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View detailsnagatoro121
Show Parameters
- Original Prompt
- 괴롭히지 말아요 나가토로 양, 나가토로 하야세, 민소매 셔츠, 분리형 소매, 긴 소매, 모에소매, 짧은 치마, 긴 부츠
- Mode
- flash
- Size
- 1104 x 1824
- CFG Scale
- 1
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Model & LoRA used
Similar Images
Show moren1
character: nagatoro_hayase
solo, 1girl, nagatoro hayase, dark skin, tan, long black hair, brown eyes, hairclip, sleeveless shirt, white shirt, bare shoulders, bare arms, detached sleeves, long sleeves, moe sleeves, flared armwear cuffs, short skirt, pleated skirt, long boots, thigh boots, from below, low angle, cowboy shot, standing, one leg forward, weight on back leg, hand on hip, outstretched arm, pointing at viewer, head tilt, smug, lopsided grin, one eyebrow raised, half-closed eyes, looking down at viewer, open mouth, teeth, playful, teasing
The camera sits low, near knee height, tipped up: a from-below cowboy shot framed from the tops of her boots to just above her head, so the sky fills the upper third and her figure looms slightly over the lens. She stands with her weight sunk into her back leg, front leg stepped forward and turned out, hips canted; one hand is planted flat on her hip, fingers spread over the pleated skirt's waistband, and the other arm is thrust out toward the viewer with the index finger aimed straight at the lens, forearm foreshortened and knuckles large in the near foreground. Her chin is tipped down, head tilted a few degrees, one brow arched higher than the other, one lid lowered, and a lopsided open-mouthed grin shows a sliver of teeth; her eyes are locked on the viewer, reading the lens as someone standing below her.
Her white sleeveless shirt is cut in at the shoulders -- both shoulders and both arms bare from deltoid to wrist until the armwear begins -- and the fabric pulls taut across her chest and wrinkles from the armpit down as the raised arm lifts it. The detached long sleeves are separate tubes of matching white cloth, banded at the upper arm above the elbow and ending in wide moe-style flared cuffs that swallow her hands to the knuckles; the cuff on the pointing arm hangs open and swings slightly away from the wrist under its own weight, and where the sleeve ends, a bare strip of arm shows between band and shoulder. The short pleated skirt flares out and rides up a touch over the forward knee, its hem lifted on the stepping side, and the long boots -- dark, hugging calf and knee and rising to just under the hem -- crease in horizontal folds at the ankle of the load-bearing leg.
Behind her the ground is a plain sunlit street surface of pale grey asphalt with a soft chalk line running diagonally out of the bottom corner; she casts a short, hard-edged shadow that falls toward the camera and pools under her front boot. The light comes from high behind her right shoulder, a clean afternoon source that rims the top of her black hair and the outer edge of the outstretched sleeve in a thin bright line, leaves her face in soft shadow lit only by bounce from the pale ground, and puts highlights on the shoulder seam, the flared cuff and the gloss of the boots; the sky above her is a flat pale blue with no detail. Palette limited to white cloth, warm tan skin, black hair and boots, grey ground, pale blue sky. Effortlessly smug, sunlit.
nagatoro121
n1
character: nagatoro_hayase
solo, 1girl, nagatoro hayase, dark skin, tan, long black hair, brown eyes, hairclip, sleeveless shirt, white shirt, bare shoulders, bare arms, detached sleeves, long sleeves, moe sleeves, flared armwear cuffs, short skirt, pleated skirt, long boots, thigh boots, from below, low angle, cowboy shot, standing, one leg forward, weight on back leg, hand on hip, outstretched arm, pointing at viewer, head tilt, smug, lopsided grin, one eyebrow raised, half-closed eyes, looking down at viewer, open mouth, teeth, playful, teasing
The camera sits low, near knee height, tipped up: a from-below cowboy shot framed from the tops of her boots to just above her head, so the sky fills the upper third and her figure looms slightly over the lens. She stands with her weight sunk into her back leg, front leg stepped forward and turned out, hips canted; one hand is planted flat on her hip, fingers spread over the pleated skirt's waistband, and the other arm is thrust out toward the viewer with the index finger aimed straight at the lens, forearm foreshortened and knuckles large in the near foreground. Her chin is tipped down, head tilted a few degrees, one brow arched higher than the other, one lid lowered, and a lopsided open-mouthed grin shows a sliver of teeth; her eyes are locked on the viewer, reading the lens as someone standing below her.
Her white sleeveless shirt is cut in at the shoulders -- both shoulders and both arms bare from deltoid to wrist until the armwear begins -- and the fabric pulls taut across her chest and wrinkles from the armpit down as the raised arm lifts it. The detached long sleeves are separate tubes of matching white cloth, banded at the upper arm above the elbow and ending in wide moe-style flared cuffs that swallow her hands to the knuckles; the cuff on the pointing arm hangs open and swings slightly away from the wrist under its own weight, and where the sleeve ends, a bare strip of arm shows between band and shoulder. The short pleated skirt flares out and rides up a touch over the forward knee, its hem lifted on the stepping side, and the long boots -- dark, hugging calf and knee and rising to just under the hem -- crease in horizontal folds at the ankle of the load-bearing leg.
Behind her the ground is a plain sunlit street surface of pale grey asphalt with a soft chalk line running diagonally out of the bottom corner; she casts a short, hard-edged shadow that falls toward the camera and pools under her front boot. The light comes from high behind her right shoulder, a clean afternoon source that rims the top of her black hair and the outer edge of the outstretched sleeve in a thin bright line, leaves her face in soft shadow lit only by bounce from the pale ground, and puts highlights on the shoulder seam, the flared cuff and the gloss of the boots; the sky above her is a flat pale blue with no detail. Palette limited to white cloth, warm tan skin, black hair and boots, grey ground, pale blue sky. Effortlessly smug, sunlit.
nagatoro121
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Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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