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AI artwork for keywords 1girl, solo, long threads hanging down, no humans, no robots, orderly threads, vertical composition, dark background, ultra detailed
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danniel López

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danniel López

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1girl, solo, long threads hanging down, no humans, no robots, orderly threads, vertical composition, dark background, ultra detailed
Show Parameters
Original Prompt
Hilos ordenados y hacia abajo ningúna personas ningún robot hilos largos
Size
418 x 1024
Sampling Steps
12
Sampling Method
Euler a
CFG Scale
5
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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Haruka v2 - AI Model cover image

PixAI XL

Haruka v2
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Avatar image of C9I
single jellyfish, one jellyfish only, glowing jellyfish, translucent bell, delicate trailing tentacles, long filamentous tentacles, pale blue and violet bioluminescence, neon glow, gentle glow, self-luminous, alien otherworldly appearance, ethereal, fragile, mysterious, floating, drifting, suspended in water, pitch-black underwater abyss, completely black empty surrounding water, deep blacks, cinematic macro shot, close-up, from below, slight upward angle, dark background, no text, no letters, no typography, no watermark, no signature, clean image surface, film grain, 16:9, cinematic lighting, hyper-detailed, silent, beautiful, quietly mesmerizing. A cinematic macro shot framed from slightly below, looking up at one single jellyfish suspended alone in a pitch-black underwater abyss, the only living thing in the frame and the only source of light. Its translucent bell fills the upper-middle of the 16:9 frame, tilted a little off-axis and mid-pulse: the bell's rim has just begun to curl inward on the near side, the far rim still flared open, the thin ectoderm stretched glassy so the black water reads faintly through its crown. From the underside of the bell hang the delicate tentacles, long filaments and a few finer ruffled oral arms, trailing softly downward and to the right on a slow current that the eye can trace as a gentle S-curve; the outermost strands thin to single threads and fade out into the dark, the nearest ones crossing in front of the bell's glowing rim so the light fringes them. Nothing else is in the water: no fish, no particles of note, no horizon, no surface, no seabed, no caustics, no sand, no plants, no bubbles rising anywhere but the faint few shed from the bell's edge; the surrounding water is completely black and empty on all sides, framing the animal in a wide margin of negative space that swallows the frame edges. The creature's alien otherworldliness comes from its geometry and its light: a pale blue radiance blooms through the bell's dome and along its rim like a thin neon halo, while the tentacles and oral arms carry a colder violet glow that intensifies toward their tips and fades out before their ends, so each filament looks like a strand of light rather than flesh. The glow is the scene's only light source and it lights almost nothing: a scant pale-blue falloff kisses the water within a hand's width of the bell's rim and dies instantly into absolute black beyond it, and there is no key light, no fill, no other source anywhere; where the bell overlaps its own tentacles the near filaments silhouette dark against the glow behind them, and the tentacles cast no shadow because there is no surface to catch one. Colour discipline: deep black ground, pale blue in the bell's dome and rim, violet in the trailing filaments, and nothing else admitted. The film grain sits visible in the smooth black gradients as well as on the lit tissue, and the black is a true deep black that clips to darkness at the frame edges, not a lifted grey. Detail budget goes to the bell's translucency, the wet sheen along its rim, and the separate, individually readable filaments of the trailing tentacles thinning to points. Fragile, glowing, silent; quietly mesmerizing.
C9I
AI artwork
Avatar image of C9I
single jellyfish, one jellyfish only, glowing jellyfish, translucent bell, delicate trailing tentacles, long filamentous tentacles, pale blue and violet bioluminescence, neon glow, gentle glow, self-luminous, alien otherworldly appearance, ethereal, fragile, mysterious, floating, drifting, suspended in water, pitch-black underwater abyss, completely black empty surrounding water, deep blacks, cinematic macro shot, close-up, from below, slight upward angle, dark background, no text, no letters, no typography, no watermark, no signature, clean image surface, film grain, 16:9, cinematic lighting, hyper-detailed, silent, beautiful, quietly mesmerizing. A cinematic macro shot framed from slightly below, looking up at one single jellyfish suspended alone in a pitch-black underwater abyss, the only living thing in the frame and the only source of light. Its translucent bell fills the upper-middle of the 16:9 frame, tilted a little off-axis and mid-pulse: the bell's rim has just begun to curl inward on the near side, the far rim still flared open, the thin ectoderm stretched glassy so the black water reads faintly through its crown. From the underside of the bell hang the delicate tentacles, long filaments and a few finer ruffled oral arms, trailing softly downward and to the right on a slow current that the eye can trace as a gentle S-curve; the outermost strands thin to single threads and fade out into the dark, the nearest ones crossing in front of the bell's glowing rim so the light fringes them. Nothing else is in the water: no fish, no particles of note, no horizon, no surface, no seabed, no caustics, no sand, no plants, no bubbles rising anywhere but the faint few shed from the bell's edge; the surrounding water is completely black and empty on all sides, framing the animal in a wide margin of negative space that swallows the frame edges. The creature's alien otherworldliness comes from its geometry and its light: a pale blue radiance blooms through the bell's dome and along its rim like a thin neon halo, while the tentacles and oral arms carry a colder violet glow that intensifies toward their tips and fades out before their ends, so each filament looks like a strand of light rather than flesh. The glow is the scene's only light source and it lights almost nothing: a scant pale-blue falloff kisses the water within a hand's width of the bell's rim and dies instantly into absolute black beyond it, and there is no key light, no fill, no other source anywhere; where the bell overlaps its own tentacles the near filaments silhouette dark against the glow behind them, and the tentacles cast no shadow because there is no surface to catch one. Colour discipline: deep black ground, pale blue in the bell's dome and rim, violet in the trailing filaments, and nothing else admitted. The film grain sits visible in the smooth black gradients as well as on the lit tissue, and the black is a true deep black that clips to darkness at the frame edges, not a lifted grey. Detail budget goes to the bell's translucency, the wet sheen along its rim, and the separate, individually readable filaments of the trailing tentacles thinning to points. Fragile, glowing, silent; quietly mesmerizing.
C9I

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リオ
2#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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