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myaa myaa

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1girl, solo, pencil sketch on paper, traditional media, long hair, wavy hair, two-tone hair, multicolored hair, sidelocks, light brown skin, large breasts, sleeveless bikini, parted lips, open mouth, smile, gentle smile, fang, serene expression, hand up, pointing, index finger raised, upper body, from above, slight three-quarter view, head tilt, looking up at viewer, graphite hatching, sketch sheet, corner of paper visible Drawn from above and slightly to her right, the shot looks down onto a single sheet of cream-white paper lying flat, its bottom-left corner and a sliver of grey desk visible past the paper's edge; the girl is drawn across the sheet in graphite pencil, upper body filling the page from the top of her head to just below her bust. Her long wavy two-tone hair falls in loose S-curves over both shoulders — the crown and outer lengths a deep blue-black, the inner lengths and the wavy ends a pale ash-blonde, the two colours meeting along a soft zigzag partway down each wave — with two shaped sidelocks framing her cheeks and curving inward at the jaw. Her skin is rendered in warm light brown graphite, layered darker at the throat, under the chin and in the shadow the bust casts on the paper, and left nearly bare where the light hits her shoulder. She wears a sleeveless bikini, two narrow bands drawn with a firm double contour and a few short hatch folds where the top pulls across; the large breasts are drawn with a rounded undercurve and a single crescent of shadow beneath each. Her head tips slightly toward her raised shoulder, the eyelids lowered a fraction, her lips parted a little over a small visible fang at the left corner of a quiet, gentle smile; her serene gaze lifts up and off toward the viewer past the paper's edge. Her right arm rises in front of her chest, the hand turned so the index finger stands upright and slightly crooked, the other fingers loosely curled in toward the palm, the raised fingertip the highest point of the drawing; the left arm drops out of the page at the wrist. Every edge is pencil: the outlines a slightly broken dark-grey line varying in pressure, the hair built from long curved strokes that follow each wave, the skin from soft diagonal hatching that thins where the paper's tooth takes less graphite, and the whole figure resting on the untouched paper's warm off-white so the brightest lights are simply where the pencil stops. The only light is a flat ambient studio light coming from the upper left of the sheet, so every hatch stroke leans down and to the right, the shadow under the breasts and along the right side of her throat falls to the lower right, and the faint graphite sheen catches on the darkest passages. The palette is graphite grey, warm paper cream and the two hair tones, nothing else. Quiet, absorbed, hand-drawn tenderness.
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Original Prompt
The image shows a sketch of a girl with long hair on a paper. She has a gentle expression on her face and her hair is drawn in a neat, large breasts, Her lips are slightly parted, giving her a peaceful and serene look. Her hair is long and wavy, and her skin is a light shade of brown. 1girl, solo, long hair, smile, open mouth, multicolored hair, sidelocks, sleeveless, hand up, fang, two-tone hair, pointing, index finger raised, bikini
Mode
flash
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768 x 1280
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AI artwork
Avatar image of myaa myaa
1girl, solo, pencil sketch on paper, traditional media, long hair, wavy hair, two-tone hair, multicolored hair, sidelocks, light brown skin, large breasts, sleeveless bikini, parted lips, open mouth, smile, gentle smile, fang, serene expression, hand up, pointing, index finger raised, upper body, from above, slight three-quarter view, head tilt, looking up at viewer, graphite hatching, sketch sheet, corner of paper visible Drawn from above and slightly to her right, the shot looks down onto a single sheet of cream-white paper lying flat, its bottom-left corner and a sliver of grey desk visible past the paper's edge; the girl is drawn across the sheet in graphite pencil, upper body filling the page from the top of her head to just below her bust. Her long wavy two-tone hair falls in loose S-curves over both shoulders — the crown and outer lengths a deep blue-black, the inner lengths and the wavy ends a pale ash-blonde, the two colours meeting along a soft zigzag partway down each wave — with two shaped sidelocks framing her cheeks and curving inward at the jaw. Her skin is rendered in warm light brown graphite, layered darker at the throat, under the chin and in the shadow the bust casts on the paper, and left nearly bare where the light hits her shoulder. She wears a sleeveless bikini, two narrow bands drawn with a firm double contour and a few short hatch folds where the top pulls across; the large breasts are drawn with a rounded undercurve and a single crescent of shadow beneath each. Her head tips slightly toward her raised shoulder, the eyelids lowered a fraction, her lips parted a little over a small visible fang at the left corner of a quiet, gentle smile; her serene gaze lifts up and off toward the viewer past the paper's edge. Her right arm rises in front of her chest, the hand turned so the index finger stands upright and slightly crooked, the other fingers loosely curled in toward the palm, the raised fingertip the highest point of the drawing; the left arm drops out of the page at the wrist. Every edge is pencil: the outlines a slightly broken dark-grey line varying in pressure, the hair built from long curved strokes that follow each wave, the skin from soft diagonal hatching that thins where the paper's tooth takes less graphite, and the whole figure resting on the untouched paper's warm off-white so the brightest lights are simply where the pencil stops. The only light is a flat ambient studio light coming from the upper left of the sheet, so every hatch stroke leans down and to the right, the shadow under the breasts and along the right side of her throat falls to the lower right, and the faint graphite sheen catches on the darkest passages. The palette is graphite grey, warm paper cream and the two hair tones, nothing else. Quiet, absorbed, hand-drawn tenderness.
myaa myaa
AI artwork
Avatar image of myaa myaa
1girl, solo, pencil sketch on paper, traditional media, long hair, wavy hair, two-tone hair, multicolored hair, sidelocks, light brown skin, large breasts, sleeveless bikini, parted lips, open mouth, smile, gentle smile, fang, serene expression, hand up, pointing, index finger raised, upper body, from above, slight three-quarter view, head tilt, looking up at viewer, graphite hatching, sketch sheet, corner of paper visible Drawn from above and slightly to her right, the shot looks down onto a single sheet of cream-white paper lying flat, its bottom-left corner and a sliver of grey desk visible past the paper's edge; the girl is drawn across the sheet in graphite pencil, upper body filling the page from the top of her head to just below her bust. Her long wavy two-tone hair falls in loose S-curves over both shoulders — the crown and outer lengths a deep blue-black, the inner lengths and the wavy ends a pale ash-blonde, the two colours meeting along a soft zigzag partway down each wave — with two shaped sidelocks framing her cheeks and curving inward at the jaw. Her skin is rendered in warm light brown graphite, layered darker at the throat, under the chin and in the shadow the bust casts on the paper, and left nearly bare where the light hits her shoulder. She wears a sleeveless bikini, two narrow bands drawn with a firm double contour and a few short hatch folds where the top pulls across; the large breasts are drawn with a rounded undercurve and a single crescent of shadow beneath each. Her head tips slightly toward her raised shoulder, the eyelids lowered a fraction, her lips parted a little over a small visible fang at the left corner of a quiet, gentle smile; her serene gaze lifts up and off toward the viewer past the paper's edge. Her right arm rises in front of her chest, the hand turned so the index finger stands upright and slightly crooked, the other fingers loosely curled in toward the palm, the raised fingertip the highest point of the drawing; the left arm drops out of the page at the wrist. Every edge is pencil: the outlines a slightly broken dark-grey line varying in pressure, the hair built from long curved strokes that follow each wave, the skin from soft diagonal hatching that thins where the paper's tooth takes less graphite, and the whole figure resting on the untouched paper's warm off-white so the brightest lights are simply where the pencil stops. The only light is a flat ambient studio light coming from the upper left of the sheet, so every hatch stroke leans down and to the right, the shadow under the breasts and along the right side of her throat falls to the lower right, and the faint graphite sheen catches on the darkest passages. The palette is graphite grey, warm paper cream and the two hair tones, nothing else. Quiet, absorbed, hand-drawn tenderness.
myaa myaa
AI artwork
Avatar image of myaa myaa
1girl, solo, sketch on paper, pencil drawing on a sheet of paper, framed view of the paper within the image, long hair, wavy hair, multicolored hair, two-tone hair, sidelocks, light brown skin, tiger stripes on skin, gentle expression, smile, open mouth, parted lips, fang, peaceful, sleeveless, bikini, hand up, pointing, index finger raised, arm raised, head tilt, looking at viewer, from above, close-up, graphite lines, off-white paper ground, soft window light The view looks down at a single sheet of drawing paper lying flat, filling most of the frame, its four deckled edges visible at the corners with a sliver of pale desk surface beyond. On the paper, drawn in graphite with dry-brush shading, is a girl shown from the chest up, one shoulder turned slightly back and her head tilted a touch to her left so her long wavy two-tone hair — one half the darker strand tone, one half lighter — spills down past her jaw, the sidelocks falling in two soft comma curves beside her cheeks. Her skin is rendered in a light brown graphite tone, and thin tiger stripes curve across her upper arm, her shoulder and one hip where the bikini's strap crosses. She wears the sleeveless bikini — simple narrow straps, a clean triangle of paper-white showing around the fabric — and her weight rests on one hip, which pushes her near shoulder forward. Her right arm is raised, elbow bent, index finger pointing up and slightly toward the image's edge, the other hand relaxed out of view; her hand's contact with the page is stated by the leaded graphite greys under the fingers rather than any dress. Her expression is gentle and serene: eyes softly open looking down the angle of the raised finger, then out toward the viewer, a faint smile with lips left slightly parted and one small fang catching a point of graphite shadow at the corner of her mouth. Her hair is drawn with clean sweeping strokes that break into looser curls at the ends, and the raised arm carries a faint smudge of shading where the wrist turns. The light comes from a single window at the upper left and only reaches the sheet from that side: the paper's left edge is bright, the drawn lines are darkest where the pencil was pressed hardest, and a faint soft shadow of the paper's own thickness falls along the right edge. The eraser crumbs and the faint grey bloom of repeated shading are the paper's only other marks. The palette is entirely warm off-white, pencil black and the muted brown-grey of shaded skin, nothing else. Delicate, serene.
myaa myaa
AI artwork
Avatar image of myaa myaa
1girl, solo, sketch on paper, pencil drawing on a sheet of paper, framed view of the paper within the image, long hair, wavy hair, multicolored hair, two-tone hair, sidelocks, light brown skin, tiger stripes on skin, gentle expression, smile, open mouth, parted lips, fang, peaceful, sleeveless, bikini, hand up, pointing, index finger raised, arm raised, head tilt, looking at viewer, from above, close-up, graphite lines, off-white paper ground, soft window light The view looks down at a single sheet of drawing paper lying flat, filling most of the frame, its four deckled edges visible at the corners with a sliver of pale desk surface beyond. On the paper, drawn in graphite with dry-brush shading, is a girl shown from the chest up, one shoulder turned slightly back and her head tilted a touch to her left so her long wavy two-tone hair — one half the darker strand tone, one half lighter — spills down past her jaw, the sidelocks falling in two soft comma curves beside her cheeks. Her skin is rendered in a light brown graphite tone, and thin tiger stripes curve across her upper arm, her shoulder and one hip where the bikini's strap crosses. She wears the sleeveless bikini — simple narrow straps, a clean triangle of paper-white showing around the fabric — and her weight rests on one hip, which pushes her near shoulder forward. Her right arm is raised, elbow bent, index finger pointing up and slightly toward the image's edge, the other hand relaxed out of view; her hand's contact with the page is stated by the leaded graphite greys under the fingers rather than any dress. Her expression is gentle and serene: eyes softly open looking down the angle of the raised finger, then out toward the viewer, a faint smile with lips left slightly parted and one small fang catching a point of graphite shadow at the corner of her mouth. Her hair is drawn with clean sweeping strokes that break into looser curls at the ends, and the raised arm carries a faint smudge of shading where the wrist turns. The light comes from a single window at the upper left and only reaches the sheet from that side: the paper's left edge is bright, the drawn lines are darkest where the pencil was pressed hardest, and a faint soft shadow of the paper's own thickness falls along the right edge. The eraser crumbs and the faint grey bloom of repeated shading are the paper's only other marks. The palette is entirely warm off-white, pencil black and the muted brown-grey of shaded skin, nothing else. Delicate, serene.
myaa myaa

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