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AI art "Claire Redfield in the Moonlit Alley"
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Claire Redfield in the Moonlit Alley

There's something truly captivating about Claire Redfield that keeps pulling me back into the world of Resident Evil. I wanted to capture her determined spirit and iconic look in this tense, atmospheric alleyway scene. Hope you all enjoy this piece as much as I enjoyed creating it! Please leave a like, follow for more, and let me know your thoughts in the comments!

#Resident Evil#Gun#brown hair#blue eyes#Night#Girl#Alley#Claire Redfield#Resident Evil 2
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Pablo Raul Pereyra

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character: claire_redfield 1girl, solo, claire redfield, brown hair, long hair, ponytail, parted bangs, blue eyes, skin-tight black bodysuit, shiny clothes, black shirt, blue pants, boots, brown belt, black gloves, holding handgun, two-handed grip, pistol pointed down and to the side, low-ready stance, crouched, leaning against wall, cowboy shot, from side, profile, looking back over shoulder, looking at viewer, wide-eyed, parted lips, tense, street, night, brick alley, neon reflections, wet asphalt, rim lighting, high detail, semi-realistic, A low three-quarter side view from beside her, a narrow city street at night: a woman with long brown hair pulled back into a ponytail, parted bangs fallen loose across her forehead, blue eyes cut hard sideways back over her shoulder straight into the lens. She stands crouched against a brick wall on the right of the frame, left shoulder and upper arm pressed flat to the masonry, weight sunk back on her rear foot, front knee bent, body low and compact. She wears a skin-tight black zippered bodysuit with a sheen where it catches light, black gloves fitted to the wrists, blue pants down into scuffed boots, a scuffed brown belt buckled at the hips; the bodysuit's collar sits high at the throat. Both hands are on a black handgun held in a low-ready grip at waist height, muzzle angled down and forward toward the street, trigger finger straight along the frame outside the guard, gloved fingers wrapped tight around the grip, the gun's slide and sights catching a thin white highlight. Behind her a wet street runs to a vanishing point: an alley of brick and shuttered storefronts, an overflowing drain gutter, a puddle in the foreground reflecting the far neon. The only light source is a single streetlamp behind her left, its glow rimming the ponytail, the edge of one cheekbone and the top of her shoulder in cold amber, leaving her front in deep shadow and the far street in black; a soft silhouette shadow falls against the wall. Steam curls off a vent grate in the middle distance. Spotlight, silence, held breath in a city that has gone quiet.
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Original Prompt
claire redfield, high quality, high detail, handgun, street, semi-realistic
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1232 x 1632
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

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Avatar image of proevo88
1girl, solo, mature woman, medium breasts, brown eyes, dark brown hair, slicked back hair, high ponytail, black ribbed form fitting cropped shirt, medium sleeves, wide square neckline, black tactical pants, black combat boots, black leather gloves, completely exposed midriff, midriff, navel, standing, seductive expression, seductive smile, one hand on own hip, one hand holding desert eagle pistol, holding gun, outdoors, back alley, streetlight, rain slicked pavement, full body, from below, dutch angle, looking at viewer, contrapposto, wet pavement reflection, night. A full-body shot from a low, slightly tilted dutch angle: the woman stands in the middle of a narrow back alley at night, the camera low enough that the receding brick walls lean over her and the wet ground fills the bottom of the frame. Her weight rests on her right leg, the left hip cocked out and the left knee loosely bent, torso shifted a touch to her left so her silhouette breaks the vertical of the alley behind her; her dark brown hair is combed flat and tight from her forehead into a high ponytail that falls behind her right shoulder, a few rain-damp strands dragged loose at the nape. She looks straight down the lens with her chin lowered and a slow, closed-mouth seductive smile, one brow a fraction higher than the other, eyelids half lowered. Her right hand is planted flat on her right hip, thumb forward and black leather glove fingers spread over the waistband of the black tactical pants, the glove wet with a glancing sheen; her left arm hangs slightly out and forward, elbow soft, the heavy black Desert Eagle pistol held angled down at her side, the gloved fingers wrapped firmly around the grip with the trigger guard clear and the long barrel pointing toward the wet ground, muzzle low and to the left of frame. The black ribbed shirt is form-fitting across her chest with a wide square neckline cutting straight across the collarbones and medium sleeves ending at mid-forearm; it is cropped high, leaving the bare midriff completely exposed from under the bust to the waistband of the pants, navel centered and visible, the skin taking the cool light down the center line and a faint warm rim along her left side. Black combat boots, laced and scuffed, stand planted on the pavement, the right boot's toe turned slightly out. The alley is narrow and empty: brick walls close on both sides, a fire-escape strut and a downpipe on the left wall, a dark recessed doorway behind her right shoulder, a shallow gutter running along the base of the left wall. A single streetlight is mounted high on the left wall and is the only light source -- it pours cold, slightly green-white light down the left side of her face and shoulder and throws a long, sharp shadow to her right across the pavement, while the far end of the alley behind her drops into absolute black. The pavement is slick with rain: the streetlamp appears in it as a stretched, broken, dimmer reflection that runs and wavers across the uneven wet stone toward the bottom of the frame, and her boots throw up shallow standing water at the soles, the puddle rims breaking where her heels press. The palette is black and cool silver-green against the warm brown of her eyes and the wet brown of the pavement, nothing else admitted. Late-night neon-tinted noir, wet, composed.
proevo88
#Resident Evil
AI artwork
Avatar image of proevo88
1girl, solo, mature woman, medium breasts, brown eyes, dark brown hair, slicked back hair, high ponytail, black ribbed form fitting cropped shirt, medium sleeves, wide square neckline, black tactical pants, black combat boots, black leather gloves, completely exposed midriff, midriff, navel, standing, seductive expression, seductive smile, one hand on own hip, one hand holding desert eagle pistol, holding gun, outdoors, back alley, streetlight, rain slicked pavement, full body, from below, dutch angle, looking at viewer, contrapposto, wet pavement reflection, night. A full-body shot from a low, slightly tilted dutch angle: the woman stands in the middle of a narrow back alley at night, the camera low enough that the receding brick walls lean over her and the wet ground fills the bottom of the frame. Her weight rests on her right leg, the left hip cocked out and the left knee loosely bent, torso shifted a touch to her left so her silhouette breaks the vertical of the alley behind her; her dark brown hair is combed flat and tight from her forehead into a high ponytail that falls behind her right shoulder, a few rain-damp strands dragged loose at the nape. She looks straight down the lens with her chin lowered and a slow, closed-mouth seductive smile, one brow a fraction higher than the other, eyelids half lowered. Her right hand is planted flat on her right hip, thumb forward and black leather glove fingers spread over the waistband of the black tactical pants, the glove wet with a glancing sheen; her left arm hangs slightly out and forward, elbow soft, the heavy black Desert Eagle pistol held angled down at her side, the gloved fingers wrapped firmly around the grip with the trigger guard clear and the long barrel pointing toward the wet ground, muzzle low and to the left of frame. The black ribbed shirt is form-fitting across her chest with a wide square neckline cutting straight across the collarbones and medium sleeves ending at mid-forearm; it is cropped high, leaving the bare midriff completely exposed from under the bust to the waistband of the pants, navel centered and visible, the skin taking the cool light down the center line and a faint warm rim along her left side. Black combat boots, laced and scuffed, stand planted on the pavement, the right boot's toe turned slightly out. The alley is narrow and empty: brick walls close on both sides, a fire-escape strut and a downpipe on the left wall, a dark recessed doorway behind her right shoulder, a shallow gutter running along the base of the left wall. A single streetlight is mounted high on the left wall and is the only light source -- it pours cold, slightly green-white light down the left side of her face and shoulder and throws a long, sharp shadow to her right across the pavement, while the far end of the alley behind her drops into absolute black. The pavement is slick with rain: the streetlamp appears in it as a stretched, broken, dimmer reflection that runs and wavers across the uneven wet stone toward the bottom of the frame, and her boots throw up shallow standing water at the soles, the puddle rims breaking where her heels press. The palette is black and cool silver-green against the warm brown of her eyes and the wet brown of the pavement, nothing else admitted. Late-night neon-tinted noir, wet, composed.
proevo88

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リオ
2#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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