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Furina and Haruka and Neuvillette

I've been thinking that I have mainly made art for my male The Isekai'd OC's, so I've decided to make some more art for female The Isekai'd OC's. Especially when it comes to romantic relationships.

#Heterochromia #Bow #Cake #Food #Cup #Girl #Boy #Genshin Impact #Furina #Neuvillette

Published on Nov 9, 2026

ᘻᑘᒪᖶᓰᒪᓍᐺᘿᖇ

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character: neuvillette_(genshin_impact), furina_(genshin_impact), copyright: genshin_impact bird's eye view, 3girls, outdoors, daytime, round table, blue tablecloth, teapots, tea cups, desserts, long hair, navy hair, twin braids, long sleeves, light blue jacket, open jacket, white shirt, pleated skirt, navy necktie, striped necktie, navy miniskirt, sitting, drinking, teacup, holding cup with both hands, furina \(genshin impact\), blue hair, multicolored hair, white hair, streaked hair, ahoge, hair between eyes, blue eyes, heterochromia, hat, blue hat, top hat, gloves, jacket, ascot, long sleeves, ouji fashion, smiling, open mouth, lifting hat, hand on headwear, looking at another, neuvillette \(genshin impact\), long hair, white hair, multicolored hair, streaked hair, hair between eyes, asymmetrical bangs, very long hair, purple eyes, gloves, black gloves, ascot, white ascot, jewelry, coat, ouji fashion, expressionless, elbows on table, hands under chin, intertwined fingers, eyeing, looking at another, high angle, ariake \(style\) A true bird's-eye view looks straight down on an open terrace in full daylight, the round table filling the center of the frame as a wide blue disc of tablecloth, its cloth pulled taut and falling in even scalloped folds over the unseen edge so that only the blue circle and the three heads and shoulders ringing it are visible. The light comes from a high sun slightly off to the upper left, so the table casts a soft curved rim of shadow down-right and every cup throws a short shadow toward the lower right; the cloth's blue is the anchor colour, with white porcelain, teal-striped accents, cream and berry dessert tones, and warm skin as the only other hues. From above, the three figures read as a triangle: the navy-blue-haired girl at the bottom right of the circle, the hatted girl at the bottom left, and the white-haired man at the top center. The navy-haired girl sits at the bottom right, her body angled inward toward the table's center, shoulders turned a little toward the top so her back is toward the lower-right corner of the frame. Her long navy-blue hair is split into twin braids that run down over both shoulders and lie forward across the blue cloth, the tips brushing the tabletop; from this height the parting and the woven crossovers of each braid are clearly visible. She wears a white shirt under a light blue jacket left hanging open, its long sleeves pushed to her wrists, and a navy blue necktie with fine teal stripes lying straight down the white shirt front; below the table edge the navy pleated miniskirt's pleats fan out around her hips. Both hands are wrapped around a white teacup, elbows tucked in, the cup lifted just off the saucer and tilted toward her face, her head tipped back a touch to drink; her eyes are lowered into the cup, lashes down, and her cheeks are faintly rounded with the sip. The hatted girl at the bottom left leans in toward the navy-haired girl, her torso rotated so her shoulder points at the table's center. Her blue-and-white streaked hair, ahoge springing up, a long strand falling between her eyes, spills over the collar of her jacket; a short blue top hat sits on her head, and her white-gloved hand is raised to its brim, fingers curled under it, tilting it slightly up and back so the underside of the brim shows as a dark crescent. Her other gloved hand rests flat on the cloth beside her saucer. Her blue eyes, one a shade deeper than the other, are fixed on the navy-haired girl's face, and her mouth is wide open in a delighted grin, chin lifted. At the top center the white-haired man sits square to the table's far side, facing down toward the navy-haired girl. His very long white-and-blue streaked hair is swept back from his forehead in asymmetrical bangs that leave a strand between his eyes, and the mass of it falls behind his shoulders, out of the table's way. He wears a dark coat over a white ascot at his throat, black gloves on both hands. Both elbows are planted on the blue cloth, and the backs of his black-gloved hands are set together under his chin, the fingers laced and interlocked in a tight lattice; the knuckles press a shallow dent into the cloth beneath his forearms. His purple eyes are narrowed and level, aimed straight down the table at the navy-haired girl, and his mouth is a flat, unreadable line, no smile at all. On the cloth between them: two teapots, one white with a curved spout and one teal, their lids' knobs catching a small hard highlight from the upper-left sun; three tea cups, one in the navy-haired girl's hands, one at the hatted girl's place, one before the man, each on a matching saucer; and a cluster of desserts on a small stand at the table's center — cream cakes, a plate of berry tarts, macarons in pale and deep pinks — with the stand's shadow falling crisp and short toward the lower right. Steam from the teapot spouts is the one soft thing in the frame, rising and thinning as it drifts up toward the lens. Only the three of them occupy the terrace, and the pale stone paving around the blue circle is otherwise empty. Clean linework throughout, gentle colour with smooth glossy skin tones and expressive eyes, the whole held in crisp high-angle clarity. Bright, teasing, quietly charged.

Furina and Haruka and Neuvillette

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