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AI artwork featuring #Cure Prism
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Cure Prism

#Cure Prism
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character: cure_prism, majorina 1girl, cure_prism, majorina, 2girls, pink_hair, long_hair, braid, hair_ribbon, white_ribbon, pink_bow, white_bow, green_eyes, tattered_clothes, torn_dress, torn_elbow_gloves, white_gloves, ascot, earrings, wounds, blood, scratches, covered_in_mold, mold_on_body, black_green_mold, mold_infection, merged_with_mold, lower_body_fused_with_mold, sinking_into_ground, submerged_shoulders, only_face_and_right_hand_visible, mold_tentacles, tentacles_wrapping_body, restrained, being_dragged_down, struggling, pained_expression, suffering, closed_eyes, gritted_teeth, tears, sweat, messy_hair, lying, on_ground, from_above, dutch_angle, close-up_on_face, foreshortening, outstretched_arm, reaching_up, moldy_ground, black_green_ground, mold_spores, dark_ambient, horror, (majolina:1.2), young_girl, mold_colored_skin, mold_colored_hair, long_hair, green_eyes, hood, smug, standing, looking_down, condescending, victory, full_body, dark_green_palette, high_contrast, dim_lighting, dramatic_shadows, cinematic, despair, defeat, corrupted, shiny_skin, wet_mold, gooey, viscous, matte_paint, retro_anime_style, 90s_anime, cel_shading, dramatic_lighting, low_key, heavy_shadow, seductive_smile, heavy_breathing, trembling, motion_lines, spoken_heart From an extreme high angle looking almost straight down, the frame is dominated by a vast field of glossy black-green mold that crawls over the entire ground plane, its surface a wet, fibrous mat of dark tendrils and fuzzy spores. In the center of this corrupted expanse, the face and right hand of a young magical girl—Cure Prism—are all that remain above the surface. Her pink hair, once braided, is now a tangled, mold-matted mess plastered to her scalp and cheeks, the white ribbon and pink bow barely visible, soiled and darkened. Her green eyes are squeezed shut in a rictus of pain, tears cutting clean tracks through the grime on her cheeks, her mouth open in a silent, agonized gasp, teeth gritted. Her skin, where visible, is pallid and streaked with black-green mold that has soaked into her pores, tiny dark filaments creeping up her neck and across her jawline. Her white dress and gloves are shredded, the fabric torn and hanging in damp, mold-stained strips that cling to her shoulders; her right arm is thrust upward from the mold, elbow-deep in the muck, fingers splayed and trembling as if reaching for salvation, the white glove torn at the knuckles, the flesh beneath raw and bleeding. Thick, glistening mold tentacles—slick, dark green, pulsating with a sickly inner light—coil around her wrist and forearm, binding her to the ground, while others wrap around her shoulders and the crown of her head, pulling her down. The mold around her face is concave, a depression where her body has already sunk, the edges of the hole lipping over her chin and the sides of her head, viscous strands connecting her skin to the surrounding mass. To the upper right of the frame, standing at the edge of the mold pool, is Majolina: a young girl with mold-colored skin—a sickly, pale green-grey—and long, lank hair the same hue, green eyes bright with cruel delight, a dark hood pulled over her head. She stands with her weight on one hip, one hand on her knee as she leans slightly forward, looking down at Cure Prism with a smug, condescending smirk, her gaze fixed on the suffering girl's face. The light source is a dim, cold, greenish glow emanating from the mold itself, casting everything in a sickly pallor; the mold's surface is wet and reflective, catching highlights on its ridges, while the depression around Cure Prism's face is in deeper shadow. The palette is restricted to black, dark green, and the pale pink of Cure Prism's hair as the sole warm accent, with Majolina's mold-colored skin blending into the environment. The mood is one of quiet, creeping despair and violation, the image rendered in a retro anime style with cel shading and heavy, dramatic shadows. A small, hand-drawn heart floats in a speech bubble beside Cure Prism's face, a silent, breathy plea.
Show Parameters
Original Prompt
キュアプリズムがカビの力を得て下半身がカビと一体化して若くてカビ色のマジョリーナに敗れて、全体を黒緑にカビ化したキュアプリズムが苦しそうに地面に倒れて、アニメ風イラスト描いて、ヒロピンイラスト描いて、全身にカビを染み込ませて、地面を黒緑のカビにして、キュアプリズムが徐々に地面のカビに取り込まれていって、地面から出てきた大量のカビの触手でキュアプリズムを絡めとってカビの中に引っ張り混んで、キュアプリズムをボロボロで傷だらけにして、もっとカビで蝕んで、カビの中にキュアプリズムの顔と右手以外沈んで
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
純斗
character: cure_prism, majorina 2girls, cure_prism, majorina, hiro-pin, defeated, lying on ground, on back, head turned to the side, pained expression, suffering, clenched teeth, half-closed eyes, tears, wounded, covered in wounds, torn clothes, tattered dress, torn white dress, frills, white gloves, elbow gloves, torn gloves, pink hair, long hair, braid, hair ribbon, white ribbon, pink bow, white bow, green eyes, earrings, mold, black mold, black-green mold, fungal growth, mold fusion, fused with mold, lower body fused with mold, absorbed into mold, sinking into mold, mold tendrils, tentacles, tentacles wrapping body, arms restrained, legs restrained, tendrils pulling her down, entangling, corrosion, body covered in mold, mold on face, mold on clothes, mold on hair, ground covered in mold, moldy ground, submerged, from above, high angle, close-up on upper body, pov, looking up at viewer, majorina, young majorina, long hair, green eyes, hood, hooded cloak, standing over, standing on mold, looking down at defeated, smug, victorious, sadistic smile, half-closed eyes, looking at another, bare ears, adult tag: suffering, restrained, tentacle hold, corruption, defeated hero, evil grin, dominant The camera looks down from just above the two figures, a high angle that pins the defeated girl to the floor. Cure Prism lies on her back in the lower two thirds of the frame, her head snapped to the left side, cheek pressed flat into the black-green mold. Her pink braided hair fans out and the white ribbons and pink bow at her braid are soaked dark, sticking to the mold in wet clumps. Her face is a knot of pain: brows drawn hard together, one eye half-shut and the other squeezed closed with a tear cutting a clean pale line down the mold-smeared cheek, mouth open in a clenched grimace. White mold threads smear across her cheek, her jaw and her throat. Her frilled white dress is shredded at the hem and shoulder, the ball-jointed seams of white gloves split at the knuckles, and every tear in the fabric has mold creeping out of it in lichen-like crusts. Above the hips she is still recognizably a girl in a ruined white dress; from the waist down there is no longer a body, only a thickened column of black-green mycelium that merges into the ground with no edge at all, her legs unreadable somewhere inside it, the skirt's frills half-swallowed and laced with dark filaments. Tendrils rise out of that mold in a wide fan. One thick tendril loops twice around her right forearm and pins it out to the side, a second wraps her left wrist and draws it down toward the mycelium, three more cross her belly and chest over the torn dress and press her back into the ground, and more coil upward behind her shoulders. The ends of the tendrils taper into fine hairs that spread out over the fabric. Where each coil touches, the dress fabric is already dark and porous, eaten through. The ground itself is an unbroken mat of black-green mold extending past the frame edges, fibrous and fuzzy with bright pale-green rims on the raised lumps and dull black in the hollows, and it visibly deforms around her: a shallow depression is spreading beneath her shoulders and hips where the surface has already pulled her down, small ridges and folds in the mold annularly creeping up over her sides. She reaches one glove almost to the top edge of the frame, the fingers crooked. Majorina stands in the upper right, small in the frame at this angle but unmistakable, looking down: a young woman in a hooded cloak whose hood casts a shadow over her brow, long hair hanging loose past the hood's rim, green eyes catching the light, her chin lowered and her mouth curved into a thin satisfied smile, one corner lifted. Her cloak's hem floats just above the mold without touching it. Her right hand is at her side, fingers loose, her left hand lifted slightly at chest height as if she has just finished casting. Her gaze lands directly on the defeated girl's face, and the defeated girl's open eye looks up off the floor toward her. The light is a single cold green source from the upper left: it picks out the pale-green fuzz on the mold's raised edges, the wet sheen on the tendrils, and rim-lights the hooded figure's shoulder and the torn white sleeve, leaving the deep seams between mold clumps near-black. The palette is black, deep green, sickly yellow-green, and the ruined white of the dress with the faded pink of her hair as the only warm note. A faint green haze diffuses through the air, thickest near the ground. Wretched, claustrophobic.
純斗
AI artwork
純斗
character: cure_prism, majorina solo focus, 2girls, cure_prism, majorina, defeated, lying on ground, collapsed, on back, in pain, suffering expression, agony, grimace, tears, clenched teeth, half-closed eyes, tattered clothes, torn dress, ripped white dress, wounds, scratches, bruises, blood, black-green mold covering body, mold corruption, lower body fused with mold, body soaked in mold, mold tentacles, tentacles from ground, tentacle grabbing, tentacles wrapping around body, entangled, being pulled into mold, sinking into mold, partially submerged, only face above surface, right hand above surface, outstretched arm, reaching up, black-green mold ground, mold spreading across floor, corroded body, eroded, melting skin, hair ribbon, white ribbon, pink bow, braid, pink hair, long hair, green eyes, young girl, mold-colored skin, mold-green body, long hair, hood, standing, looking down, looking at another, sadistic smile, cruel smile, victory pose, from above, high angle, dutch angle, foreshortening, dramatic perspective, dark atmosphere, sickly green palette, dim lighting, single light source, horror, corruption, bad end, hero in peril, dark fantasy, anime illustration, detailed, high quality From a high angle looking steeply down into a shallow pit of black-green mold, the entire floor of the chamber has become a spreading mat of the stuff — matte, fibrous, mottled deep green over near-black, its surface broken into raised veins and small craters where bubbles of decay have burst. Down in the centre of this field lies a girl on her back, sunk to the collarbone: the mold has swallowed her torso, hips and legs whole, so that only her head, shoulders and her right arm remain above the surface. Her lower body reads as part of the mold itself — the line where her waist disappears is not a clean edge but a slow gradient of flesh darkening and fuzzing into green filaments, her skirt and leggings dissolved into the mass in ragged scraps. Her whole body is stained the same black-green; the mold climbs her neck in finger-like streaks and mats the ends of her long pink hair where it lies spread in the muck, the white ribbon and pink bow at her braid now smeared and heavy. Her face is the only clean, bright thing left and it is contorted: brows drawn hard together, eyes squeezed half-shut with wet lashes, tears cutting pale tracks through the green on her cheek, mouth pulled wide in a grimace with teeth bared around a caught breath. Her right arm is flung up out of the mold toward the camera, fingers splayed and trembling, elbow locked, the white glove torn open across the knuckles, blood beading in a scrape on the forearm — the one part of her still refusing. Around her, the mold rises into thick blunt tentacles that taper as they rise, a dozen of them arching up and bending inward. Two coil tight around her right upper arm just below the shoulder and pull, dimpling the fabric; one crosses her collarbone and hooks around her throat without strangling, its tip curled under her jaw; others lie across her shoulders and vanish into the mass where her torso is. They drag her down: the mold around her shoulders is stretched into radial puckers and small wet creases, and the shelf of mold at her collarbone has visibly risen up over the skin in a slow lip, the surface around her freshly disturbed and glistening. Above her, standing at the rim of the pit with the top edge of the frame cutting across her shoulders, is a young woman with long hair and green eyes whose skin and hood are the same black-green as the mold, her body small and spry in the frame's upper corner. She stands with her weight on one hip in a loose, easy hipshot stance, one hand resting on her knee bent at the rim, chin tipped down. She looks directly into the fallen girl's upturned eye, and the corner of her mouth has a small, satisfied kink; she does not move to help. The only light source is a cold, low, green-white glow rising from the mold itself, so the underside of the fallen girl's chin, the rims of the tentacles and the inside of her raised hand are lit while the surrounding walls and the victor's back fall into darkness. The palette holds to black, deep green and a single thread of pink in the girl's hair, with her blood the sole warm note. The mold in the foreground is rendered fine and close, the victor simplified at the rim. Bleak, suffocating corruption.
純斗
AI artwork
純斗
character: cure_prism cure_prism, 1girl, solo, magical girl, pink_hair, long_hair, braid, hair_ribbon, white_ribbon, bow, pink_bow, white_bow, green_eyes, white_dress, frills, elbow_gloves, white_gloves, ascot, aqua_ribbon, dress, earrings, black-green mold covering entire body, mold soaked into skin, mold-corrupted, black-green discoloration, tattered dress, torn frills, ripped gloves, shredded ribbon, wounds, scratches, bleeding cuts, bruised skin, lying on ground, on side, collapsed, face down half-turned, reaching out, outstretched arm, clawing at ground, struggling, pained expression, gritted teeth, tears, squeezed-shut eyes, furrowed brow, sweat, trembling, arched back, mold tentacles, tendrils wrapping arms, tendrils around waist, tendrils around thighs, tendrils around throat, restrained, entangled, being dragged down, sinking into mold, absorption, dissolving into ground, black-green ground, mold-covered floor, spreading mold, spores, dark atmosphere, from above, high angle, wide shot, dutch angle, dim green light, shadow, ominous, horror, (heroine in peril:1.2), (anime style illustration:1.1), corrupted, contaminated, overwhelmed, suffering, despair High-angle view looking down and slightly off-axis: a lone magical girl lies collapsed on her left side on a floor completely overrun by black-green mold, one arm flung out and fingers clawing into the mold mat, the other pinned under her hip. Seen from above, her long pink hair, braided strands and white and pink bows are streaked through with black-green filament and lie plastered flat into the mold bed, wet and matted. Her face is turned up toward the lens — eyes squeezed shut against pain, brow deeply furrowed, teeth gritted, a wet sheen of tears and sweat along one cheek. Her white dress, elbow gloves, frilled skirt and aqua ribbon ascot are shredded — seams split, fabric flaps torn open in black-green stained strips, some ribbon ends snapped and floating in the mold — and beneath every wound the skin itself is webbed and mottled with black-green mold that has soaked into it. Thick mold tendrils rise from the ground around her, each one curling and pressing into her: one coiled tight around her outstretched forearm and wrist, one cinched at her waist over the torn dress, one snaking across her thighs and one looping around the side of her throat. The tendrils have already dragged part of her lower body down — her hip and thigh are half-sunk in the mold bed, a ring of disturbed, rippling mold spreading out around the sunken edge. Far in the background, small and clearly distanced, the young witch Majolina stands over her as the victor, one hand raised in triumph, her face lit only from below; she is smaller in frame, out of the mold, watching her fall. The only light is a low, cold green glow from the mold itself, leaving the corners of the frame in absolute darkness and casting the tendrils' shadows up across her face and chest. The palette is locked to black-green, sickly glow, pale pink hair and white fabric as the only lighter notes, everything tinted and swallowed toward mold-darkness. Exhaustion, sickly corruption, quiet horror.
純斗
AI artwork
純斗
character: cure_prism 1girl, cure_prism, solo, pink hair, long hair, braid, hair ribbon, white ribbon, pink bow, white bow, green eyes, white dress, frills, elbow gloves, white gloves, ascot, earrings, full body, lying, on ground, collapsed, fallen on back, writhing, in pain, suffering, pained expression, clenched teeth, open mouth, sweat, trembling, tears, half-closed eyes, tattered clothes, torn dress, ripped gloves, scratches, wounds, bruises, covered in mold, black mold, green mold, mold on body, black-green slime, wet, glistening, mold tentacles, tendrils, tentacles from ground, tentacles wrapping body, restrained, bound, entangled, dragged down, sinking into ground, partially submerged, mold covering ground, corrupted, black sclera, glowing green eyes, spreading mold, absorption, horror, dark fantasy, high contrast, from above, dutch angle, foreshortening, dramatic lighting, cinematic, dim light, eerie atmosphere, despair, defeated, hopeless, wide-eyed, glossy skin, shiny skin, sweat on skin, trembling legs, arched back, spread arms, The shot looks down from a steep, canted high angle, as Cure Prism lies sprawled on her back across a floor of black-green mold that has swallowed the entire ground plane edge to edge. Her long pink hair fans out through the mold in wet, matted ropes, the white ribbon and pink bow clumped into sticky strands; her green eyes are wide and glassy beneath half-lowered lids, brows drawn up, teeth clenched behind a grimace, a bead of sweat running down her temple as a tear tracks the corner of one eye. Her white dress is shredded at the hem and sleeves, in tatters that expose raw pink scratches and bruises along her arms and thighs; her white gloves are torn open at the knuckles, her earrings dark with mold. She is not merely painted with mold but soaked in it: black-green fuzz creeps up her shins, thighs, flanks and forearms in soft spreading patches that flush into a slick wet membrane over her skin. Her back arches off the ground, one hip twisted, one shoulder dragged lower, both arms flung out and bent, fingers curled and spasming as they claw at the floor. From the mold around her, dozens of glistening black-green tendrils have erupted — three coil tight around her right ankle and calf, two lash across her waist and ribs, one wraps her left wrist and pins it, one loops her upper arm, thinner strands thread over her collarbone and throat and along her jaw — each holding taut with a wet sheen where the light catches the slime. The tendrils are dragging her down: she is already part-sunk, the mold closing over her hips, her elbow and shoulder-blade descending into the floor, the ground surface bulging in soft rings around each point where she is being pulled under, so that the mold reads as a living sink rather than a flat stain. Just beneath her the floor is a solid sheet of black-green mold with a rough, granular, slightly glistening crust, darker in the crevices, brighter lime along the raised ridges; the crust breaks open into rips where tendrils emerge, and around each tear the surface is sagging and puckered, moisture beading in the hollows and running down into the seams. Above her, everything else is pure blackness. A single cold light source from the upper left grazes the tops of the mold ridges and her cheek with a faint green cast, leaving the underside of her jaw, the deep folds of the mold and the recesses of her body in absolute darkness; the only other glow is her corrupted eyes. The palette admits nothing but black, sickly green, the dead white of her ruined dress, and the pink of her hair — nothing else, no warmth. Fine watercolor-and-ink texture on the mold and her skin, thin ink lines for the tendrils, high-contrast, gothic, restrained in its horror. No speech bubble; the mold tendrils and the sagging floor carry the motion alone. Quiet despair, sickening dread.
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