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AI art "Looney toons Moodboard 4"
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Looney toons Moodboard 4

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Korgami

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copyright: looney_tunes empty landscape background painting, no characters, no people, no creatures, no text, blank unlabelled signpost boards, full-bleed edge-to-edge composition, no border, no frame, wide shot, low eye-level camera, desert crossroads, forked dusty ochre road, weathered wooden signpost, leaning telegraph pole, sagging telegraph wire, single tumbleweed-shaped scrub bush, striped mesas, stacked mesas, ochre, terracotta, cream, turquoise sky, gradient sky, stylised clouds, heat haze, flat gouache planes, dry-brush texture, spatter texture, mid-century Technicolor palette A wide low eye-level shot looks straight down a dust-ochre desert road that runs from the bottom edge of the frame and forks in the middle distance, splitting into two paler ruts that bend away left and right around a single weathered wooden signpost planted squarely in the crotch of the fork. The signpost is the foreground anchor: a rough pale-grey-brown post with two crossed arrow-shaped boards, one pointing left and one right, both boards completely blank and unpainted on their faces, their edges chipped and grain-lined, thin dry-brush streaks running along the wood, a knot hole and a split end, its foot sunk in a small collar of drifted dust where the wind has banked sand against the base. To the right of the road, a leaning telegraph pole tilts about ten degrees away from the fork, planted off the shoulder, two crossarms and ribbed insulators, a single wire leaving the top and sagging in a long low catenary out of the right edge of the frame, the sag lowest at the point directly above the signpost. A single tumbleweed-shaped scrub bush sits on the left shoulder just past the fork, a dry spherical knot of pale olive-tan twigs, one branch trailing, its shadow pooling tight beneath it to the left. The road's two branches narrow in perspective toward the horizon, where a heat-haze band shimmers in a soft cream-white horizontal smear; beyond it, striped mesas stack in three depth layers, the nearest a terracotta mass with banded ochre and cream strata and flattened stepped shoulders, the middle layer paler and violet-shifted, the farthest a bare cream silhouette barely separated from the haze. The sky grades from a saturated turquoise at the top edge down through pale turquoise to a warm cream at the horizon, with four small flat stylised clouds — stacked oval puffs with crisp scalloped edges, cream undersides and turquoise-shadow tops — strung at differing heights across the upper third. Rendering is flat graphic gouache planes with hard clean silhouette edges, no soft airbrush gradients except the deliberate sky grade, subtle dry-brush scumble along the road ruts, signpost grain and mesa bases, faint brush spatter scattered across the midground dust; the whole palette is a warm mid-century Technicolor set of ochre, terracotta, cream, pale olive and turquoise, nothing else admitted. Light comes from high and slightly behind the viewer's left: the signpost's boards throw short flat shadows down-right across the post, the telegraph pole's shadow lies as a long thin diagonal across the right rut, the bush's shadow sits tight under its left flank, and every mesa face turned toward frame-left is a lit terracotta while the frames' right flanks drop into a deeper red-brown. Shadows are flat solid shapes in a single darker value of the same hue, never gradient. Consequence of the heat: the road ruts directly under the horizon smear and break up slightly as they enter the haze band, and the farthest mesa's base dissolves into it. Composition is deliberately empty and graphic — the signpost at the lower middle, the mesas as big horizontal bands, an open wedge of sky and a widening triangle of road; absolutely no figures, animals, birds, vehicles or lettering anywhere in the frame, the boards left entirely blank, and the painting runs to all four edges with no border and no frame. Wide, sun-struck, dry and unhurried.
Show Parameters
Mode
pro
Size
1024 x 1024

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.30k

Creation Assistant

Mio.2
Agent
Mio.2

Minimal input, professional output

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wide shot, no humans, desert landscape, towering cliff, distant horizon, layered rock strata, high desert plateau, dry scrub, open sky, low eye-level camera, rule of thirds, deep depth of field, golden hour, long cast shadows A wide landscape shot taken from low on the desert floor, the camera pressed near eye level so that a single enormous cliff rises from the right third of the frame and climbs past the top edge, its base buried in the frame and its summit cut off — the mass of it dominating by sheer vertical scale rather than by centering. The cliff face is banded sedimentary rock, horizontal strata stacked in ochre, rust and pale buff, each ledge catching a bright rim of light along its upward-facing surface while the undersides fall into cool violet shadow; a few dry scrub bushes and one gnarled, wind-bent tree cling to a mid-height ledge, their roots gripping a crack, and loose scree spills down the slope at the cliff's foot. To the left of the cliff the ground opens into a vast desert plain of cracked, sun-baked earth and low dunes, a dry wash cutting diagonally through the midground as a leading line that draws the eye toward the far distance. The horizon sits high in the frame on the left side, a long flat line where the desert meets a hazy sky, distant mesas and buttes reduced to soft blue-grey silhouettes layered behind one another, each successive ridge paler and lower in contrast than the one in front of it — the atmospheric perspective making the plain read as enormous. Light comes from a low sun off-frame to the left, warm and raking, so every ridge and pebble throws a long shadow to the right and the cliff's left-facing planes glow while its right side turns to deep shade; the sky above is a clear gradient from pale gold near the horizon to a deeper dusty blue at the top, with no clouds except a thin streak of high haze. Palette is desert ochre, rust red, buff, violet shadow and dusty blue, nothing else admitted. Where the dry wash bends, a faint crust of white salt catches the light. Empty, still, sun-hammered vastness.
Ejdhs Heheh
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