with a rough visible weave, cut like a simple short-sleeved smock, its hem stiff and fraying where the cloth has not been finished; a maid headdress of white lace sits back on her short black hair, and streaks of red show through the black at the inner layers, with a small ornament pinned at one side. Her hair is cut short and swings slightly forward at the jaw. Her red eyes are wide open and fixed on the viewer, unblinking, and her mouth is open โ€” an easy, unresisting gape, breath caught mid-exhale. Across her forehead, both cheeks, the bridge of her nose, one eyelid, and down onto her chin and lower lip, wet paint is smeared in patches of red, cobalt, ochre, viridian and white, as though her face itself were a palette being loaded; the paint is still glossy, catching the light in thin ridges along the brush strokes, and one thick stroke has been pulled diagonally from her left temple across her cheek, flattening the fine hairs of her brow. A slender brush, its bristles clotted with red and white, presses into her right cheek, held by her own raised right hand; her wrist angles up from below the frame, her fingers pinched just under the ferrule, and the brush tip deforms the wet paint where it touches, dragging a short new stroke. The paint sits on the skin with a slight raised edge where it meets unpainted flesh. Her left arm is lifted out of the crop. Light comes in from a tall window on the right of frame, cool and gray, raking across the right side of her face and lighting the gloss of the wet paint, leaving the left of her face and the easel behind her in a soft warm shadow; a faint sheen of reflected window light shows on her red irises. The palette is restrained โ€” the raw cream of the canvas cloth, the gray of the room, and the saturated multicolor of the paint on her face as the only strong color. The camera's shallow focus keeps her open eyes and the loaded brush crisp, letting the easel and the jar shelf fall to a mottled blur. Quietly unsettling, painterly.
tkiya9143#0
AI artwork
t9
character: ellen_joe 1girl, solo, ellen_joe, black hair, short hair, multicolored hair, red inner hair, colored inner hair, red eyes, maid headdress, hair ornament, fish tail, canvas outfit, wearing an unpainted canvas shift, face painted like a palette, multicolored paint on cheeks and forehead, wet paint streaks across face, being painted, paintbrush touching her cheek, holding a paintbrush to her own face, upper body close-up, face close-up, facing forward, eyes open, wide red eyes, open mouth, looking at viewer, paint smeared on chin and lips, standing pose, arm raised, art room, easel, canvas, paint jars, palette, wooden floor, window light, from front, dutch angle, slight from below, depth of field, A close, slightly low dutch-angle shot framed from the collarbones up, the girl centered and squared to the lens, facing forward with her whole face given to the camera. She stands in a dim art room: behind her a wooden easel holds a half-finished canvas, a shelf of jam jars of paint runs along the back wall, and a scatter of brushes and a wooden palette rest on a stool at the lower left of the frame. She wears a canvas shift โ€” raw, pale unbleached cloth with a rough visible weave, cut like a simple short-sleeved smock, its hem stiff and fraying where the cloth has not been finished; a maid headdress of white lace sits back on her short black hair, and streaks of red show through the black at the inner layers, with a small ornament pinned at one side. Her hair is cut short and swings slightly forward at the jaw. Her red eyes are wide open and fixed on the viewer, unblinking, and her mouth is open โ€” an easy, unresisting gape, breath caught mid-exhale. Across her forehead, both cheeks, the bridge of her nose, one eyelid, and down onto her chin and lower lip, wet paint is smeared in patches of red, cobalt, ochre, viridian and white, as though her face itself were a palette being loaded; the paint is still glossy, catching the light in thin ridges along the brush strokes, and one thick stroke has been pulled diagonally from her left temple across her cheek, flattening the fine hairs of her brow. A slender brush, its bristles clotted with red and white, presses into her right cheek, held by her own raised right hand; her wrist angles up from below the frame, her fingers pinched just under the ferrule, and the brush tip deforms the wet paint where it touches, dragging a short new stroke. The paint sits on the skin with a slight raised edge where it meets unpainted flesh. Her left arm is lifted out of the crop. Light comes in from a tall window on the right of frame, cool and gray, raking across the right side of her face and lighting the gloss of the wet paint, leaving the left of her face and the easel behind her in a soft warm shadow; a faint sheen of reflected window light shows on her red irises. The palette is restrained โ€” the raw cream of the canvas cloth, the gray of the room, and the saturated multicolor of the paint on her face as the only strong color. The camera's shallow focus keeps her open eyes and the loaded brush crisp, letting the easel and the jar shelf fall to a mottled blur. Quietly unsettling, painterly.
tkiya9143#0
AI artwork
t9
character: ellen_joe 1girl, solo, ellen_joe, black hair, short hair, multicolored hair, red inner hair, colored inner hair, red eyes, maid headdress, hair ornament, fish tail, canvas outfit, wearing an unpainted canvas shift, face painted like a palette, multicolored paint on cheeks and forehead, wet paint streaks across face, being painted, paintbrush touching her cheek, holding a paintbrush to her own face, upper body close-up, face close-up, facing forward, eyes open, wide red eyes, open mouth, looking at viewer, paint smeared on chin and lips, standing pose, arm raised, art room, easel, canvas, paint jars, palette, wooden floor, window light, from front, dutch angle, slight from below, depth of field, A close, slightly low dutch-angle shot framed from the collarbones up, the girl centered and squared to the lens, facing forward with her whole face given to the camera. She stands in a dim art room: behind her a wooden easel holds a half-finished canvas, a shelf of jam jars of paint runs along the back wall, and a scatter of brushes and a wooden palette rest on a stool at the lower left of the frame. She wears a canvas shift โ€” raw, pale unbleached cloth with a rough visible weave, cut like a simple short-sleeved smock, its hem stiff and fraying where the cloth has not been finished; a maid headdress of white lace sits back on her short black hair, and streaks of red show through the black at the inner layers, with a small ornament pinned at one side. Her hair is cut short and swings slightly forward at the jaw. Her red eyes are wide open and fixed on the viewer, unblinking, and her mouth is open โ€” an easy, unresisting gape, breath caught mid-exhale. Across her forehead, both cheeks, the bridge of her nose, one eyelid, and down onto her chin and lower lip, wet paint is smeared in patches of red, cobalt, ochre, viridian and white, as though her face itself were a palette being loaded; the paint is still glossy, catching the light in thin ridges along the brush strokes, and one thick stroke has been pulled diagonally from her left temple across her cheek, flattening the fine hairs of her brow. A slender brush, its bristles clotted with red and white, presses into her right cheek, held by her own raised right hand; her wrist angles up from below the frame, her fingers pinched just under the ferrule, and the brush tip deforms the wet paint where it touches, dragging a short new stroke. The paint sits on the skin with a slight raised edge where it meets unpainted flesh. Her left arm is lifted out of the crop. Light comes in from a tall window on the right of frame, cool and gray, raking across the right side of her face and lighting the gloss of the wet paint, leaving the left of her face and the easel behind her in a soft warm shadow; a faint sheen of reflected window light shows on her red irises. The palette is restrained โ€” the raw cream of the canvas cloth, the gray of the room, and the saturated multicolor of the paint on her face as the only strong color. The camera's shallow focus keeps her open eyes and the loaded brush crisp, letting the easel and the jar shelf fall to a mottled blur. Quietly unsettling, painterly.
tkiya9143#0
AI artwork
t9
character: ellen_joe 1girl, solo, ellen_joe, short black hair with red inner highlights, colored inner hair, red eyes, both eyes wide open, mouth open, sharp small fangs visible, maid headdress, hair ornament, shark tail curled behind her, black short-sleeved dress, black pantyhose, canvas-style outfit splattered and smeared with multicolored paint, face covered in paint like an artist's palette, paint daubs on cheeks forehead and chin, posing, upper body shot, cowboy shot crop, leaning forward, head tilt, one arm raised holding a loaded paintbrush, looking at viewer, art classroom, easels and canvases behind, paint jars, window light, vibrant palette, Upper-body close-up, camera slightly from below and a touch to her right, cutting her at the hips so the shark tail sweeps out behind her waist and out of the crop's lower edge. She leans forward over an easel's edge, weight on her left hip, right shoulder dropped, chin tilted up and turned a few degrees off-axis. Both red eyes are wide open, catching a hard specular highlight from the window; her mouth is open in a caught-mid-word shape, small pointed fangs showing on the lower lip, the tip of her tongue just visible. Her face is the palette: thick daubs of vermilion on the right cheekbone, ultramarine smeared across the left brow and temple, a streak of yellow ochre down the bridge of her nose, cadmium green at the jaw, white and magenta thumbprints at the chin and one dot of teal at the corner of the open mouth -- wet paint with a raised, glossy ridge where the brush last dragged, some of it cracking slightly where it has begun to dry at the temple. Her short black hair with its red inner layer is streaked at the tips with the same paints. Her short-sleeved black dress reads as a canvas: broad horizontal smears of red, blue and white across the chest and one sleeve, spatter freckling her collar and the black pantyhose at the crop's edge, drips running downward and pooling at the hem's seams. The maid headdress sits askew, one frill tipped with paint. Her right hand is raised beside her face, gripping a long-handled brush whose bristles load with wet vermilion, the handle angled toward the lens; her left hand rests flat on the easel's tray, fingers braced, one fingertip pressed into a smear of blue on the wood. Her gaze comes straight down the brush to the viewer, eyebrows lifted, daring. Behind her the art classroom recedes: two easels with half-finished canvases, a shelf of jam jars clouded with paint, brushes standing bristle-up, a smeared sink at the far wall; a tall window on the left throws cool daylight across the left side of her face and casts her shadow onto the nearest canvas, where the shape of her brush hand is legible against the linen. The room's warm ochre walls and the cold window light split the palette: her paint daubs are the only saturated notes, everything else in muted dust and shadow. Paint on the easel tray still glossy, one drip lengthening. Playful, cheeky.
tkiya9143#0
#Zenless Zone Zero#Ellen Joe

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช
2#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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