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真雪

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真雪

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full body, 1girl, solo, blonde long hair, large breasts, simple white blouse, simple red skirt, ankle socks, sneakers, standing, 45 degree angle to camera, three-quarter view, body angled, torso half-facing viewer, shoulders angled, head turned toward camera, looking at viewer, standing at school road, outdoors, daytime, blue sky, from below, cowboy shot framing into full body, wide shot, foreground telephone pole, depth of field, warm afternoon light, light smile, half-closed eyes, gentle gaze, hand adjusting hair behind ear, one hand at hip, weight on one leg, hair blowing to one side, pleated skirt, collared blouse, loafers replaced by sneakers, path leading away, pavement, cherry blossom trees, shadows cast forward, blue sky, warm sunlight, gold and red and white and green palette, cel shading, crisp linework, quiet everyday atmosphere The view is from slightly below and to the front, a full-body composition that takes the girl in from the top of her head down to where her sneakers meet the asphalt of the school road. She stands at a 45 degree angle to the camera: her torso is half-facing the viewer so that her shoulders read as clearly angled, her chest sits in three-quarter perspective, and her hips are angled diagonally away, with her feet pointing diagonally toward the viewer. Her head turns toward the camera so that her face is visible in a three-quarter angle, blonde long hair falling past her shoulders on both sides, and her eyes lift to meet the viewer directly. Her weight rests on her back leg, the front knee softened and turned in, and her front foot points diagonally toward the camera with the toe of the sneaker on the pavement. One hand rises to tuck a strand of long blonde hair behind her ear, elbow lifted; the other rests loosely at her hip, fingers curled against the simple red skirt. She wears a plain white blouse with a soft collar and sleeves that end at the wrist, tucked into a simple red skirt that falls to mid-thigh, ankle socks that sit just above the sneaker collars, and low sneakers with pale laces, the toes scuffed from the walk. Her expression is a light, easy smile with the corners of her eyes crinkled, head tilted just slightly, gaze held on the viewer with a quiet welcome. Behind her the school road runs away from the camera: a strip of gray asphalt bordered by a narrow pale pavement, a low hedge and a row of green street trees on the left, a single telephone pole rising in the near foreground at frame left with its shadow laid diagonally across the ground. In the far distance a cluster of small buildings and a distant crossing gate keep the background simple, out of focus, their signs illegible. The ground shows a long dark red-pink stain of fallen petals along the gutter seam where the pavement meets the asphalt, and her shadow stretches forward and slightly left, cast by the sun behind and to her right. The light comes from behind her right shoulder, warm and low — late-afternoon sunlight that rims the edge of her blonde hair in gold and lights the white blouse brightly on its right side, leaving the left side of her face and torso in soft open shade. The palette holds to warm gold, sunlit white, the clear red of the skirt, and green from the trees against a blue sky, with the grey of the road as the neutral base. Crisp cel shading, clean dark linework, flat shadow shapes with a single soft highlight edge on the blouse and hair, the everyday street rendered with just enough detail to place her and no more. Her hair and the hem of the skirt both drift to the left in a light breeze, and the fallen petals in the gutter tremble in the same direction. Quiet, sunlit, a small everyday moment.
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Original Prompt
フルボディ、金髪ロングヘアーの女性、巨乳。シンプルな白いブラウスにシンプルな赤いスカートを着ている。くるぶし丈ソックスにスニーカー。背景は通学路。standing at a 45 degree angle to the camera, body rotated halfway between front view and side view, torso half-facing the viewer, shoulders clearly angled, chest shown in three-quarter perspective, hips angled diagonally, feet pointing diagonally toward the viewer, head turned toward the camera, face visible in three-quarter angle, looking at viewer
Mode
flash
Size
1408 x 1408
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.04k

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Avatar image of はこ
1girl, solo, full body, long blonde hair, large breasts, plain white blouse, plain red skirt, ankle socks, sneakers, standing, one foot back, body turned 5 degrees, head and body facing the same direction, looking to the side, school road background, daylight, from below, wide shot, low angle, hair blown slightly back, skirt hem lifted, hands clasped behind her back, faint closed-lip smile, tall vertical format, identity anchor: straight long blonde hair falling past the waist, blunt fringe, blue eyes, fair skin, slim waist flaring to full hips, white cotton blouse buttoned to the collar with sleeves rolled once to the forearm, unpatterned crimson pleated skirt ending just above the knee, short white ankle socks and low white lace-up sneakers with a faint scuff on the right toe The camera sits low, near knee height, tilted up so the long straight blonde hair, the bright white blouse and the red skirt dominate a tall vertical frame from the crown of her head down to the soles of both sneakers planted on the asphalt. Her whole body is turned a measured five degrees off the camera axis, and her face follows that same direction without counter-rotation — chin, nose and chest all point together a hand's width to the viewer's left, so her eyes read the road ahead rather than the lens. Her weight rests on the front left leg, straight and loaded; the right leg is drawn back half a step, heel just touching down, knee still soft, the toe of the right sneaker angled outward, fabric of the skirt swinging back over that trailing thigh in the gap the stance opens. Her hands are clasped loosely behind her back — knuckles of one hand resting inside the palm of the other, the blouse stretched taut across the shoulders and held close over the chest, skirt pleats hanging their own weight. Light comes from high and left of frame, cool late-morning daylight through a break in the trees, striking the right side of her hair into pale gold and leaving the underside of the fringe in warm shadow; it lays a thin bright rim along the top of the trailing sneaker and pools on the asphalt under her, and her shadow drops back and to the right of frame, foreshortened by the low lens. Beyond her, a residential school road runs away to the right — a concrete block wall on one side, an unequal line of utility poles receding, low hedges, a shallow drainage channel whose seam she stands beside, distant rooftops and a few trees soft in the depth of field, no other pedestrians near enough to read. The sky overhead is high, pale and clean. Palette: blonde gold, a single strong crimson for the skirt, warm off-white for blouse and sneakers, cool grey asphalt and green hedge, nothing else saturated. Fine summer air moves her hair a thumb's width back off the shoulders and lifts one skirt pleat; her soft expression sits somewhere between calm and faintly pleased. Quiet, sunlit, effortlessly stylish.
はこ
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Avatar image of はこ
1girl, solo, blonde hair, long hair, large breasts, simple white blouse, long sleeves, red skirt, pleated skirt, ankle socks, white socks, sneakers, standing, 25 degree body rotation, face and body facing same direction, one leg pulled back, front leg back, walking pose, mid-stride, arms relaxed, looking to the side, looking ahead, school route, residential street, from side, full body, outdoor, daylight, A single young woman stands on a residential school route, seen in a three-quarter view from the side that catches the 25-degree turn of her whole body — her chest, hips and face all angled the same way, toward the left of the frame, so her line of sight and her torso agree. Her long blonde hair falls past her shoulder blades, a few strands lifted off her collar by the morning air; a soft sheen runs down the crown where the sun grazes it. Her white blouse is plain and neatly buttoned, the fabric pulling slightly across a full bust before falling loose to her waist; the simple red skirt sits at her hips, its hem swinging a half-beat behind her stride. Her legs are caught mid-step: the front leg is drawn back behind her, heel lifting off the pavement and the toe of that sneaker still touching down, while the other leg carries her weight straight beneath her hip. Both ankles show the short cuff of her ankle socks above low sneakers, the laces of the trailing foot slightly slack from the pull. Her arms hang loosely, one hand half-curled at her side, the other just beginning to swing forward. The road stretches away behind her: a paved lane with a painted white edge line running low into the distance, a low wall and hedges on one side, small houses with tiled roofs and a row of street trees receding in the background, a utility pole and its shadow crossing the asphalt. Morning sunlight comes from the upper right, warm and low, lighting the right side of her face, her shoulder and the leading edge of her skirt while the far side of her body falls into soft shade; her shadow is thrown long and thin to the lower left across the pavement, stretched by the low sun. The trailing sneaker's sole is the only thing still touching the ground at the back — the classic tell of a stride frozen halfway. Palette: warm blonde and cream, a clean saturated red at the skirt, cool grey asphalt and green foliage, all under honeyed morning light. Bright, easy, mid-stride.
はこ
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Avatar image of はこ
1girl, solo, blonde hair, long hair, straight hair, large breasts, simple white blouse, long sleeves, red skirt, pleated skirt, bare legs, ankle socks, white socks, sneakers, standing, 45 degree angle to camera, three-quarter view, 3/4 view, upper body turned, angled shoulders, tilted hips, head turned toward viewer, looking at viewer, cowboy shot, school route background, residential street, daytime, tree-lined street, soft dappled light A single young woman stands at a forty-five degree angle to the camera on a residential street on the way to school, her body rotated halfway between front and side so that roughly half her torso faces the viewer: her shoulders run on a clear diagonal across the frame, her chest reads at a three-quarter angle, her hips tilt diagonally with the weight carried on her back leg, and her legs angle out toward the viewer, the front shoe planted slightly ahead of the other on the asphalt as if she has just stopped mid-step. Her head turns back toward the lens so her face is seen at a three-quarter angle, chin slightly lifted, and her eyes look straight at the viewer with a calm, faintly curious closed-lip expression, one brow a little higher than the other. Her long blonde hair falls past her shoulder blades, the side nearer the camera swinging forward across her cheek and collarbone with the turn of her head, and a few strands lifting at the ends. She wears a plain white blouse with a soft open collar, the fabric pulling gently across her chest and tucked at the waistline, and a simple red skirt whose hem hangs in shallow folds; plain white ankle socks sit above the collarbone of her sneakers, the canvas creased where her toes bend and the front sole pressed flat on the road. Her arms hang relaxed and slightly apart from her body, one hand loose with the fingers curled, the other at her hip. Behind her the school route recedes in perspective: a low wall, hedges, a row of utility poles and a tree canopy arching over the lane, houses set back and softened out of focus, the road surface running away toward a vanishing point behind her shoulder. Sunlight comes from the upper left, warm daylight striking the left side of her face, the top of her shoulder and the front of her blouse while the right side of her jaw and the far arm sit in cool shade, and her shadow falls short and dark across the asphalt to her right, broken where it crosses the painted edge line. The palette stays clean and sunlit: white, red, warm blonde and the pale grey of the road against green foliage. Crisp cel-shaded rendering with clean linework, flat unmodulated midtones and a single soft shadow edge. Bright, unassuming, early-morning.
はこ
AI artwork
Avatar image of はこ
1girl, solo, full body, long blonde hair, large breasts, plain white blouse, plain red skirt, ankle socks, sneakers, standing, one foot back, body turned 5 degrees, head and body facing the same direction, looking to the side, school road background, daylight, from below, wide shot, low angle, hair blown slightly back, skirt hem lifted, hands clasped behind her back, faint closed-lip smile, tall vertical format, identity anchor: straight long blonde hair falling past the waist, blunt fringe, blue eyes, fair skin, slim waist flaring to full hips, white cotton blouse buttoned to the collar with sleeves rolled once to the forearm, unpatterned crimson pleated skirt ending just above the knee, short white ankle socks and low white lace-up sneakers with a faint scuff on the right toe The camera sits low, near knee height, tilted up so the long straight blonde hair, the bright white blouse and the red skirt dominate a tall vertical frame from the crown of her head down to the soles of both sneakers planted on the asphalt. Her whole body is turned a measured five degrees off the camera axis, and her face follows that same direction without counter-rotation — chin, nose and chest all point together a hand's width to the viewer's left, so her eyes read the road ahead rather than the lens. Her weight rests on the front left leg, straight and loaded; the right leg is drawn back half a step, heel just touching down, knee still soft, the toe of the right sneaker angled outward, fabric of the skirt swinging back over that trailing thigh in the gap the stance opens. Her hands are clasped loosely behind her back — knuckles of one hand resting inside the palm of the other, the blouse stretched taut across the shoulders and held close over the chest, skirt pleats hanging their own weight. Light comes from high and left of frame, cool late-morning daylight through a break in the trees, striking the right side of her hair into pale gold and leaving the underside of the fringe in warm shadow; it lays a thin bright rim along the top of the trailing sneaker and pools on the asphalt under her, and her shadow drops back and to the right of frame, foreshortened by the low lens. Beyond her, a residential school road runs away to the right — a concrete block wall on one side, an unequal line of utility poles receding, low hedges, a shallow drainage channel whose seam she stands beside, distant rooftops and a few trees soft in the depth of field, no other pedestrians near enough to read. The sky overhead is high, pale and clean. Palette: blonde gold, a single strong crimson for the skirt, warm off-white for blouse and sneakers, cool grey asphalt and green hedge, nothing else saturated. Fine summer air moves her hair a thumb's width back off the shoulders and lifts one skirt pleat; her soft expression sits somewhere between calm and faintly pleased. Quiet, sunlit, effortlessly stylish.
はこ

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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