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ユキノビジン・ウマ娘

『ウマ娘プリティーダービー』のユキノビジンを描きました。紅葉舞う舞台で静かに祈りを捧げる彼女の姿、本当に健気で愛おしいですよね。彼女の一生懸命な姿を見ていると、私も頑張ろうって元気をもらえます！素敵だと思ったら、いいねとフォローをお願いします。コメントであなたの感想もぜひ聞かせてくださいね。

Published on Nov 10, 2026

白水優馬

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character: yukino_bijin_(umamusume), copyright: umamusume 1girl, solo, horse girl, brown hair, short hair, braid, crown braid, hairband, brown eyes, horse ears, horse tail, bare natural horse ears fully exposed, no ear covers, ear covers removed, white kimono, green sash, obi, bare shoulders, large open shoulders, detached sleeves, wide sleeves, long sleeves, layered dress, multicolored dress, green dress, miniskirt, pink decorative obi cord, bell on back sash, chinese clothes influence, wafuku, eyes closed, praying, hands clasped together, smile, closed mouth, looking at viewer, from below, close-up, cowboy shot, upper body focus, maple leaves, autumn, falling leaves, stage, performance hall, enkai dance stage, logo, dutch angle, dramatic lighting The camera looks up from below at a slight dutch tilt, so the girl's figure rises against the tall dark timber framework of the performance hall's stage roof. She stands centered and alone on the polished wooden enkai stage, seen in a cowboy shot from below chest height, her chin lifted a little as she prays. Her hands are clasped together palm against palm at chest height, fingertips pressed to the base of her sternum, thumbs resting along her fingers so the joined hands form a small wedge of shadow under her chin. Both elbows are drawn in toward her waist, and the wide green-and-white sleeves hang down from her forearms in heavy folds that sway slightly. Her weight settles onto her back foot with her front toe turned just a few degrees inward, and the green obi cinches her waist in a crisp horizontal band. The white kimono dress is layered and multicolored: a short outer white kimono layer sits over an inner layer whose hem peeks out a fraction below the miniskirt, cut as a dress-skirt ending well above her knees. The shoulders are cut wide open, leaving both bare shoulders fully exposed from collarbone to upper arm, with the sleeve pieces hanging off her upper arms as detached sleeves so a clean band of skin shows at each shoulder. Wide long sleeves fall from her arms in broad rectangular drapes of white fabric edged in green. The pink decorative obi cord loops and knots over the green sash in a slim braided line, and at the back of her waist the green obi is tied with the bell hanging from the knot, a small round metal bell whose clapper rests still at its center. Her short brown hair is gathered into a crown braid that runs over the top of her head and back, with a hairband holding the braid, and a few strands have slipped loose at the temples from the lifting of her face. Both natural horse ears stand fully exposed and uncovered above the braid, the ear covers removed and gone from the scene, and the soft fur of each ear catches the warm light. Her horse tail hangs behind her hip, its length visible past the edge of her skirt. Her eyes are closed, lashes resting in a peaceful line, and though her head is lifted toward the viewer her closed lids and faint smile make the look a quiet offered peace rather than a direct stare. The corners of her closed mouth turn up softly. Her gaze is closed and inward, yet the composition tilts her face toward the lens so the viewer feels included in the prayer. Maple leaves flutter down through the stage space around her, red and orange, several drifting in front of the dark backdrop and a few settling on the polished stage boards near her feet and one caught on the low wooden rail behind her shoulder. The stage is an outdoor dance platform of dark timber pillars and a curved roof edge, with rows of empty wooden benches receding into shadow behind her. A small painted logo mark is stamped on the hanging banner at the stage's side, its lettering worn and legible only as a shape. The key light is low and warm from the left, low autumn sun raking across the stage from the open side of the hall, so the left side of her face and the left edge of her white kimono glow while the right side falls into the cool shadow of the roof, and the bell at her back flashes a single bright point where it catches that sun. Long soft cast shadows of her sleeves fall across the stage boards to her right. The palette is white and green with the pink cord and the red of the maple leaves as accents against the dark brown timber and the grey-blue shadow. Serene, reverent.

ユキノビジン・ウマ娘

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