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Lee Hunter

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Lee Hunter

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character: purah, nabooru 2girls, hogtied, bound wrists, bound ankles, wrists tied to ankles, rope bondage, tightly gagged, cloth gag, long oversized puffer coat, quilted coat, large hood, hood up, looking at another, eye contact, very tiny space, cramped, enclosed space, darkness, kneeling, side-lying, prone, red hair, long hair, ponytail, hair pulled back, yellow eyes, pointy ears, dark skin, white hair, short hair, hair bun, hair stick, hair ornament, red eyes, round glasses, red-framed eyewear, red eyeshadow, from above, close-up, dutch angle, dim lighting, rim lighting Shot from above and slightly off-axis in a tight dutch tilt, the frame is almost entirely filled by two women crammed into a lightless, womb-like cavity barely larger than their shouldersโ€”walls of dark boarding and dust-gray padding press in on every side, inches from their hoods. Both lie on their sides facing each other, knees drawn up and ankles cinched back toward their wrists in a tight hogtie, the rope doubling around each wrist and ankle and disappearing into the quilted bulk of their coats. The quilted fabric dominates both figures: Nabooru's long oversized puffer swells around her torso and thighs in deep olive-black, its hood pulled up over her red ponytail so only a sweep of dark red hair escapes at her temple, her dark-skinned face and yellow eyes catching the one weak light; Purah's puffer bulges in charcoal gray, its hood up over her white bun with a hair stick poking through the quilted rim, red-rimmed round glasses slightly fogged, red eyeshadow stark above the cloth gag pulled taut across her mouth. A broad strip of dark cloth cuts across each mouth, knotted at the cheek, their jaws pressed shut. Their faces are close enough that the hood rims nearly touch, and both sets of eyes are locked on each other, unblinking, breathing fast and shallow through their nosesโ€”Nabooru's chin tilted up, Purah's brows drawn. The only light comes from a thin seam above, a cold white sliver that rakes down the quilted ridges of the coats and leaves the rest in near-total black; their bodies are wedged so tightly that the puffer fabric bulges against the walls and their shoulders press seam to seam. Colors are only the cold seam-light, dark olive, charcoal, dark red hair, white hair, and the glint of glasses. Quiet, breathless tension.
Show Parameters
Original Prompt
nabooru and purah in long oversize puffer coats hogtie and gagged very tight with big hoods up and they looking in the eyes in a very tiny space in the dark
Mode
pro
Style
Classic Anime
Quality Tag
๏นPrompts๏นž
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Style: Classic Anime
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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Avatar image of Lee Hunter
character: purah, klee_(genshin_impact) 2girls, purah, klee_(genshin_impact), white hair, short hair, hair bun, hair ornament, hair stick, red eyes, red eyeshadow, round red-framed glasses, black gloves, blonde hair, long hair, low twintails, ahoge, hair between eyes, pointy ears, red eyes, long oversized puffer coat, oversized clothes, puffer jacket, big hood, hood up, hooded coat, hogtie, bound wrists, bound ankles, wrists bound to ankles, rope, tight binding, gagged, cloth gag, cleave gag, lying, prone, on side, looking at another, eye contact, mutual gaze, confined space, tiny room, cramped, darkness, low light, close-up, from above, dutch angle, two subjects, Seen from above at a slight dutch tilt, two young women lie pressed into a crawling-tight cavity barely wider than their shoulders: a squared-off compartment of bare board walls and a single plank floor, its ceiling so low that the raised hoods almost graze the wood. On the left, a small figure with white hair pinned in a short bun and a hair stick tucked through it, round red-framed glasses sitting slightly crooked on her nose, red eyeshadow smudged at the outer corners of her red eyes; she is wrapped to the chin in a long oversized puffer coat whose quilted baffles swallow her whole, the enormous hood pulled up and tented over her head so only her face shows in its dark furrow. On the right, a smaller girl with long blonde hair in low twintails that spill out from under her hood and lie flat across the boards, a short ahoge springing free above her brow, pointed ears poking through the openings of an equally long, equally oversized puffer coat, its hood pulled up and bunched around her cheeks. Both coats are the same inflated mass of stitched horizontal tubes, sleeves hanging empty and useless past the elbows where the cuffs have swallowed their hands. The rope is the only warm-bright thing in the frame: dark cord doubled and cinched so tightly that the puffer's nylon bulges up between every wrap โ€” a chest harness crushing the coat's loft in a deep X, elbows drawn together behind their backs and bound, wrists crossed and lashed, then a short taut line running from those wrists down to their ankles, heels pulled up until the boots nearly touch the backs of their thighs, the whole hogtie so tight the coats crease in radiating folds at every pressure point. Wide cloth gags are knotted at the back of each hood, pulling the cheeks taut, the fabric pressed flat against their mouths. They lie facing one another, cheek to the boards, and their eyes are locked: Purah's red eyes narrowed and steady over the rim of her crooked glasses, Klee's red eyes wide and shining above her gag, neither blinking, both breathing hard enough that the quilted baffles of their coats rise and fall in the same slow rhythm. The only light comes from a thin seam under the compartment's front lip, low and to the left, raking across the boards and lighting the nearest cheek of each face while everything behind them dissolves into absolute black; the rope throws short hard shadows onto the floor and the hood interiors swallow their own faces in shadow so the eyes are the brightest points in the frame. Palette of flat black, cold grey-brown board, and the deep navy and rust-red of the two coats, with the pale gold of the twintails and the white of the bun the only light values. The ceiling plank cuts a hard horizontal across the top edge of the shot, boxing them in. Claustrophobic, tense.
Lee Hunter
#Purah#The Legend of Zelda: Tears of the Kingdom#Genshin Impact
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Avatar image of Lee Hunter
character: vertin_(reverse:1999), sonetto_(reverse:1999) 2girls, looking at each other, eye contact, facing each other, lying on side, full body, high angle, bound, hogtie, arms behind back, wrists bound, ankles bound, legs bent behind back, rope, gag, gagged, cloth gag, oversized puffer coat, backwards clothing, puffy jacket, quilted coat, hood up, hooded, grey hair, short hair, grey eyes, orange hair, braid, long hair, green eyes, indoor, wooden floor, clean linework From a high angle looking down, two young women lie on their sides facing each other upon a smooth, light-toned wooden floor, positioned close together with only a short span separating their faces. Both wear massive, voluminous oversized puffer coats put on backwards, the thick horizontal-quilted nylon wrapping over their chests while the voluminous hoods are pulled all the way up over their heads, framing their foreheads and cheeks. The woman on the left has short pale grey hair showing beneath the rim of her hood and clear grey eyes; the woman on the right has vivid orange hair gathered into a long braid that rests across her collar, her bright green eyes locked directly with the grey eyes opposite her in an intense, shared gaze. A clean cloth gag is tied securely across the parted mouth of each woman, wrapping over the lips and cheekbones before fastening at the back of the head under the hoods. Behind them, their wrists and ankles are tied firmly together in a hogtie position, with taut cords pulling their bent legs toward their wrists; the tension visibly indents the thick, puffy baffling of the coats into deep creased furrows while the surrounding down fabric pillows outward. A gentle overhead light washes across the scene, casting soft, indistinct shadows beneath their resting forms onto the floorboards. Clean linework. Colors are gentle, skin tones smooth and glossy, with expressive eyes. Quiet complicity.
Lee Hunter
#Reverse: 1999
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Avatar image of Liya Hanterys
character: sonetto_(reverse:1999), vertin_(reverse:1999), copyright: reverse:1999 2girls, close-up, two shot, eye level, facing each other, looking at each other, eye contact, hogtie, (reverse:1999), gagged, cloth gag, bound, ropes, oversized coat, long puffer coat, hood up, huge hood, sitting, lying on side, dark, closet, dimly lit, indoor, short hair, grey hair, side bun, grey eyes, long hair, orange hair, braid, green eyes, clean linework, smooth skin, expressive eyes, In a tight eye-level two-shot inside the confined, shadowed space of a dark wooden wardrobe closet, two young women are positioned facing directly toward one another on the bare floorboards. On the left, a young woman with short pale grey hair and a small side bun tucked beneath her hood gazes forward with calm, steady grey eyes. Directly opposite her, a young woman with vibrant orange hair and a neat braid resting against her shoulder meets her gaze with vivid green eyes, their locked eye contact bridging the narrow distance between them. Both wear enormous, calf-length oversized quilted puffer coats with deep, voluminous hoods pulled fully over their heads, framing their faces in thick padded rims. Their wrists and ankles are lashed together behind their backs in a taut hogtie, their bodies held in a (reverse:1999) arch as the ropes cinch firmly into the padded nylon. Wide, clean white cloth gags are tied tightly over their mouths, pulling their lips taut and passing beneath their raised hoods to secure behind their necks. Darkness envelops the closet, broken only by a single sliver of cool ambient light slipping beneath the door, grazing their cheekbones, catching the glossy surface of the puffy coats, and placing small, sharp reflections in their expressive eyes. The thick quilted baffles of the puffer coats compress flat beneath the tight rope turns while puffing outward along their shoulders and backs. Clean linework delineates the figures and tight bindings; colors are gentle amidst the deep ambient shadows, and skin tones are smooth and glossy. Tense intimacy.
Liya Hanterys
#Reverse: 1999#Vertin

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