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AI art "Rustic farmhouse"
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Rustic farmhouse

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Dermot

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An eye-level, full-body illustration shows a gorgeous woman in her 30s sitting sideways on a deep stone window seat in a rustic farmhouse bedroom, her body turned three-quarters toward the viewer. She has a toned swimmer's build with broad shoulders, narrow hips, and long, lean legs; her skin is fair and rosy, and her chin-length, wavy silver-grey bob is tousled. She wears a wool-cream silk lingerie set consisting of a triangle bralette and high-cut briefs, both trimmed with fell-green satin ribbons and tiny bows, and a thin silver chain with a sheep charm. Her expression is sultry and contented, with heavy-lidded cornflower-blue eyes and a warm, slow smile. She hugs her right knee to her chest with both arms, while her left leg stretches out along a green tartan cushion. The room features dark oak beams, a brass bedstead with a patchwork quilt, a washstand with a brass oil lamp, and a sleeping black-and-white border collie on a rag rug. The atmosphere is serene and intimate, lit by the warm golden glow of the lamp contrasting with cool silver moonlight from the window. The visual style is a clean anime illustration with watercolor washes and detailed textures.
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Original Prompt
A full-body, eye-level illustration of a woman in her 30s, a Dales sheep farmer at home in her farmhouse at the end of a long day on the fell, in only her silk underthings. The vibe is English sheep country, and the whole image feels serene, intimate and openly sultry, lamplight, old stone and a private smile. She is lovely and gorgeous, with a swimmer's build: tall, with broad shoulders and a wide, strong back, a long torso, a toned body, a narrow waist, narrow hips and long, lean legs, powerful and streamlined from her shoulders down, a woman who swims the cold beck pools every day from spring to autumn, and small, high breasts. She has fair, rosy skin with a fresh, healthy bloom across her cheeks, a soft oval face with gently rounded cheekbones, a small, slightly upturned nose and full, soft pink lips, and large, clear cornflower-blue eyes under soft, smoky ash-brown brows, framed with long, dark lashes, a fresh and youthful face that wears its silver hair as a bold, pretty fashion choice. Her expression is sultry and contented, a slow, warm smile on her rose-balmed lips and her blue eyes soft, heavy-lidded and inviting. Her hair is a tousled wavy bob: chin-length hair in loose, uneven beachy waves, piecey and a little messy, with soft movement and a lived-in, undone texture, and its colour is a silver grey: a cool, shimmering metallic grey with a bright silver sheen down its whole length to the very ends. She wears only a lingerie set of soft wool-cream silk trimmed with narrow fell-green satin ribbon: a triangle bralette with two small, soft cups over her small, high breasts, edged in the green ribbon and finished with a tiny green bow at the centre, on thin ribbon straps that tie at her shoulders, and high-cut briefs of the same cream silk, cut high on her narrow hips and fastened at each side with a little green ribbon tie. A thin silver chain with a tiny sheep charm rests at her breastbone, so that her broad shoulders, her arms, the upper curves of her breasts, her whole toned midriff, her waist, her hips, her thighs and her long, lean legs and her feet are bare. Her makeup is bedtime soft: bare lids with only a hint of champagne shimmer, a brown mascara, a natural rosy flush across her cheeks and a rose balm on her lips. Her nails are short and rounded, painted a soft heather pink. The setting is her bedroom under the eaves of an old stone farmhouse on a Dales hill farm late in the day, packed with pastoral detail: low, dark oak beams cross the whitewashed ceiling, and a brass bedstead heaped with a patchwork quilt in fell green, cream and rose and plump feather pillows fills one corner. A marble-topped washstand holds a china jug and basin, a little posy of heather in a jam jar and a polished brass oil lamp with a tall glass chimney and a warm, steady flame, and a small cast-iron fireplace with a tiled surround holds the last red embers of a peat fire. The deep window seat of thick grey stone is lined with a green tartan cushion, and its small sash window looks out over the moonlit fell, the long silver lines of the dry-stone walls and a few pale sheep asleep on the slope. A hand-knitted cream shawl lies crumpled on the cushion beside her, a mug of cocoa and a dog-eared paperback rest on the stone ledge, and her border collie, a glossy black-and-white sheepdog with one brown eye and one blue eye and a red leather collar sleeps on a braided rag rug on the wide oak floorboards. In the foreground, softly out of focus, the brass rail of the bedstead and a fold of patchwork quilt cross the lower left corner, and the china jug and the jar of heather on the washstand sit at the lower right. She sits sideways on the deep stone window seat with her body turned three-quarters toward the viewer, her back against the stone of the window recess and her shoulders easy. Her right knee is drawn up to her chest and hugged loosely in both arms, her chin resting near it, and her long left leg stretches out along the tartan cushion toward the viewer with the bare foot pointed. Her silver bob is soft and sleep-ready, its waves loose and a little flattened on one side where she pushed her cap off at the door, and she smiles at the viewer over her knee with warm, heavy-lidded eyes. The warm, steady golden flame of the brass oil lamp on the washstand is the dominant light: it falls across her forehead, her cheekbones and the bridge of her nose in soft, glowing honey-gold, glows on her rose-balmed lips, puts small, warm catchlights in her blue eyes and pours over her shoulders, the cream silk of the bralette, the upper curves of her breasts, her midriff and the long, bare line of her stretched leg. The much weaker cool silver of the moonlight through the sash window lays a pale rim along her back, her hugged knee and the edges of her silver waves. The lamplight gives the silk a soft, pearly sheen, glints on the green satin ribbons, the silver sheep charm and the brass bedstead and lights warm silver-gold glints through her bob. Her fair skin takes a warm, luminous sheen wherever the light reaches, with a soft glow along her collarbones, her midriff and her thighs. The beams and the corners of the low bedroom fall into soft, cool blue-grey shadow. Soft Aqueous style: clean, controlled linework overlaid with genuine watercolour washes, with visible pigment bleed, soft edge diffusion and areas of untouched white paper showing through, soft shading built from layered transparent colour rather than gradients, a cool, mid-saturation palette with occasional warm accents and a storybook, gouache-adjacent finish, the lamplight laid in warm, transparent washes of honey-gold that fade softly into the cool blue of the moonlit window. Rendered in extreme detail, an intricate, hyper-detailed masterpiece: every green ribbon edge, tiny bow and side tie of the cream silk bralette and briefs, the silver sheep charm, the knitted cream shawl, the tartan cushion and the stone window seat, the moonlit fell and its walls, the brass bedstead and patchwork quilt, the washstand with its jug, heather posy and brass oil lamp, the cast-iron fireplace, the mug of cocoa and the sleeping collie drawn sharply and precisely. The palette is soft and intimate: wool cream and fell green, lamp gold, patchwork rose, dry-stone grey, moonlit blue, fair skin and silver grey hair.
Mode
standard
Size
1280 x 960

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.86k

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