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KB nm
Show Parameters
- Original Prompt
- Character: roman carax, from "edge runners 2".
- Mode
- flash
- Size
- 1104 x 1824
Prompt Helper
Model & LoRA used
Similar Images
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character: roman_carax
solo, 1girl, roman_carax, short spiky dark hair, undercut, dark eyes, angular young face, small scar across left eyebrow, black high-collar jacket, cropped jacket, black underlayer, dark trousers, chunky boots, cybernetic port at the side of the neck, standing on a rooftop ledge, from below, low angle, cowboy shot, looking down, looking at viewer, head tilt, hands in jacket pockets, leaning back on one heel, wind-blown hair, jacket hem flaring, city night, neon signage, tall buildings, haze, rim light, cinematic
Seen from below, close to street level, the camera tilts up so the whole frame is sky and the underside of the city: Roman Carax stands on the lip of a rooftop ledge at the top of the shot, one boot planted flat at the concrete edge, the other foot rocked back onto the heel so the whole body leans slightly over the drop. Both hands are buried in the pockets of his black high-collar jacket, which pulls the cropped hem taut at the hip and lets the dark underlayer and the belt show; the collar stands up around his jaw. His head tilts a few degrees sideways, chin dipped, his dark eyes aimed straight down the long diagonal into the lens, brows drawn, the small scar splitting the left one. A cold wind comes up the building face and drives his short spiky hair and the undercut fringe back off his forehead, and it flaps the jacket hem outward from his legs. The raised collar and the turned-down head leave the cybernetic port at the right side of his neck mostly covered by fabric, a thin edge of it catching the light.
Behind and below him the towers rise into a night sky, layered into depth by distance: a near facade with a few lit windows at frame left, a thicket of neon signs at mid distance whose characters are too far to read and stay as colored haze, and a paler far skyline vanished into smog. The only strong light comes from a large sign off to the upper right, throwing a cold blue-white rim down the right side of his face, shoulder and boot, and leaving the front of him in shadow; secondary magenta and teal spill fills the gaps under his jaw and inside the collar. The wet concrete lip of the ledge gleams where the sign's reflection lands on it. Deep blacks in the underlayer and the lower frame, cold blues and punched magenta in the signage, warm amber pinpricks from distant windows -- nothing else admitted. Cinematic, lonely and stylish.
KB nm
kn
character: roman_carax
solo, 1girl, roman_carax, short spiky dark hair, undercut, dark eyes, angular young face, small scar across left eyebrow, black high-collar jacket, cropped jacket, black underlayer, dark trousers, chunky boots, cybernetic port at the side of the neck, standing on a rooftop ledge, from below, low angle, cowboy shot, looking down, looking at viewer, head tilt, hands in jacket pockets, leaning back on one heel, wind-blown hair, jacket hem flaring, city night, neon signage, tall buildings, haze, rim light, cinematic
Seen from below, close to street level, the camera tilts up so the whole frame is sky and the underside of the city: Roman Carax stands on the lip of a rooftop ledge at the top of the shot, one boot planted flat at the concrete edge, the other foot rocked back onto the heel so the whole body leans slightly over the drop. Both hands are buried in the pockets of his black high-collar jacket, which pulls the cropped hem taut at the hip and lets the dark underlayer and the belt show; the collar stands up around his jaw. His head tilts a few degrees sideways, chin dipped, his dark eyes aimed straight down the long diagonal into the lens, brows drawn, the small scar splitting the left one. A cold wind comes up the building face and drives his short spiky hair and the undercut fringe back off his forehead, and it flaps the jacket hem outward from his legs. The raised collar and the turned-down head leave the cybernetic port at the right side of his neck mostly covered by fabric, a thin edge of it catching the light.
Behind and below him the towers rise into a night sky, layered into depth by distance: a near facade with a few lit windows at frame left, a thicket of neon signs at mid distance whose characters are too far to read and stay as colored haze, and a paler far skyline vanished into smog. The only strong light comes from a large sign off to the upper right, throwing a cold blue-white rim down the right side of his face, shoulder and boot, and leaving the front of him in shadow; secondary magenta and teal spill fills the gaps under his jaw and inside the collar. The wet concrete lip of the ledge gleams where the sign's reflection lands on it. Deep blacks in the underlayer and the lower frame, cold blues and punched magenta in the signage, warm amber pinpricks from distant windows -- nothing else admitted. Cinematic, lonely and stylish.
KB nm
kn
character: roman_carax
solo, 1girl, roman_carax, short spiky dark hair, undercut, dark eyes, angular young face, small scar across left eyebrow, black high-collar jacket, cropped jacket, black underlayer, dark trousers, chunky boots, cybernetic port at the side of the neck, standing on a rooftop ledge, from below, low angle, cowboy shot, looking down, looking at viewer, head tilt, hands in jacket pockets, leaning back on one heel, wind-blown hair, jacket hem flaring, city night, neon signage, tall buildings, haze, rim light, cinematic
Seen from below, close to street level, the camera tilts up so the whole frame is sky and the underside of the city: Roman Carax stands on the lip of a rooftop ledge at the top of the shot, one boot planted flat at the concrete edge, the other foot rocked back onto the heel so the whole body leans slightly over the drop. Both hands are buried in the pockets of his black high-collar jacket, which pulls the cropped hem taut at the hip and lets the dark underlayer and the belt show; the collar stands up around his jaw. His head tilts a few degrees sideways, chin dipped, his dark eyes aimed straight down the long diagonal into the lens, brows drawn, the small scar splitting the left one. A cold wind comes up the building face and drives his short spiky hair and the undercut fringe back off his forehead, and it flaps the jacket hem outward from his legs. The raised collar and the turned-down head leave the cybernetic port at the right side of his neck mostly covered by fabric, a thin edge of it catching the light.
Behind and below him the towers rise into a night sky, layered into depth by distance: a near facade with a few lit windows at frame left, a thicket of neon signs at mid distance whose characters are too far to read and stay as colored haze, and a paler far skyline vanished into smog. The only strong light comes from a large sign off to the upper right, throwing a cold blue-white rim down the right side of his face, shoulder and boot, and leaving the front of him in shadow; secondary magenta and teal spill fills the gaps under his jaw and inside the collar. The wet concrete lip of the ledge gleams where the sign's reflection lands on it. Deep blacks in the underlayer and the lower frame, cold blues and punched magenta in the signage, warm amber pinpricks from distant windows -- nothing else admitted. Cinematic, lonely and stylish.
KB nm
me
character: david_martinez, copyright: cyberpunk:_edgerunners, cyberpunk_edgerunners
1boy, solo, david_martinez, short hair, brown hair, undercut, mohawk fade, brown eyes, rugged young man, glowing cyberware, chrome plating on arms, yellow jacket, standing, cowboy shot, from below, dutch angle, looking to the side, serious expression, narrowed eyes, rain, rain-slicked streets, neon glow, neon signs, night city, cyberpunk cityscape, tall skyscrapers, holographic advertisements, wet asphalt reflections, cinematic lighting, detailed background, highly detailed, intricate details, masterpiece, best quality, very aesthetic
Composed from a low, tilted dutch angle in a cowboy shot, looking up past the figure's hip to his shoulders so the towers and signs lean over him and he reads as small against the vertical city. The young man stands with his weight on his left leg, right leg loose and slightly forward, hips canted; his right hand is hooked loosely through his belt loop at the jacket's hem, the left arm hanging with the fingers half-curled, knuckles catching the neon. His head is turned to his left, chin lifted, eyes narrowed against the drizzle, gaze aimed off-frame toward something above and behind the viewer; mouth set flat, jaw tight. Rain beads on and runs through his brown undercut, the shaved sides darkened and stuck flat, the longer top swept back and dripping, and drips run down his temple and along his jaw. The yellow jacket hangs open over a dark sleeveless top, collar popped against the wet, sleeves pushed to the elbow; the fabric is soaked at the shoulders, darkened and heavy, the hem flaring slightly away from his back where a wind pushes down the alley. Below the elbow the cyberware is exposed on his forearms, segmented plates and cable channels, seams and joint gaps burning with cool cyan-white light that his wet skin and the water droplets pick up as a hard rim on the underside of both arms; the same glow bleeds faintly through the fabric at his shoulder seam. Street level closes in around him: wet asphalt mirroring the signs, a shallow puddle at his left heel holding a stretched, wavering reflection of a pink sign, water tracking in the seams of the pavement and running toward the gutter. Behind him the street recedes between towers whose faces are sheer dark glass, plastered with stacked neon signboards in pink, cyan and acid green, holographic figures flickering above a distant storefront, cables strung across the gap, all of it softened by rain haze and deliberately simplified into layered silhouettes so the near signages read sharp and the far ones dissolve. The palette is disciplined: near-black blue shadow in the buildings and the sky slot, saturated neon in magenta and cyan, and the jacket's yellow as the single warm block in the middle of the frame, bouncing a dull gold back onto his wet jaw and collar. The only key light is the neon itself, spilling from a pink sign at the right and a cyan panel to the left, with no sky light; the rims they carve on his cheeks, shoulder and the chrome are the brightest things in the image, and the shadowed side of his face falls into pure blue-black. Wet surfaces read as darker and softer than the neon they reflect, never as bright as the tubes. Moody, cinematic.
Mya Efta
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