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千災

AI art by 千災 on PixAI. Made with Tsubaki.3.

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千災

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character: tsukishiro_yanagi, copyright: zenless_zone_zero 1girl, 1boy, pov, first-person pov from man's viewpoint, male viewer's perspective, tsukishiro yanagi, pink hair, long hair, hair between eyes, sidelocks, pink eyes, glasses, white shirt, black pencil skirt, black gloves, large breasts, k-cup, arms around neck, embrace, hugging, arms wrapped around his neck, happy smile, pleased expression, flattered, blissful look, closed eyes, blush, no resistance, warm willing embrace, work clothes, office interior, close-up, from below, looking at another, transparent clear aura, soft airy light, ring hair ornament, hair beads, depth of field, First-person POV from the man's viewpoint: the camera is his eyes, tilted slightly up so her face fills the upper half of the frame while her shoulders and chest crowd the lower edge. Tsukishiro Yanagi leans in from the front, her face close enough that her pink eyes fill the lens space just above the man's sightline, framed by long pink hair that spills forward past her cheeks, sidelocks brushing her jaw, a strand between her eyes. Round glasses sit warm on the bridge of her nose, and behind the lenses her gaze is soft and steady, aimed directly into the man's eyes, no resistance in it. She wears a white dress shirt with the collar open at the throat, a high-waist black pencil skirt cinched under the shirt hem, and black gloves on both hands. Both arms are looped around the man's neck, her forearms crossing behind his head just out of frame at the top edge, the gloves' fingertips pressed light and settled into the crook of his neck, elbows lifted so the sleeves of her white shirt ride up her forearms. Her chest presses forward into the near space against the man's collar and shoulders, the K-cup volume filling the lower third of the frame, the shirt's front buttoned but pulled taut and creasing in soft horizontal folds above the waistband, one edge of the collar riding up over her collarbone. Her expression is a pleased, flattered, blissful smile, mouth curved open just enough to show the tip of her teeth, cheeks lifted, a faint roseo blush across both. Her chin tilts down toward the man's face, and her eyelids lower a fraction in a warm, happy look, no trace of resistance anywhere in the pose, her weight leaned forward into the hug with her shoulders rounded toward the man's chest. Hair falls loose and soft around her face and shoulders, drifting a little with the motion of the embrace, a few strands sweeping across the side of her glasses. Lit by a soft window key from the left, a cool transparence-white daylight catching the lens of her glasses and the curve of her cheek, darker light sitting in the folds of her shirt and under her chin; the background is a softened, blurred office interior in off-white and pale grey, indistinct desk edges and blinds behind her, kept shallow by a wide aperture. The clear transparent aura of the light gives her skin and hair a luminous, airy edge. Palette of pink, white and soft grey with her pink hair and eyes as the only saturated accents. Quietly tender, warmly happy.
Show Parameters
Original Prompt
月城柳(ゼンレスゾーンゼロ) 透明感 視点は男の視点 巨にゅうで、Kのチち 男の首に腕を回して抱きしめる 仕事服 嬉しそうに微笑む 抵抗なし 満更でもない顔 幸せそう
Mode
pro
Style
Muted & Transparent
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Style: Muted & Transparent
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: tsukishiro_yanagi, copyright: zenless_zone_zero 1girl, solo, tsukishiro_yanagi, pink hair, long hair, sidelocks, hair between eyes, ring hair ornament, pink eyes, glasses, white dress shirt, black high-waist pencil skirt, black gloves, work clothes, extreme close-up, face focus, pov, male pov, looking at viewer, head tilt, arms spread, outstretched arms, spread arms, welcoming, open mouth, parted lips, melting expression, blissful, happy, smug, pleased, blush, half-closed eyes, tareme, breath, visible breath, sigh, translucent, ethereal atmosphere, soft glow, backlighting The camera sits at a man's eye level, his point of view, and the frame is filled edge to edge by her face alone — forehead to chin, cheek to cheek, the jaw and the tips of her sidelocks crowding the lower corners, the top of her head clipped by the upper edge. Her chin tips up toward the lens and her head tilts a little to one side, so the line of her jaw crosses the frame at a slight diagonal and the light falls more fully on her right cheek than her left. Her eyes, pink and glossy, are half-lidded and fixed directly on the viewer, the lower lids drawn up in a soft, heavy-lidded look; her brows lift unevenly, one a touch higher, and the corner of her mouth on that side curls up in a small, self-satisfied smirk that she is not trying to hide. Her lips part by a finger's width and stay open, the lower lip slack and shining, and a long, slow exhale passes between them — a faint warm haze of breath that fogs the space just in front of her mouth, catching the light and thinning as it drifts toward the lens, faintly softening her chin and throat behind it. Her glasses sit low enough to catch a thin streak of that backlight across one lens. From both sides of the frame her arms reach in, spread wide, sleeves of her white dress shirt pulled taut at the shoulders and the black-gloved hands just entering the bottom corners, open and turned palm-up, the fabric creasing along her upper arms. Her long pink hair falls loose around her jaw and over her shoulders, a few strands lifted and pushed back by the movement of her arms, and the ring-shaped ornament holds a small lock of it above one ear. She wears her work clothes as worn at the end of a shift: the white shirt buttoned high but soft-collared at the open throat, the black high-waist pencil skirt out of frame below the chin. The only light is a cool, low, translucent backlight from behind and above her, rimming the edges of her hair and shoulders in pale silver and leaving the front of her face lit only by soft reflected spill, so her skin reads almost translucent at the temples. The palette is her pink hair and eyes, white, black and pale silver-blue haze against a washed, out-of-focus bright ground. Nothing in her posture braces or pulls away — her shoulders are loose, her neck is open toward him. Tender and luminous.
千災
#Zenless Zone Zero#Yanagi Tsukishiro
AI artwork
Avatar image of 千災
character: tsukishiro_yanagi, copyright: zenless_zone_zero pov, male pov, 1girl, long pink hair, sidelocks, hair between eyes, ring hair ornament, pink eyes, glasses, hugging, standing embrace, arms around the viewer's neck, bodies pressed together, chest-to-chest contact, huge breasts, k-cup, visible cleavage, dress shirt, white shirt, unbuttoned shirt collar, black pencil skirt, high-waist skirt, black gloves, happy smile, light smile, open mouth, half-closed eyes, melting expression, blissful, pleased, blush, looking at viewer, looking up, head tilt, translucent, clear atmosphere, soft light, close-up, cowboy shot, warm palette, tender The camera is the man's own eyes: a straight-on first-person view, chest height, so his forearms enter the bottom corners of the frame and the pale grey wall of an office corridor fills the space behind her. She is in the middle of the frame, tilted up toward the lens because she is shorter than he is and has pressed herself in close; her chin is lifted, her head tipped a little to his left, and her glasses sit slightly low on the bridge of her nose where they have shifted. Her arms are up over his shoulders, black-gloved hands folded and resting on the back of his neck behind the viewer's head, the right glove's fingers overlapping the left at the knuckles, the cuffs riding up her wrists. Her chest is flattened against his, and because she is pressed to him the shirt strains across it: the top two buttons are open in a narrow V that shows a clean deep line of cleavage, the white fabric pulled taut from each button and creasing outward under the bust where it tucks into the high waist of the black pencil skirt. The skirt's waistband digs a soft line into her middle where his body meets hers, and the skirt front is pressed flat against his hips. Her face is the whole point of the frame. She is smiling with her mouth just barely open, the lower lip relaxed and glossy, corners of the lips drawn up genuinely rather than politely, and her eyes are heavy-lidded behind the glasses, half-closed, lashes low, the pink irises catching the light along the lower edge so they read as wet and bright. A warm flush sits high on both cheekbones. She is looking directly into the viewer's eyes, and her expression is unguarded and pleased, a little giddy, entirely unresisting. Two strands of her long pink hair have fallen forward across the shoulder nearest the lens and one sidelock rests against her jaw; the rest of her hair hangs behind her and spills to the sides of the frame. The light comes from a tall window to her right, cool and broad, and it is what gives the image its translucency: it passes through the loose edges of her hair and leaves a soft luminous fringe on the fine strands at her temple, rim-lights the top edge of the glasses frames, and grazes the white shirt so the fabric reads as thin and bright rather than flat. A second, warmer bounce comes up from the pale floor and warms the underside of her chin and the exposed skin at her throat. In the corridor behind her the background falls away into a clean wash of very light grey and soft pale blue, deliberately desaturated, no clutter, no other people, with the soft blur of depth of field so the only crisp edges in the image are her face, the rim of her glasses, and the strained white cotton across her chest. Palette is restrained and cool-neutral: white shirt, black skirt and gloves, pale grey-blue environment, with her pink hair and pink eyes and the warm blush the only saturated colour, so the picture feels airy and transparent rather than busy. The physics of the press is visible in the cloth: the shirt fabric pools and creases toward the armpits, and the sharp fold lines radiate from the open button area where the bust pushes the cloth apart. Intimate, warm, softly dazed.
千災
AI artwork
Avatar image of 千災
character: tsukishiro_yanagi, copyright: zenless_zone_zero 1boy, 1girl, pov, male pov, extreme close-up, face focus, close-up, hug, mutual hug, completely pressed together, chest to chest, cheek to cheek, arms around waist, arms around neck, sighing, breath, open mouth, light smile, melting, pleased, happy, flustered, blush, half-closed eyes, looking at viewer, transparent, luminous air, clear aura, work clothes, dress shirt, white shirt, glasses, pink hair, long hair, hair between eyes, sidelocks, ring hair ornament, pink eyes, only two people, no resistance, relaxed body, indoor office, soft light The camera sits inside the viewpoint of the man: a first-person extreme close-up, his face and shoulder edging the frame at the lower left as a soft out-of-focus dark mass of jaw, collar and the loose curve of one shirt sleeve, his arms coming up out of the bottom corners and closing around her back. Yanagi's face fills the centre-right of the frame, held at an intimate distance of a few centimetres, her chin lifted and her cheek angled against the side of his jaw, so her glasses sit slightly up her nose from the pressure. Her eyes are half-lidded, pink irises soft and unfocused, gaze drifting up toward the lens; a faint lopsided smile pulls one corner of her mouth, lips parted a little, warm and melting. A thin, visible breath escapes that opening and blurs the lower edge of her glasses and the air beside her cheek, riding the light. Her arms are looped over his shoulders and around his neck, the black-gloved fingertips resting flat between his shoulder blades, though only one forearm and its glove edge graze into frame along the top-left. Chests are flattened together, his shirt front pressed to her white dress shirt, wrinkles radiating from the contact; her high-waisted black pencil skirt is crushed against his hip out of focus at the bottom edge. Her long pink hair spills forward over his collarbone, sidelocks and the strand between her eyes pushed aside by the closeness, the small ring ornament at one temple catching a spark. Only the two of them exist. Behind her head a bright office interior dissolves into a soft wash — the pale grey of a desk edge low at the left, a hint of a window's cool daylight far back, no other figures. Cool daylight from that window comes in from the upper right, striking the transparent skin of her cheek and nose so the edge of her jaw glows thinly and the rim of her glasses picks up a white line, while the shadow side of her face falls warm and dim against his throat. The palette is quiet and airy: pink, white, black and a clear cool grey-blue, nothing heavy. The lit skin carries a fine translucent sheen, and where her breath meets it the moisture faintly fogs the near lens of her glasses — tender, quietly radiant.
千災
AI artwork
Avatar image of 千災
character: tsukishiro_yanagi, copyright: zenless_zone_zero pov, male pov, first-person view, extreme close-up, face only, close-up, tsukishiro_yanagi, pink hair, long hair, hair between eyes, sidelocks, pink eyes, ring hair ornament, glasses, work clothes, white dress shirt, black pencil skirt, black gloves, high-waist skirt, arms spread open, outstretched arms, hugging, embrace, breath, sigh, visible breath, parted lips, mouth slightly open, melting expression, happy, blissful, pleased, smug, half-closed eyes, blush, looking at viewer, no resistance, accepting, head tilted back, indoors, depth of field, bokeh, soft light, The camera is the man's own eyes: a first-person view looking down and slightly forward into an extreme close-up that holds nothing but her face, his own arms and shoulders out of the frame entirely, no part of his body visible except the broad spread of the view. Her face fills the frame edge to edge: her head tipped back toward him, chin lifted, the long pink hair falling away on both sides so that the strands between her eyes and the swept sidelocks frame her cheeks, the small ring-shaped hair ornament catching the light at one side of her head, the rimless glasses pushed slightly high on the bridge of her nose from the press of the embrace. Her pink eyes are half-lidded and wet-bright, looking straight up into the lens, unfocused with contentment. Her lips are parted a sliver, the lower lip drawn soft, and a warm breath escapes them toward the viewer — a faint pale mist of it hanging in the narrow air between her mouth and the camera, the only soft-edged thing in a hard-focused frame. Her brows are lifted at the inner ends, the corners of her mouth pulled up in a lopsided, pleased, faintly smug smile that has not finished forming; a flush sits high on both cheeks. Her arms are spread wide open and out of the top corners of the shot, unresisting, offered, drawing him in against her; the black-gloved hands are not visible, only the open invitation of the shoulders turning up toward the hug. She is in her work clothes — the white dress shirt creased and pulled at the collar where the embrace has pressed it, the high-waisted black pencil skirt out of frame below. The environment is only a suggestion behind her: a dim warm interior, a doorway and wall dissolved into soft bokeh, no readable edge anywhere. One soft key light from above and slightly behind the camera falls on her forehead, the bridge of her nose and her upper lip, glistening on the lens of her glasses, while the hollow of her throat and the far side of her jaw sink into gentle shadow; her cast shadow falls behind her onto the blurred wall. The palette is warm skin and dusty pink against the cool white of the shirt, everything else muted and out of focus. Close focus compresses the space between them to a hand's width. Tender, breathless.
千災

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リオ
4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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