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aikawa chinatsu/相川千夏

aikawa chinatsu/相川千夏 AI art by しお on PixAI. Tags: The Idolmaster, The Idolmaster Cinderella Girls. Made with Tsubaki.3.

#The Idolmaster #The Idolmaster Cinderella Girls #Chinatsu Aikawa

Published on Nov 10, 2026

しお

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character: aikawa_chinatsu, copyright: idolmaster, idolmaster_cinderella_girls 1girl, solo, aikawa chinatsu, brown hair, short hair, bob cut, brown eyes, round-rimmed glasses, gentle serene smile, closed mouth, reading, holding book, red book with gold patterns, seated, green leather booth, colorful kimono, geometric pattern, pale yellow blue and pink kimono, lace trim at collar, purple obi sash, white lace gloves, purple beret, flower-adorned hat, chrysanthemum, floral-patterned teacup, steam rising from tea, wood-framed window, lace curtains, vintage wallpaper, framed artwork, wooden wall clock, afternoon sunlight, warm glow, cozy nostalgic interior, cowboy shot, from side, profile, looking down at the book, high-quality anime-style illustration, A gentle three-quarter profile view from her left, at booth-seat eye level, looking slightly down and across the table so the window stands open behind her right shoulder. Short brown hair falls in a soft chin-length bob that catches the window light along its crown, the tips curling just above the kimono collar, and her round-rimmed glasses sit level on the bridge of her nose with a faint warm highlight sliding across each lens. Her eyes, warm brown, are lowered to the page, and her closed lips hold a gentle, serene smile. She leans back a little into the green leather booth: the tufted backrest behind her is slightly compressed where her shoulders press, and the seat cushion dimples beneath her hip while her feet are tucked out of frame under the table. Beneath the front of her purple obi her posture holds an easy upright line rather than a slump. Her kimono is patterned in small geometric tiles of pale yellow, blue and pink, the exact same three colours repeating across the fabric with white lace trim standing along the collar edge, the sleeves falling in a soft fold across the table lip. The purple obi sash is knotted at her back, partly hidden where the booth backrest catches it. The purple beret rests canted slightly to her right temple, its clustered chrysanthemums and small flowers sitting at the front left of the brim. Her white lace gloves sit fully on both hands. Her left hand supports the red book on the palm with the thumb at its spine, and the gold ornament on the cover follows its tooled pattern where it lies against the glove. The right hand rests a gloved finger along the book's top edge. The small floral-patterned teacup sits on the wooden table at her right forearm, with a pale thread of steam rising from the tea and bending slightly in her breathing direction. The window behind her runs in a wide wood-framed pane with lace curtains caught at its sides, and the pale afternoon light rakes across her cheek, lens, book edge and gloved hand. It leaves faint, soft-edged shadows under the beret brim and below the book. Behind her in the interior the vintage wallpaper, a framed artwork on the wall and the wooden clock sit side by side in deeper warm shadow. The palette stands on brown, cream and green leather against the kimono's pale yellow, blue, pink and purple accents. Warm, soft, quietly nostalgic.

aikawa chinatsu/相川千夏

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