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月夜に舞う、白き着物の女性

月夜に舞う、白き着物の女性 AI art by うたひろ on PixAI. Tags: Dutch Angle, Autumn Leaves, Moon, Outdoors, long hair, Obi. Made with Tsubaki.3.

満月の夜、紅葉舞う屋上で優雅に扇を掲げる彼女の姿に、息をのむほど心を奪われました。和の美しさとどこか現代的な都市の夜景が混ざり合う、幻想的な雰囲気がたまらなく好きです。気に入っていただけたら、ぜひいいねとフォローをお願いします！

Contest Entry

One leaf's journey 🍁

Published on Nov 10, 2026

うたひろ

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autumn, night, moonlit banquet, tall building rooftop, princess, one girl, black long hair, very long hair, straight hair, hair blowing in the wind, white kimono, peony pattern, floral print, red folding fan, holding fan, dancing, graceful dance, arms up, outstretched arm, flowing sleeves, long sleeves, sash, obi, geta, from below, full body, wide shot, dutch angle, looking up, closed eyes, light smile, parted lips, stage (performance), banquet, sake cups, sake bottle, guests, seated, drinking, passing cup, red maple leaf, falling leaf, maple tree, autumn leaves, stone lantern, wooden railing, cityscape, night sky, full moon, moon, moonlight, rim light, chiaroscuro, cool blue palette, warm lantern accents, red accent, detailed background The view is from below and slightly to one side, tilted on a dutch angle, looking up past the low wooden railing of a rooftop terrace so that the night sky and the full moon sit high behind the dancer and the guests' heads frame the bottom edge of the shot. The princess stands at the center of the open stone floor caught mid-turn of her dance: she has just swept the red folding fan up and across her body, her right arm raised high with the fan opened at her fingertips, her left sleeve flung wide across her waist, her hips twisted so her weight rides on her right foot while her left toe pivots lifting the heel of her geta off the stone. Her long black hair, straight and heavy, streams sideways past her shoulder from the turn, several strands whipping loose across her raised forearm, the ends lifting into the air behind her. The white kimono with its large peony pattern of muted pink and deep crimson blooms wraps her body in overlapping panels, the fabric pulled taut over her raised shoulder and falling in a long diagonal to the hem, the sash cinched flat at her waist; her sleeves bell outward with the momentum of the sweep. Her chin is lifted, her eyes closed softly, her lips just parted as she breathes with the music. Her red fan, opened in a broad arc, catches the moonlight along its ribs. Around the edge of the floor, lower in the frame and closer to the camera, guests kneel on cushions in dark formal kimono, their heads and shoulders cropped by the bottom edge: one man leans toward a companion with a sake bottle in his hand, tipping it toward a small white cup being lifted to receive it, the cup held in both hands by the woman beside him, her sleeve falling back from her wrist. Between them a tray of stacked cups rests on the mat, and the pour is caught at the moment the clear liquid begins to fill the nearest cup, the surface trembling and catching a point of lantern light. Behind the kneeling guests, the terrace opens to the drop: the low wooden railing runs diagonally across the frame, and beyond it the city lies far below in darkness pricked with scattered window lights, small and cool. A stone lantern stands at the railing's end, its small flame burning warm and low, casting a short amber pool onto the floorboards around it; a maple tree leans over the terrace from the right, its branches bare enough to show dark twigs, most leaves already fallen and a few still clinging. The full moon hangs high and to the left of the dancer, its cool blue-white light the dominant source: it falls across her upturned face, along the raised edge of her fan, and down the front of her kimono, silvering the white fabric at every fold that faces it, while the undersides of her sleeves, the inside of the turn of her waist and the shadows beneath the kneeling guests go deep and near-black. A rim of moonlight outlines the loose strands of her hair against the sky. One single red maple leaf, larger than the others scattered on the stone, spins down through the air just above her raised shoulder, tilted so its lobed edge catches the moon, with its thin stem trailing behind; a second and a third leaf lie still on the floor below her pivoting geta, and a shallow scatter of them has collected in the seam where the floorboards meet the railing. The palette is cool blue-black and moon-silver across the terrace and sky, warm amber confined to the lantern and the cups, and red admitted only in the fan, the peonies and the falling leaf. Serene, quietly magnificent.

月夜に舞う、白き着物の女性

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