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AI art "新山聡美(いってきます)" featuring #MILF, #Looking back, #Smile, #Waving, #Sound! Euphonium, #Pedestrian bridge, #Satomi Niiyama and #Anything Goes Contest
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新山聡美(いってきます)

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Anything Goes Casual Posting Festival!
#MILF#Looking back#Smile#Waving#Sound! Euphonium#Pedestrian bridge#Satomi Niiyama
北

北宇治高校仙台分校

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, low ponytail, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, a natural street scene video depicting a moment in late October on a sunny day in front of a pedestrian bridge near Shiroishi Station in Shiroishi City, Miyagi Prefecture, where a woman heading to work looks back and waves with a smile, conveying 「行ってきます」. The scenery is the calm atmosphere typical of a regional city station area, realistically depicting a pale light-blue metal pedestrian bridge, stairs extending to the ground, concrete-paved sidewalks, surrounding low-rise buildings, greenery, utility poles, power lines, and streetlights by the road. The image should be a refreshing and everyday photo bathed in bright natural autumn sunlight, where the pedestrian bridge, the surrounding townscape, and the woman's expression and clothing are clearly visible. From the center to the right of the screen, there is a metal pedestrian bridge painted in pale light-blue or bright blue-grey. The bridge crosses horizontally at a high position (about 5 meters) from the ground, consisting of a walkway extending horizontally from the left outside to near the center, and stairs descending diagonally from there to the ground. The stairs extend from a high position near the center toward the bottom right, connecting to the concrete pavement. Pale light-blue metal side panels and handrails are provided on both sides of the stairs, and the stair treads are arranged regularly. The angle and steps of the stairs are realistic, and the shape of each step is clearly visible. The pillars supporting the horizontal part of the bridge and the metal structures at the joints are also depicted naturally. It is expressed as a practical pedestrian bridge actually installed around a station, not a decorative bridge. In the foreground, there is a wide concrete-paved ground leading to the bridge stairs. In the right foreground, the bottom of the stairs and a wide concrete step close to the ground are visible. From the center to the left, a narrow sidewalk extends backward, showing natural cracks, discoloration of the ground, and the texture of the curbs. Beside the sidewalk, there are low stone walls or concrete edges, grass, and small plantings. On the left, a green-covered slope and trees are visible, with old-fashioned houses and small buildings scattered behind them. On the right, there is an open paved space and low-rise buildings, giving the feeling of an environment close to a station plaza or road. The woman's clothing is calm, adult commuting wear suitable for a working professional heading to work. For the top, she wears an ivory-colored blouse, with an elegant trench coat in pale beige or greige draped over it. For the bottoms, she wears clean-cut tapered pants in dark navy or charcoal grey, and on her feet, elegant black low-heel pumps. She is carrying a properly shaped business handbag or an elegant commuting tote bag. Accessories are kept discreet, such as small earrings, giving an overall clean and intellectual impression. The clothing is not too formal and looks natural as a daily commuting style for a woman in her 30s. The woman's long hair is in a neat, clean style arranged for work. The hair has a natural gloss and either flows from the shoulders to the back or is elegantly tied loosely in the back. The hair does not completely hide her face, so her profile and expression are naturally visible when she looks back. The hairstyle is not overly glamorous and gives the impression of a calm adult woman. Use the character LoRA for the person's facial features and modeling; the clothing, hairstyle, accessories, posture, and expression should be depicted according to the specifications of this text. The woman is standing on the flat ground in front of the pedestrian bridge stairs. Just as she is about to climb the stairs, cross the bridge, and head to work, she looks back to greet someone behind her the moment she takes a step. While her body remains facing the stairs and her direction of travel, her upper body and face are naturally twisted toward the camera. One hand is raised slightly above shoulder height with the palm facing forward, waving brightly and naturally. The fingers are lightly open, making a soft gesture as if saying a parting greeting. Her other hand naturally holds the handle or shoulder strap of her commuting bag. One foot is stepped slightly forward, creating a posture that suggests she is about to start walking. The woman's expression is a friendly and bright smile. Her eyes are gentle, and her mouth is slightly open, conveying the feeling that she is saying 「行ってきます」 aloud. Do not actually draw text or speech bubbles in the image; express the meaning of the greeting through facial expression, the waving motion, and the posture of looking back. Rather than posing while staring straight at the camera, it should be a friendly moment, as if she is naturally greeting family or a close person just before leaving. The woman's posture should be natural and effortless, without excessively arching the arms or shoulders, balancing the calmness and lightness of a commute. Position the woman on the flat ground slightly before the bottom step of the stairs. Do not place her on the stair treads, but at the position just before she begins to climb. Place the woman slightly to the left of the center or near the center, so as not to hide too much of the shape of the stairs. Make her large enough so that her entire body from head to shoes is as visible as possible, allowing the viewer to see her looking back, her waving arm, the commuting bag, and the direction of her feet at a glance. Draw the person at a realistic size and do not make the bridge or stairs extremely small. Use a composition that conveys both that the woman is greeting someone and that she is about to head toward the pedestrian bridge. In the background, there are buildings and facilities typical of a regional city around a station. In the distant left, low-rise houses and small buildings are lined up, with green trees and shrubs around them. On the right, there is an open paved space, low-rise buildings, and a space close to a parking lot, with several streetlights standing. The streetlights are attached to slender metal poles with modern lighting fixtures at the top. At the top of the screen, utility poles and several power lines stretch across the blue sky diagonally. Place the power lines naturally as part of the realistic scenery around a regional station, ensuring they do not intersect unnaturally with the pedestrian bridge. Do not make the background a metropolitan skyscraper district, but a calm station-area landscape where houses and greenery remain. The season is late October autumn, and the weather is sunny. The sky is a bright blue with white clouds floating here and there. The sunlight is sufficiently bright, and the clear autumn air can be felt. The surrounding trees retain green leaves, mixed with leaves that have begun to turn yellow or orange. A small amount of fallen leaves may be seen on the ground, but do not cover the entire ground with fallen leaves. Add the feeling of autumn naturally, while ensuring the structures of the pedestrian bridge, roads, and buildings remain the main focus. Do not depict snow, rain, or fog; make it a bright commuting scene on a clear day. Place the camera on the ground-level sidewalk, looking at the pedestrian bridge stairs and the woman from a diagonal front angle. Maintain the general structure of the original image, with the pedestrian bridge extending horizontally at the top, stairs descending diagonally from the center to the right, concrete steps in the right foreground, a narrow sidewalk and green slope on the left, and houses and trees further back. Place the blue sky and power lines at the top of the screen so that the overall shape of the pedestrian bridge is clear. Place the woman in front of the stairs, showing as much as possible of the connection between the horizontal part of the bridge and the stairs. This should be a landscape photo where the structure of the pedestrian bridge and the surrounding road layout are fully understood, not a portrait focusing heavily on the person. The camera position does not need to perfectly match the original image, but maintain the positional relationship between the stairs and the sidewalk, the direction of the bridge, and the surrounding spatial arrangement as much as possible. Use bright and soft natural light to create the atmosphere of a realistic street photograph. There should be modest reflections on the metal parts of the pedestrian bridge, making the paint color, pillars, and details of the stair treads visible. Ensure the woman's face, hair, coat, pants, and bag are also bright, so that her eyes, mouth, and the shape of her waving fingers are not hidden in dark shadows. Avoid extremely strong backlight or deep shadows, suppress highlight clipping in bright areas and crushing in dark areas, and balance the overall exposure naturally. Create a clean autumn-sunny color tone where the brightness of the blue sky, the pale light-blue of the pedestrian bridge, and the woman's beige and navy clothing harmonize. Aim for high-quality background textures, detailedly depicting the paint of the metal pedestrian bridge, stair treads, concrete pavement, curbs, plantings, exterior walls of buildings, and the fabric of the commuting clothes. Do not distort the straight lines of the bridge crossing and the stairs, and maintain a realistic positional relationship between the handrails and pillars. The stairs should not be irregular overlapping steps, but a structure where the treads are arranged at equal intervals. Draw the woman's hands, feet, fingers, face, shoulders, and legs naturally, without creating unnatural twists in her looking-back motion or waving posture. Do not generate extra limbs or bags; there should be only one woman. Do not include text, logos, speech bubbles, or watermarks; depict a daily, warm moment of a woman heading to work on a sunny
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Original Prompt
10月下旬の晴れた昼間、宮城県白石市の白石駅周辺にある歩道橋の手前で、仕事へ向かう女性がこちらを振り返り、笑顔で手を振って「行ってきます」と伝えている瞬間を描いた、自然な街角の風景映像。地方都市の駅周辺らしい落ち着いた景観で、淡い水色の金属製歩道橋、地上から伸びる階段、コンクリート舗装の歩道、周囲の低層建築物や植栽、電柱と電線、道路脇の街灯を現実的に描写する。秋晴れの明るい自然光に包まれ、歩道橋と周囲の街並み、女性の表情や服装がはっきりと見える、爽やかで日常感のある写真とする。 画面の中央から右側には、淡い水色または明るい青灰色に塗装された金属製の歩道橋がある。歩道橋は地上から高い位置(5メートル程度)を横方向に通り、画面の左の外側から中央付近へ水平に伸びた歩道部分と、そこから地上に向かって斜めに下りる階段で構成されている。階段は画面の中央付近の高い位置から右下方向へ伸び、地上のコンクリート舗装へつながっている。階段の左右には淡い水色の金属製の側板や手すりが設けられ、階段の踏み板は規則正しく並んでいる。階段の角度や段差は現実的で、各段の形状が分かりやすく見える。歩道橋の水平部分を支える柱や、接合部の金属構造も自然に描写する。装飾的な橋ではなく、駅周辺に実際に設置されている実用的な歩道橋として表現する。 画面の手前には、歩道橋の階段へ続く広いコンクリート舗装の地面がある。右手前には階段の下部と、地面に近い位置にある幅広のコンクリート段差が見える。中央から左側にかけては、奥へ向かって細く伸びる歩道があり、地面の自然なひびや色むら、縁石の質感が見える。歩道の脇には低い石積みやコンクリートの縁、草や小さな植栽がある。左側には緑に覆われた斜面や樹木が見え、その奥には昔ながらの住宅や小さな建物が点在している。右側には開けた舗装スペースと低層建築物があり、駅周辺の広場や道路に近い環境が感じられる。 女性の服装は、これから仕事へ向かう社会人にふさわしい、落ち着いた大人の通勤服を着ている。トップスにはアイボリー色のブラウスを着用し、その上に淡いベージュまたはグレージュの上品なトレンチコートを羽織っている。ボトムスは濃紺またはチャコールグレーのすっきりとしたテーパードパンツで、足元には黒い上品なローヒールのパンプスを履いている。仕事用のきちんとした形のハンドバッグ、または上品な通勤用トートバッグを持っている。アクセサリーは小さなイヤリングなど控えめなものにとどめ、全体として清潔感のある知的な印象にする。服装は堅苦しすぎず、30代の女性の日常的な通勤スタイルとして自然に見えるようにする。 女性のロングヘアは、仕事に向かうためにきちんと整えられた清楚なスタイルとする。髪は自然な艶があり、肩から背中にかけて流れるか、後ろの一部をゆるくまとめた上品な髪型にする。髪が顔を完全に隠さず、振り返ったときに横顔や表情が自然に見えるようにする。髪型は過度に華やかにせず、落ち着いた大人の女性らしい印象とする。キャラクターLoRAは人物の顔立ちや造形に使用し、服装、髪型、アクセサリー、姿勢、表情はこの文章の指定に従って描写する。 女性は歩道橋の階段の手前にある平らな地面に立っている。これから階段を上り、歩道橋を渡って仕事へ向かおうとしているところで、一歩踏み出しかけた瞬間に、後ろにいる相手へ挨拶するように振り返っている。体は歩道橋の階段や進行方向へ向けたまま、上半身と顔をカメラの方へ自然にひねっている。片手は肩より少し高い位置まで上げ、手のひらをこちらへ向けて、明るく自然に手を振っている。指は軽く開き、別れの挨拶をするような柔らかい動作にする。もう片方の手は通勤用バッグの持ち手や肩紐を自然に持っている。片足を少し前へ出し、これから歩き始める動きが感じられる姿勢とする。 女性の表情は、親しみやすく明るい笑顔とする。目元は優しく、口元は少し開き、声を出して「行ってきます」と挨拶している様子が伝わる表情にする。実際に画像内へ文字や吹き出しを描かず、顔の表情、手を振る動作、振り返る姿勢によって挨拶の意味を表現する。カメラをまっすぐ見つめてポーズを取るのではなく、出かける直前に家族や親しい相手へ自然に挨拶しているような親近感のある瞬間とする。女性の姿勢は無理のない自然なものにし、腕や肩を大きく反らせず、通勤中らしい落ち着きと軽やかさを両立させる。 女性は階段の最下段より少し手前の平らな地面に配置する。階段の踏み板の上には立たせず、これから階段を上り始める直前の位置とする。女性は画面の中央より少し左寄り、または中央付近に配置し、歩道橋の階段の形状を隠しすぎないようにする。頭から靴まで全身ができるだけ見える大きさにし、振り返った顔、手を振る腕、通勤用バッグ、足の向きが一目で分かるようにする。人物は現実的な大きさで描き、橋や階段を極端に小さくしない。女性が挨拶していることと、これから歩道橋へ向かうところであることが両方伝わる構図とする。 背景には、駅周辺の地方都市らしい建物や設備がある。左側の奥には低層の住宅や小さな建物が並び、建物の周りには緑色の樹木や植え込みが見える。右側には開けた舗装スペース、低層の建物、駐車場に近い空間があり、数本の街灯が立っている。街灯は細長い金属製の支柱に取り付けられ、上部に現代的な照明器具が付いている。画面上部には電柱と複数の電線が伸び、青空を斜めに横切っている。電線は地方の駅周辺の現実的な風景の一部として自然に配置し、歩道橋と不自然に交差しないようにする。背景を都会の高層ビル街にせず、住宅や植栽が残る落ち着いた駅周辺の景観にする。 季節は10月下旬の秋とし、天候は晴れにする。空は明るい青色で、白い雲がところどころに浮かんでいる。日差しは十分に明るく、秋の澄んだ空気が感じられる。周囲の樹木には緑色の葉を残しつつ、黄色や橙色に色づき始めた葉が混じっている。地面には落ち葉が少量見られてもよいが、地面一面を落ち葉で覆わない。秋の季節感は自然に加え、歩道橋や道路、建物などの構造が主役として見えるようにする。雪や雨、霧などは描かず、晴天の明るい通勤風景とする。 カメラは地上の歩道から、歩道橋の階段と女性を斜め前方から見渡す位置に置く。元画像の大まかな構造を保ち、画面上部には横方向に伸びる歩道橋、中央から右側には斜めに下りる階段、右手前にはコンクリートの段差、左側には細い歩道と緑の斜面、さらに奥には住宅や樹木が見えるようにする。画面の上部には青空と電線を配置し、歩道橋の全体的な形が分かるようにする。女性は階段の手前に置き、橋の水平部分と階段の接続部分をできるだけ見せる。人物を大きく写したポートレートではなく、歩道橋の構造や周囲の道路配置が十分に分かる風景写真とする。カメラの位置は元画像と完全に一致させる必要はないが、階段と歩道の位置関係、歩道橋の向き、周囲の空間配置は可能な限り維持する。 明るく柔らかな自然光を用い、現実的な街角の写真の雰囲気にする。歩道橋の金属部分には控えめな反射光があり、塗装の色や支柱、階段の踏み板の細部が見える。女性の顔、髪、コート、パンツ、バッグも明るく見えるようにし、目や口元、手を振る指の形が暗い影に隠れないようにする。極端に強い逆光や深い影は避け、明るい部分の白飛びや暗い部分の黒つぶれを抑え、全体の露出を自然に整える。青空の明るさと歩道橋の淡い水色、女性のベージュや紺色の服装が調和した、すっきりとした秋晴れの色調とする。 背景の質感は高品質を目指し、金属製の歩道橋の塗装、階段の踏み板、コンクリート舗装、縁石、植栽、建物の外壁、通勤服の布地を細かく描写する。歩道橋の横断部分と階段の直線を歪ませず、手すりや支柱の位置関係を現実的に保つ。階段は重なった不規則な段差にせず、踏み板が一定間隔で並ぶ構造にする。女性の手足、指、顔、肩、脚の形状を自然に描き、振り返る動作や手を振る姿勢に不自然なねじれを生じさせない。余分な手足やバッグを生成せず、女性は一人だけとする。文字、ロゴ、吹き出し、透かしは入れず、晴れた秋の日に仕事へ向かう女性が階段の手前で振り返って挨拶する、日常的で温かみのある一瞬を描写する。
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lowres, worst quality, low quality, bad anatomy, explicit
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響け！ユーフォニアム 新山聡美 v3 (Niiyama Satomi | Hibike! Euphonium) - AI Model cover image

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響け！ユーフォニアム 新山聡美 v3 (Niiyama Satomi | Hibike! Euphonium)
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