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河合志音里

河

河合志音里

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1boy, solo, beautiful boy, white fluffy hair, messy white hair with soft flyaway strands, green eyes, half-closed eyes, sleepy eyes, drowsy expression, heavy-lidded gaze, light smile, tareme, head tilt, hand near own cheek, yawning, sleeve over mouth, sitting, leaning forward, elbows on table, close-up, from above, looking at viewer, collarbone, oversized white shirt, bare feet, bare ears, bare earlobes, empty café interior, morning window light, monochrome white-and-green palette, soft cel shading Viewed from above and slightly to the side, a close-up frames a beautiful boy seated alone at a small wooden café table, his upper body leaning forward so his forearms rest flat on the tabletop and his chin hovers just above the backs of his interlaced-then-slipping hands. He tilts his head about fifteen degrees to his right, toward his raised shoulder, and his white fluffy hair — layered, cloud-soft, each strand lifting slightly at the ends — falls in loose tufts across his forehead and one long strand swings forward past his cheek toward his jaw. His eyes are green, half-lidded, the upper lids dropping so the iris shows only as a soft curved band, a faint smudge of shadow beneath each lash line; the left brow lifts a little higher than the right. His lips part in a small, unfinished yawn — barely open, one corner higher — the breath caught halfway. His left hand slides free of the other and tilts up to press loosely against his own cheek, the fingers relaxed and slightly curled, the palm warm against skin; his right forearm stays pinned on the table, the point of contact carrying his body's weight, one shoulder sitting lower than the other. He wears an oversized plain white shirt with the top buttons open into a bare open collar, cuffs pushed up his forearms and slipping, the fabric rumpled and hanging off his narrow shoulders; the collar sits loose and nothing hangs at the throat. The camera looks down at him from a height just above his head, so the tabletop takes up the bottom third of the frame in a shallow plane and the near edge of the table crops off at the bottom border, while the empty café stretches behind him — blurred rows of chairs and a frosted window. Morning light comes from the window behind and to his left as one broad, cool source: it rims the fluff of his hair into a soft halo, spills a pale rectangle across the table, and leaves his face lit gently from the side with the far cheek in a soft shadow; the cast shadow of his head and shoulders falls onto the tabletop toward the viewer, its edge broken by the tufts of his hair. The palette is restricted to white, cream, pale wood and the green of his eyes and the muted green of the far café chairs, nothing saturated. Where the light catches his hair the strands read individually; where it falls away they turn to quiet grey. Between his parted lips his breath is almost visible — a slow, warm morning stillness.
Show Parameters
Original Prompt
白いふわふわの髪、翠の目、眠たげな目の美少年作って。
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.02k

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AI artwork
河
1boy, solo, beautiful boy, white fluffy hair, messy white hair with soft flyaway strands, green eyes, half-closed eyes, sleepy eyes, drowsy expression, heavy-lidded gaze, light smile, tareme, head tilt, hand near own cheek, yawning, sleeve over mouth, sitting, leaning forward, elbows on table, close-up, from above, looking at viewer, collarbone, oversized white shirt, bare feet, bare ears, bare earlobes, empty café interior, morning window light, monochrome white-and-green palette, soft cel shading Viewed from above and slightly to the side, a close-up frames a beautiful boy seated alone at a small wooden café table, his upper body leaning forward so his forearms rest flat on the tabletop and his chin hovers just above the backs of his interlaced-then-slipping hands. He tilts his head about fifteen degrees to his right, toward his raised shoulder, and his white fluffy hair — layered, cloud-soft, each strand lifting slightly at the ends — falls in loose tufts across his forehead and one long strand swings forward past his cheek toward his jaw. His eyes are green, half-lidded, the upper lids dropping so the iris shows only as a soft curved band, a faint smudge of shadow beneath each lash line; the left brow lifts a little higher than the right. His lips part in a small, unfinished yawn — barely open, one corner higher — the breath caught halfway. His left hand slides free of the other and tilts up to press loosely against his own cheek, the fingers relaxed and slightly curled, the palm warm against skin; his right forearm stays pinned on the table, the point of contact carrying his body's weight, one shoulder sitting lower than the other. He wears an oversized plain white shirt with the top buttons open into a bare open collar, cuffs pushed up his forearms and slipping, the fabric rumpled and hanging off his narrow shoulders; the collar sits loose and nothing hangs at the throat. The camera looks down at him from a height just above his head, so the tabletop takes up the bottom third of the frame in a shallow plane and the near edge of the table crops off at the bottom border, while the empty café stretches behind him — blurred rows of chairs and a frosted window. Morning light comes from the window behind and to his left as one broad, cool source: it rims the fluff of his hair into a soft halo, spills a pale rectangle across the table, and leaves his face lit gently from the side with the far cheek in a soft shadow; the cast shadow of his head and shoulders falls onto the tabletop toward the viewer, its edge broken by the tufts of his hair. The palette is restricted to white, cream, pale wood and the green of his eyes and the muted green of the far café chairs, nothing saturated. Where the light catches his hair the strands read individually; where it falls away they turn to quiet grey. Between his parted lips his breath is almost visible — a slow, warm morning stillness.
河合志音里
AI artwork
河
1boy, solo, beautiful boy, white fluffy hair, messy white hair with soft flyaway strands, green eyes, half-closed eyes, sleepy eyes, drowsy expression, heavy-lidded gaze, light smile, tareme, head tilt, hand near own cheek, yawning, sleeve over mouth, sitting, leaning forward, elbows on table, close-up, from above, looking at viewer, collarbone, oversized white shirt, bare feet, bare ears, bare earlobes, empty café interior, morning window light, monochrome white-and-green palette, soft cel shading Viewed from above and slightly to the side, a close-up frames a beautiful boy seated alone at a small wooden café table, his upper body leaning forward so his forearms rest flat on the tabletop and his chin hovers just above the backs of his interlaced-then-slipping hands. He tilts his head about fifteen degrees to his right, toward his raised shoulder, and his white fluffy hair — layered, cloud-soft, each strand lifting slightly at the ends — falls in loose tufts across his forehead and one long strand swings forward past his cheek toward his jaw. His eyes are green, half-lidded, the upper lids dropping so the iris shows only as a soft curved band, a faint smudge of shadow beneath each lash line; the left brow lifts a little higher than the right. His lips part in a small, unfinished yawn — barely open, one corner higher — the breath caught halfway. His left hand slides free of the other and tilts up to press loosely against his own cheek, the fingers relaxed and slightly curled, the palm warm against skin; his right forearm stays pinned on the table, the point of contact carrying his body's weight, one shoulder sitting lower than the other. He wears an oversized plain white shirt with the top buttons open into a bare open collar, cuffs pushed up his forearms and slipping, the fabric rumpled and hanging off his narrow shoulders; the collar sits loose and nothing hangs at the throat. The camera looks down at him from a height just above his head, so the tabletop takes up the bottom third of the frame in a shallow plane and the near edge of the table crops off at the bottom border, while the empty café stretches behind him — blurred rows of chairs and a frosted window. Morning light comes from the window behind and to his left as one broad, cool source: it rims the fluff of his hair into a soft halo, spills a pale rectangle across the table, and leaves his face lit gently from the side with the far cheek in a soft shadow; the cast shadow of his head and shoulders falls onto the tabletop toward the viewer, its edge broken by the tufts of his hair. The palette is restricted to white, cream, pale wood and the green of his eyes and the muted green of the far café chairs, nothing saturated. Where the light catches his hair the strands read individually; where it falls away they turn to quiet grey. Between his parted lips his breath is almost visible — a slow, warm morning stillness.
河合志音里
AI artwork
河
1boy, solo, beautiful boy, white fluffy hair, messy white hair with soft flyaway strands, green eyes, half-closed eyes, sleepy eyes, drowsy expression, heavy-lidded gaze, light smile, tareme, head tilt, hand near own cheek, yawning, sleeve over mouth, sitting, leaning forward, elbows on table, close-up, from above, looking at viewer, collarbone, oversized white shirt, bare feet, bare ears, bare earlobes, empty café interior, morning window light, monochrome white-and-green palette, soft cel shading Viewed from above and slightly to the side, a close-up frames a beautiful boy seated alone at a small wooden café table, his upper body leaning forward so his forearms rest flat on the tabletop and his chin hovers just above the backs of his interlaced-then-slipping hands. He tilts his head about fifteen degrees to his right, toward his raised shoulder, and his white fluffy hair — layered, cloud-soft, each strand lifting slightly at the ends — falls in loose tufts across his forehead and one long strand swings forward past his cheek toward his jaw. His eyes are green, half-lidded, the upper lids dropping so the iris shows only as a soft curved band, a faint smudge of shadow beneath each lash line; the left brow lifts a little higher than the right. His lips part in a small, unfinished yawn — barely open, one corner higher — the breath caught halfway. His left hand slides free of the other and tilts up to press loosely against his own cheek, the fingers relaxed and slightly curled, the palm warm against skin; his right forearm stays pinned on the table, the point of contact carrying his body's weight, one shoulder sitting lower than the other. He wears an oversized plain white shirt with the top buttons open into a bare open collar, cuffs pushed up his forearms and slipping, the fabric rumpled and hanging off his narrow shoulders; the collar sits loose and nothing hangs at the throat. The camera looks down at him from a height just above his head, so the tabletop takes up the bottom third of the frame in a shallow plane and the near edge of the table crops off at the bottom border, while the empty café stretches behind him — blurred rows of chairs and a frosted window. Morning light comes from the window behind and to his left as one broad, cool source: it rims the fluff of his hair into a soft halo, spills a pale rectangle across the table, and leaves his face lit gently from the side with the far cheek in a soft shadow; the cast shadow of his head and shoulders falls onto the tabletop toward the viewer, its edge broken by the tufts of his hair. The palette is restricted to white, cream, pale wood and the green of his eyes and the muted green of the far café chairs, nothing saturated. Where the light catches his hair the strands read individually; where it falls away they turn to quiet grey. Between his parted lips his breath is almost visible — a slow, warm morning stillness.
河合志音里

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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