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AI artwork featuring #Jason Voorhees and #Friday the 13th
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Jason Voorhees, Friday the 13th

#Jason Voorhees#Friday the 13th
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1girl, solo, maid, maid headdress, apron, white gloves, dress shoes, stockings, hockey mask, hockey mask on face, chainsaw, holding chainsaw, long hair, black hair, glowing eyes, red eyes, blood, blood stains, blood on clothes, blood on weapon, horror (theme), scary, dark, from below, dutch angle, cowboy shot, standing, dynamic pose, leaning forward, head tilt, holding weapon, two-handed grip, looking down, looking at viewer, dim lighting, vignette, ominous atmosphere, gothic interior, stark shadows, teeth visible in eyes bare, blade teeth, blood splatter on mask, red glow reflections, dark hallway, dust motes, cold blue shadows, From a low upward-angled dutch view, the maid stands in a long dark hallway, leaning toward the lens in a deep forward cant while her weight rests on her back right hip, her left knee bent and relaxed. Both hands grip the chainsaw handle-bar in front of her centerline with a crowd on the right hand; the flat bar of the blade runs diagonally up past her shoulder to the upper frame, teeth still spinning faint white tracers, sharp toothed flat white hockey mask covering her face with dark eyeholes faintly alight on a red inner glow. Her long black hair falls loose and heavy past the mask sides, gathered by strands over the mask and apron. Blood trails in narrow fans across mask cheeks, apron bib, and both glove backs, drying darker at the edges. The apron and skirt are layered over her costume; dress shoes meet the floor as pale stockings cut off above the shoe line, sharp hemmed. Her gaze locks on the viewer through the mask eyeholes; the slight head tilt angles that stare downward. Behind her the hallway recedes into absolute darkness; the single cold key light overhead strikes the left side of the hockey mask, both glove backs and the bar of the blade, throwing hot red pins on the dark floor and a long shadow across the wall. Her cast shadow moves with her. Low saturation gothic palette of black, white mask, blood reds and cold blue-gray. Ominous, menacing.
Show Parameters
Original Prompt
Chica, sirvienta, zapatos de vestir, guantes blancos, medias, cofia de sirvienta, mandil, usa mascara de hockey, motosierra, cabello largo negro, ojos rojos brillantes, manchas de sangre, terror, ,
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

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Avatar image of 白虹
1girl, solo, nun, habit, veil, coif, cross necklace, full body, standing in center, low angle, holding weapon, holding chainsaw, chainsaw in right hand, left hand on cheek, head tilt, crazy smile, open mouth, laughing, ecstatic, enraptured, flushed cheeks, dilated pupils, wide eyes, looking at viewer, dark chapel, unlit interior, no lights, pitch black, shadows, gothic architecture, stone pillars, stone floor, rim lighting, clean linework, smooth skin, expressive eyes A dramatic low-angle shot centered on the cavernous, pitch-black nave of an unlit stone chapel. Standing directly along the central aisle, a solitary nun poses with rapturous poise, her weight sunk into her right hip to balance the dead hang of a heavy industrial chainsaw gripped firmly in her right hand, its serrated steel bar tilted downward toward the flagstones. Her left wrist lifts delicately, fingers gently splayed to cup her own flushed cheek, her head tilted languidly into the touch. Her face is seized by ecstatic madness: wide, glossy, expressive eyes stare directly forward at the viewer with unhinged euphoria, while her mouth parts into a wide, bewitching, crazed laugh that reveals her teeth. She wears a traditional black nun's habit with a flowing veil and a crisp, spotless white coif snugly enclosing her hair and brow, with a simple silver cross hanging motionless over the dark fabric of her chest. The surrounding chapel is completely unlit, possessing no lit candles, lamps, torches, or illuminated windows; thick, suffocating darkness consumes the distant pews and rib-vaulted pillars, leaving the background in pitch-black obscurity. The sole illumination is a faint, cold sliver of exterior rim light that cuts across the darkness to trace the edge of her veil, catch the high gloss of her cheek, and glint sharply off the teeth along the chainsaw's steel chain. The physical mass of the heavy metal motor pulls her right shoulder subtly downward, drawing the wool of her black habit taut across her collarbone. Delirious ecstasy.
白虹
AI artwork
Avatar image of The Dark Demoness
1girl, solo, close-up, face focus, hockey mask, blood splatter, blood on mask, messy hair, black hair, asymmetrical hair, one side long hair, one side short hair, bald spots, mud in hair, wet hair, water dripping, dark green shirt, worn shirt, leather jacket, worn leather jacket, black winter gloves, dark pants, worn pants, chains, steel chains hanging from pants, holding machete, wide blade, leaning forward, outstretched arm, extended hand, combat boots, black boots, worn boots, wooden cabin interior, worn wooden walls, abandoned camp, horror, cold light, palette of dark green, black, rust brown, wet grey The view is a tight close-up held on her masked face, so the frame runs from the crown of her head down to her collarbones and one shoulder, the hockey mask dominating the centre of the composition at a slight three-quarter turn to the right rather than square to the lens. She is leaning forward at a shallow angle, hips pushed back out of frame, shoulders rolled forward and her weight tipped onto the balls of her feet, so the mask and the top of her chest carry the whole image and press toward the viewer; below the crop line her body simply falls away. Blood is splattered across the mask in dried dark-red flecks and one long smeared streak dragged diagonally from the upper left of the mask down across its cheek, some of it matte and some of it still wet and glossy at the low points. Her black hair hangs dirty and matted: on the left of frame it falls in a long lank strand past the jaw, on the right it is hacked to a short uneven tuft above the ear; the scalp shows through in two or three bald patches with a rough chewed edge, and wet mud is caked into the strands near the crown in grey-brown crusts that break into the black. Water drips everywhere -- beads hanging off the bottom rim of the mask, off the tip of the long strand, off the mud crusts -- and where those drips break they leave bright translucent trails down the mask, down her neck, and dark soaking tongues spreading through the collar of her dark green shirt. The machete is held in her gloved right hand, brought up into the near foreground so the wide flat blade cuts diagonally across the lower right of frame, its edge catching a single wet highlight and the blade partly crossing in front of her shoulder; the black winter glove grips it with the knuckles bunched and the cuff cinched tight at the wrist. Her left hand is thrust toward the camera so it enters the bottom left of frame, glove open, fingers spread and slightly curled as though reaching for something just out of shot, foreshortened large and soft at the front edge of focus. Behind her the wooden cabin wall fills the background: wide vertical planks, split and warped, grey-brown with age, one plank sprung, dark moss and old dark stains in the seams, a rusted nail head here and there, and the wall falling into unlit darkness at the left and right edges of the crop. A single cold grey light comes from a door or broken window off frame to the left and slightly behind the viewer, so the left side of the mask, the long strand of hair and the blade's flat catch the light while the right side of her face and the deep wall behind drop into shadow; the drops on the mask throw tiny bright specular points and their shadows fall to the right. The palette holds to black, dark green, wet grey and rust brown with the only hot red in the blood. Grim, claustrophobic
The Dark Demoness

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