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C9I

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C9I

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dark horror illustration, 1girl, solo, androgynous, fragile slender figure, pale porcelain skin, heavy smeared black eyeliner running down the cheeks, long straight black hair clinging wet to the temples, hollow dark eyes, gaunt cheekbones, tattered black suit, torn black jacket, frayed shirt cuffs, black trousers, scuffed black shoes, sitting hunched on a broken chair, playing rusted broken acoustic guitar, rusted strings, splintered soundhole, cracked headstock, snapped guitar neck, hands gripping the fretboard and the body of the guitar, black blood-beaded fingertips, raven, one black raven, bird perched on the broken guitar neck, raven staring at the figure, head turned toward her face, wide shot, cinematic wide shot, from below, slight low angle, dutch angle faint tilt, dead white roses, white rose petals scattered on the stage floor, broken vintage microphones, tangled black cables, ruined gothic theater, shattered roof, rain, heavy rain, rain falling indoors, thick freezing rain, rain streaking through the spotlight, abandoned concert stage, faint dying spotlight, chiaroscuro, harsh single spotlight, deep black shadows, desaturated blacks, cold blues, charcoal and ink texture, film grain, hyperdetailed, masterpiece, 2:3 aspect ratio A cinematic wide shot taken from a low angle so that the vaulted ribs of the shattered roof lean inward over the frame: a single fragile, androgynous figure sits at the center of a ruined gothic theater, small within the enormous dark hall, occupying under a quarter of the image, hunched forward on a broken cane chair with one leg buckled and the seat split, left foot flat on the wet boards, right knee raised, the body curled around the instrument. The figure's head is bowed toward the guitar, chin nearly touching the soundboard, long wet black hair hanging in strands that stick to the wet pale porcelain skin of the cheek and throat; the eyes are cast down at the strings, lids heavy, and heavy smeared black eyeliner has bled in dark streaks from the lower lash line down the cheekbone, one streak longer than the other. The brow is drawn, the mouth slightly open in a sorrowful broken breath. Both hands are on the rusted, broken acoustic guitar: the left hand clamped high on the fretted neck, fingers curled on corroded strings, the right hand cupped over the body of the instrument near the splintered soundhole, fingertips pressing the strings, a bead of dark fluid at one fingernail. The tattered black suit hangs loose on narrow shoulders, the jacket torn at the left elbow and frayed at the hem, the black shirt collar open and rumpled, the black trousers soaked dark to the knee. The guitar's neck ends in a splintered break just past the fifth fret, and there a single black raven is perched, claws gripping the raw splintered wood, body angled down toward the figure, head turned and one glossy eye fixed on her face; the figure does not look back at it, her eyes still on the strings. The stage floor stretches away in wet, warped boards littered with dead white roses, their petals curling and grey at the edges, washed in puddles; broken vintage microphones lie on their sides among them, chrome grilles dented and cables torn from their bases, and tangled black cables loop and coil across the boards, trailing off into the dark. Rain falls thick and cold directly inside the theater through the shattered roof, long vertical streaks catching the light and breaking the dark; water pools and runs along the seams of the floorboards, splashing thinly where drops hit the guitar's body and the raven's back. The fallen petals are plastered flat to the wet wood, and each upward-facing surface -- the rims of the broken microphones, the raven's shoulders, the curve of the guitar's lower bout -- collects water, while the undersides stay dry. A single spotlight, faint and dying, cuts a narrow cone down from the dark upper rigging, its beam unsteady through the falling rain, striking the figure's bowed head, one shoulder, and the pale face from above; the raven and the broken guitar neck catch its edge. Everything beyond the cone sinks into absolute, deep desaturated black. Cold blue fills the rest of the hall: the tall ruined arches, the empty rows of gutted seats, the fallen chandelier, the cracked marble of the balustrade. The palette is only desaturated blacks, cold blues and the bone-white of the roses, with the faint warm sickly yellow only inside the dying spotlight. Charcoal and ink texture, dense smoky blacks and fine grain, with the light breaking into dry hatching on the wet stone. The whole hall is silent and enormous around the small figure, a moment of theater in grief. Faint film grain over the whole surface. Cold, theatrical melancholy.
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Original Prompt
Dark art horror illustration of a melancholic, abandoned acoustic concert stage in a decaying, ruined gothic theater. In the center, a fragile, androgynous figure with pale porcelain skin, heavy smeared black eyeliner, and a tattered black suit is playing a rusted, broken acoustic guitar. Thick, freezing rain is falling directly inside the theater through a shattered roof. The stage is littered with dead white roses, broken vintage microphones, and tangled black cables. A single raven is perched on the broken neck of the guitar, staring at the figure. Deep sorrow, raw emotion, theatrical melancholy, hyperdetailed charcoal and ink texture, chiaroscuro, desaturated blacks, cold blues, a faint, dying spotlight, cinematic wide shot, film grain, by Zdzisław Beksiński and Gustave Doré, masterpiece, 8K --ar 2:3 --v 6
Mode
pro
Size
992 x 992
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Avatar image of C9I
dark horror illustration, 1girl, solo, androgynous, fragile slender figure, pale porcelain skin, heavy smeared black eyeliner running down the cheeks, long straight black hair clinging wet to the temples, hollow dark eyes, gaunt cheekbones, tattered black suit, torn black jacket, frayed shirt cuffs, black trousers, scuffed black shoes, sitting hunched on a broken chair, playing rusted broken acoustic guitar, rusted strings, splintered soundhole, cracked headstock, snapped guitar neck, hands gripping the fretboard and the body of the guitar, black blood-beaded fingertips, raven, one black raven, bird perched on the broken guitar neck, raven staring at the figure, head turned toward her face, wide shot, cinematic wide shot, from below, slight low angle, dutch angle faint tilt, dead white roses, white rose petals scattered on the stage floor, broken vintage microphones, tangled black cables, ruined gothic theater, shattered roof, rain, heavy rain, rain falling indoors, thick freezing rain, rain streaking through the spotlight, abandoned concert stage, faint dying spotlight, chiaroscuro, harsh single spotlight, deep black shadows, desaturated blacks, cold blues, charcoal and ink texture, film grain, hyperdetailed, masterpiece, 2:3 aspect ratio A cinematic wide shot taken from a low angle so that the vaulted ribs of the shattered roof lean inward over the frame: a single fragile, androgynous figure sits at the center of a ruined gothic theater, small within the enormous dark hall, occupying under a quarter of the image, hunched forward on a broken cane chair with one leg buckled and the seat split, left foot flat on the wet boards, right knee raised, the body curled around the instrument. The figure's head is bowed toward the guitar, chin nearly touching the soundboard, long wet black hair hanging in strands that stick to the wet pale porcelain skin of the cheek and throat; the eyes are cast down at the strings, lids heavy, and heavy smeared black eyeliner has bled in dark streaks from the lower lash line down the cheekbone, one streak longer than the other. The brow is drawn, the mouth slightly open in a sorrowful broken breath. Both hands are on the rusted, broken acoustic guitar: the left hand clamped high on the fretted neck, fingers curled on corroded strings, the right hand cupped over the body of the instrument near the splintered soundhole, fingertips pressing the strings, a bead of dark fluid at one fingernail. The tattered black suit hangs loose on narrow shoulders, the jacket torn at the left elbow and frayed at the hem, the black shirt collar open and rumpled, the black trousers soaked dark to the knee. The guitar's neck ends in a splintered break just past the fifth fret, and there a single black raven is perched, claws gripping the raw splintered wood, body angled down toward the figure, head turned and one glossy eye fixed on her face; the figure does not look back at it, her eyes still on the strings. The stage floor stretches away in wet, warped boards littered with dead white roses, their petals curling and grey at the edges, washed in puddles; broken vintage microphones lie on their sides among them, chrome grilles dented and cables torn from their bases, and tangled black cables loop and coil across the boards, trailing off into the dark. Rain falls thick and cold directly inside the theater through the shattered roof, long vertical streaks catching the light and breaking the dark; water pools and runs along the seams of the floorboards, splashing thinly where drops hit the guitar's body and the raven's back. The fallen petals are plastered flat to the wet wood, and each upward-facing surface -- the rims of the broken microphones, the raven's shoulders, the curve of the guitar's lower bout -- collects water, while the undersides stay dry. A single spotlight, faint and dying, cuts a narrow cone down from the dark upper rigging, its beam unsteady through the falling rain, striking the figure's bowed head, one shoulder, and the pale face from above; the raven and the broken guitar neck catch its edge. Everything beyond the cone sinks into absolute, deep desaturated black. Cold blue fills the rest of the hall: the tall ruined arches, the empty rows of gutted seats, the fallen chandelier, the cracked marble of the balustrade. The palette is only desaturated blacks, cold blues and the bone-white of the roses, with the faint warm sickly yellow only inside the dying spotlight. Charcoal and ink texture, dense smoky blacks and fine grain, with the light breaking into dry hatching on the wet stone. The whole hall is silent and enormous around the small figure, a moment of theater in grief. Faint film grain over the whole surface. Cold, theatrical melancholy.
C9I
AI artwork
Avatar image of C9I
dark horror illustration, 1girl, solo, androgynous, fragile slender figure, pale porcelain skin, heavy smeared black eyeliner running down the cheeks, long straight black hair clinging wet to the temples, hollow dark eyes, gaunt cheekbones, tattered black suit, torn black jacket, frayed shirt cuffs, black trousers, scuffed black shoes, sitting hunched on a broken chair, playing rusted broken acoustic guitar, rusted strings, splintered soundhole, cracked headstock, snapped guitar neck, hands gripping the fretboard and the body of the guitar, black blood-beaded fingertips, raven, one black raven, bird perched on the broken guitar neck, raven staring at the figure, head turned toward her face, wide shot, cinematic wide shot, from below, slight low angle, dutch angle faint tilt, dead white roses, white rose petals scattered on the stage floor, broken vintage microphones, tangled black cables, ruined gothic theater, shattered roof, rain, heavy rain, rain falling indoors, thick freezing rain, rain streaking through the spotlight, abandoned concert stage, faint dying spotlight, chiaroscuro, harsh single spotlight, deep black shadows, desaturated blacks, cold blues, charcoal and ink texture, film grain, hyperdetailed, masterpiece, 2:3 aspect ratio A cinematic wide shot taken from a low angle so that the vaulted ribs of the shattered roof lean inward over the frame: a single fragile, androgynous figure sits at the center of a ruined gothic theater, small within the enormous dark hall, occupying under a quarter of the image, hunched forward on a broken cane chair with one leg buckled and the seat split, left foot flat on the wet boards, right knee raised, the body curled around the instrument. The figure's head is bowed toward the guitar, chin nearly touching the soundboard, long wet black hair hanging in strands that stick to the wet pale porcelain skin of the cheek and throat; the eyes are cast down at the strings, lids heavy, and heavy smeared black eyeliner has bled in dark streaks from the lower lash line down the cheekbone, one streak longer than the other. The brow is drawn, the mouth slightly open in a sorrowful broken breath. Both hands are on the rusted, broken acoustic guitar: the left hand clamped high on the fretted neck, fingers curled on corroded strings, the right hand cupped over the body of the instrument near the splintered soundhole, fingertips pressing the strings, a bead of dark fluid at one fingernail. The tattered black suit hangs loose on narrow shoulders, the jacket torn at the left elbow and frayed at the hem, the black shirt collar open and rumpled, the black trousers soaked dark to the knee. The guitar's neck ends in a splintered break just past the fifth fret, and there a single black raven is perched, claws gripping the raw splintered wood, body angled down toward the figure, head turned and one glossy eye fixed on her face; the figure does not look back at it, her eyes still on the strings. The stage floor stretches away in wet, warped boards littered with dead white roses, their petals curling and grey at the edges, washed in puddles; broken vintage microphones lie on their sides among them, chrome grilles dented and cables torn from their bases, and tangled black cables loop and coil across the boards, trailing off into the dark. Rain falls thick and cold directly inside the theater through the shattered roof, long vertical streaks catching the light and breaking the dark; water pools and runs along the seams of the floorboards, splashing thinly where drops hit the guitar's body and the raven's back. The fallen petals are plastered flat to the wet wood, and each upward-facing surface -- the rims of the broken microphones, the raven's shoulders, the curve of the guitar's lower bout -- collects water, while the undersides stay dry. A single spotlight, faint and dying, cuts a narrow cone down from the dark upper rigging, its beam unsteady through the falling rain, striking the figure's bowed head, one shoulder, and the pale face from above; the raven and the broken guitar neck catch its edge. Everything beyond the cone sinks into absolute, deep desaturated black. Cold blue fills the rest of the hall: the tall ruined arches, the empty rows of gutted seats, the fallen chandelier, the cracked marble of the balustrade. The palette is only desaturated blacks, cold blues and the bone-white of the roses, with the faint warm sickly yellow only inside the dying spotlight. Charcoal and ink texture, dense smoky blacks and fine grain, with the light breaking into dry hatching on the wet stone. The whole hall is silent and enormous around the small figure, a moment of theater in grief. Faint film grain over the whole surface. Cold, theatrical melancholy.
C9I
AI artwork
Avatar image of C9I
dark horror illustration, 1girl, solo, androgynous, fragile slender figure, pale porcelain skin, heavy smeared black eyeliner running down the cheeks, long straight black hair clinging wet to the temples, hollow dark eyes, gaunt cheekbones, tattered black suit, torn black jacket, frayed shirt cuffs, black trousers, scuffed black shoes, sitting hunched on a broken chair, playing rusted broken acoustic guitar, rusted strings, splintered soundhole, cracked headstock, snapped guitar neck, hands gripping the fretboard and the body of the guitar, black blood-beaded fingertips, raven, one black raven, bird perched on the broken guitar neck, raven staring at the figure, head turned toward her face, wide shot, cinematic wide shot, from below, slight low angle, dutch angle faint tilt, dead white roses, white rose petals scattered on the stage floor, broken vintage microphones, tangled black cables, ruined gothic theater, shattered roof, rain, heavy rain, rain falling indoors, thick freezing rain, rain streaking through the spotlight, abandoned concert stage, faint dying spotlight, chiaroscuro, harsh single spotlight, deep black shadows, desaturated blacks, cold blues, charcoal and ink texture, film grain, hyperdetailed, masterpiece, 2:3 aspect ratio A cinematic wide shot taken from a low angle so that the vaulted ribs of the shattered roof lean inward over the frame: a single fragile, androgynous figure sits at the center of a ruined gothic theater, small within the enormous dark hall, occupying under a quarter of the image, hunched forward on a broken cane chair with one leg buckled and the seat split, left foot flat on the wet boards, right knee raised, the body curled around the instrument. The figure's head is bowed toward the guitar, chin nearly touching the soundboard, long wet black hair hanging in strands that stick to the wet pale porcelain skin of the cheek and throat; the eyes are cast down at the strings, lids heavy, and heavy smeared black eyeliner has bled in dark streaks from the lower lash line down the cheekbone, one streak longer than the other. The brow is drawn, the mouth slightly open in a sorrowful broken breath. Both hands are on the rusted, broken acoustic guitar: the left hand clamped high on the fretted neck, fingers curled on corroded strings, the right hand cupped over the body of the instrument near the splintered soundhole, fingertips pressing the strings, a bead of dark fluid at one fingernail. The tattered black suit hangs loose on narrow shoulders, the jacket torn at the left elbow and frayed at the hem, the black shirt collar open and rumpled, the black trousers soaked dark to the knee. The guitar's neck ends in a splintered break just past the fifth fret, and there a single black raven is perched, claws gripping the raw splintered wood, body angled down toward the figure, head turned and one glossy eye fixed on her face; the figure does not look back at it, her eyes still on the strings. The stage floor stretches away in wet, warped boards littered with dead white roses, their petals curling and grey at the edges, washed in puddles; broken vintage microphones lie on their sides among them, chrome grilles dented and cables torn from their bases, and tangled black cables loop and coil across the boards, trailing off into the dark. Rain falls thick and cold directly inside the theater through the shattered roof, long vertical streaks catching the light and breaking the dark; water pools and runs along the seams of the floorboards, splashing thinly where drops hit the guitar's body and the raven's back. The fallen petals are plastered flat to the wet wood, and each upward-facing surface -- the rims of the broken microphones, the raven's shoulders, the curve of the guitar's lower bout -- collects water, while the undersides stay dry. A single spotlight, faint and dying, cuts a narrow cone down from the dark upper rigging, its beam unsteady through the falling rain, striking the figure's bowed head, one shoulder, and the pale face from above; the raven and the broken guitar neck catch its edge. Everything beyond the cone sinks into absolute, deep desaturated black. Cold blue fills the rest of the hall: the tall ruined arches, the empty rows of gutted seats, the fallen chandelier, the cracked marble of the balustrade. The palette is only desaturated blacks, cold blues and the bone-white of the roses, with the faint warm sickly yellow only inside the dying spotlight. Charcoal and ink texture, dense smoky blacks and fine grain, with the light breaking into dry hatching on the wet stone. The whole hall is silent and enormous around the small figure, a moment of theater in grief. Faint film grain over the whole surface. Cold, theatrical melancholy.
C9I
AI artwork
Avatar image of Michelle Angela Lovecraft
1boy, solo, male focus, adult man, from below, dutch angle, foreshortening, three-quarter view from the back of the bench, looking up, seated at pipe organ, hands on keys, playing the organ, black silk gloves, skull masquerade mask, bow tie, cufflinks, tuxedo, waistcoat, dress trousers, belt, cape, long cape, black gloves, gothic horror, victorian, dark, dramatic lighting, high contrast, ornate pipe organ A low, tilted view from below and slightly behind the organ bench: a lone man sits at a towering church pipe organ, his body pitched forward in three-quarter back view so the height of the instrument dwarfs him. His long cape spills over the back of the carved bench and over his shoulders, the heavy black cloth catching the light in hard folds. He wears an elegant 19th century formal suit: a black tuxedo jacket with satin lapels and a waistcoat beneath, a crisply tied black bow tie at his throat, a dress belt above pressed dress trousers, and white cufflinks showing at the cuffs of a black shirt. His hands, in black silk gloves, grip the keys; several fingers press chords while others arch mid-flight, and his sleeves bunch above the wrist. A skull masquerade mask covers the upper half of his face, the pale bone mask carved with hollow eye sockets that turn upward toward the towering pipes. His bare jaw is pressed tight below the mask, the lips a thin line. He is caught mid-phrase, one shoulder lifted and his head tilted back. Before him the organ rises in tiers of burnished silver pipes that stretch out of frame; the largest columns flank him like pillars. Dust and pooled shadow gather in the deep recesses of the console. A single shaft of cold moonlight from a tall stained-glass window falls across his masked face, picking out the curve of the skull and the black sheen of his gloves; the rest of the church interior recedes into absolute dark. The composition leaves deep negative space above the organ, where only the pipe ranks and drifting dust are visible against the gloom. The palette is black, bone-white, tarnished silver and deep sepia. Polished lacquer on the organ's wood returns a faint sharp highlight; a low, quiet dread, gothic and theatrical.
Michelle Angela Lovecraft

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
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