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View detailsMitsuri Kanroji, Demon Slayer: Kimetsu no Yaiba
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- Original Prompt
- mitsuri showing off steming feet
- Mode
- pro
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used
Similar Images
Show moreShinobu Kocho、Mitsuri Kanroji
🩷 凜茵 ( O 3 O )🩷
Mitsuri Kanroji from Demon Slayer!
marcelou974
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guauter
mb
character: kamado_nezuko, kochou_shinobu
2girls, kamado nezuko, kochou shinobu, gigantic feet, huge feet, bare feet, sole focus, smug, smug smile, half-closed eyes, looking down, embarrassed, extremely blushing, full-face blush, averted gaze, closed eyes, sweatdrop, foot on face, foot tapping nose, toes on nose, sitting, leaning back, arms braced behind, from below, close-up, foreshortening, dutch angle, dynamic angle, indoor, wooden floor, warm lamplight, barefoot, toes, pink kimono, black hair, long hair, pink eyes, hair ribbon, purple hair, short hair, butterfly hair ornament, haori, demon slayer uniform, parted bangs, purple eyes, open mouth, clenched teeth
From a low, tilted dutch-angle close-up near the floor, Kamado Nezuko sits back on the wooden boards with her weight braced on both palms planted behind her hips, her knees fallen open and her long black-to-pink hair sweeping the floor behind her shoulders. Her right leg lifts high and forward, huge bare sole turned out to the camera, and the tip of her big toe presses a soft dent into the bridge of Shinobu's nose. The foot is enormous, longer than Shinobu's whole head, the pale sole creased and blushing warm at the ball, the heel rounded and heavy, the toes oversized and slightly curled; from this vantage the sole fills the near foreground and the toes foreshorten back toward Shinobu's face, so the toe-contact point reads as the smallest, most distant part of the foot. Nezuko's chin lifts, one brow cocked, a lopsided smug smirk with one lash-lowered eye sliding across at Shinobu while her other eye stays half shut, her free foot tapping the boards in time with the little nudge at Shinobu's nose. Shinobu kneels between Nezuko's splayed knees, frozen, her shoulders hunched up around her ears and both hands hovering half-raised and not daring to touch the sole; her chin is tipped back by the pressure on her nose, her short purple-black parted bangs falling away, and her whole face is flooded scarlet from throat to hairline, a sweatdrop at her temple, her purple eyes squeezed shut with the brows pinched and her mouth open in a small mortified grimace. Her butterfly hair ornament catches the light at the back of her head; her haori hangs off one shoulder where she flinched. The scene is a quiet wooden room with sliding shoji panels behind them, the lamp low at the right of frame so it rakes along the sole's ridges and throws the shadow of the raised foot long across Shinobu's knees, the boards grain-lit and warm ocher while the corners fall into brown shadow. Palette held to Nezuko's pink kimono and ribbon, Shinobu's black-and-white uniform and purple hair, warm wood, and the hot red of Shinobu's blush. Skin texture on the sole kept softly matte so the light pools in the creases and the pressed toe whitens where it meets the nose. Playful, absurdly teasing.
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