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AI art "Rei Ayanami (Evangelion)"
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Rei Ayanami (Evangelion)

#Rei Ayanami#Breasts#Barefoot#Feet#Foreshortening#Neon Genesis Evangelion#blue hair#from above#Bare legs#Girl
Avatar image of R_John_Wake 阿僵
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R_John_Wake 阿僵

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character: ayanami_rei, copyright: neon_genesis_evangelion 1girl, solo, Rei Ayanami, blue short hair, red eyes, white uniform, elegant accessories, standing, splits pose, legs apart, one leg up, legs up, foot focus, from above, dynamic pose, fashion pose, expressive body language, omg pose, looking up at viewer, full body, watercolor, sketch, flat color, soft skin, sketch lines, painterly, surrealism, horror, muted colors, harsh lighting, harmonious color palette, intricate texture details, flawless anatomy, beautiful body, aesthetic, stunning illustration, ultra detailed, ultra HD, maximum resolution, masterpiece. From a steep top-down angle, Rei Ayanami holds a one-legged standing split: her left foot plants on a pale seamless floor, her right leg sweeps high and out so the legs form a wide, lifted V, with the soles and toes pushed into the lower foreground. Her torso torques toward the lens, one arm flung overhead, the other bent near her waist, fingers splayed in an expressive fashion pose; short blue hair drifts, red eyes look up at the viewer. She wears a white uniform with an elegant silver ear cuff and a fine chain at the collar. Watercolor and sketch lines build the illustration: translucent washes, flat color blocks, soft skin, visible paper tooth and paint blooms, plus intricate texture on cloth and chain. Harsh light strikes from above left, dropping a hard black shadow under her raised leg and leaving the rest of the palette muted—bone white, desaturated blue, rust red, charcoal—within a harmonious scheme. A surreal horror mood bleeds through the background, its red-black pigment pooling into a void. Masterpiece, ultra HD, maximum resolution, flawless anatomy and beautiful body; quiet dread.
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Original Prompt
character: ayanami_rei, legs apart, legs up, standing, splits pose, leg up, Rei Ayanami (Evangelion), blue hair, red eyes, white uniform, short hair., legs apart, legs up, standing, splits pose, leg up, from above, foot focus,
Mode
pro
Size
768 x 1280
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark, normal quality, low quality, worst quality, bad anatomy, deformed, extra limbs, blurry, text, watermark, logo, mosaic censor, bar censor, exposed panties, panties visible, no skirt, skirt lifted, upskirt, bad hands, extra arms, front view, looking away, no blush, thin thighs, no halo, wrong hair color,
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character: tobiichi_origami, copyright: date_a_live 1girl, solo, tobiichi origami, short hair, white hair, grey hair, hair between eyes, blue eyes, hair ornament, hairclip, cowboy shot, from below, dutch angle, looking to the side, light smile, half-closed eyes, standing on one leg, outstretched arm, head tilt, hand on own hip, white sleeveless dress, bare shoulders, bare legs, white background, cel shading, clean lineart, crisp flat color, soft two-tone shadow, modern japanese 2d anime style, refined cel shading, high detail face, atmospheric perspective, Shot from below at a slight dutch tilt, the camera looks up across a lone girl who fills the frame from mid-thigh to just above her head, her short white-grey hair cut blunt at the jaw and feathered against her cheek, strands crossing between her eyes, a small hairclip pinned above one temple where the pale hair is swept aside. Her head tilts away from the tilt of the frame, one shoulder dropped, chin turned so she looks off to the side and slightly down past the lens, a single pale-blue eye visible under half-lowered lashes with a faint closed-lip smile that pulls higher on one side. She balances on her right leg, the left knee bent and the bare left foot lifted behind her ankle, weight stacked over the right hip so her spine curves into a soft S; her right hand rests flat on the crest of her right hip with the fingers spread and the wrist cocked, while her left arm extends out and away from her body at shoulder height, palm open, the sleeve edge sliding back over the upper arm. She wears a plain sleeveless white dress that falls loose from the shoulders, the neckline and armholes sitting clear with nothing at the throat and both shoulders bare and unobstructed, the hem lifting a little away from the lifted leg; her feet and lower legs are bare, and no other garment covers her arms, neck or legs. The fabric creases at the waist where the hip juts out and pulls tightest over the supporting thigh, its folds drawn with clean cel shapes and shaded in a single cooler tone. Behind her the background is a completely empty, seamless warm off-white field with no horizon, no furniture and no cast floor line — only one soft-edged shadow pooling under her right foot and stretching toward the lower-left corner, slightly elongated by the upward camera. A single broad diffused key comes from the upper right and behind her, so its light rims the top of her hair, one cheekbone, the leading edge of the extended arm and the outer curve of the lifted dress hem, while the front planes of her face and torso fall into a soft cooler shadow that carries one clean mid-tone and one deeper tone, no third. The rim light catches the fine loose hairs around her ears as a halo of brighter white against the off-white field, and the lifted foot's toes drop a small separate shadow slightly darker and softer than herself. Palette restrained to white, off-white, cool grey and pale ice-blue, with only the blue of her eyes and a thin blue catchlight on the hairclip admitted as accent. Linework crisp but fine, colour flat within hard cel boundaries, shadows resolved as shaped two-tone blocks rather than gradients, highlights kept small and hard-edged; one lifted strand of hair has not yet fallen back level with the rest, still swinging from the turn. quiet, elegantly cool.
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