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Agent47
Show Parameters
- Original Prompt
- An extreme worm's-eye view of a busy city street at lunch hour: dozens of office workers in suits stream across the crosswalk and along the sidewalks, a river of cars and a city bus idle bumper to bumper, and directly above them a single gigantic white ghost — wider than the street, wider than the gap between the towers themselves — dives straight down out of the sky, so wide that the two rows of towers are narrower than it, its round body wedged between them, pressed against the glass on both sides, overflowing behind the rooftops — and not one person looks up. Every head is level or bent toward a phone, as if this were an ordinary day. The crowd moves on autopilot: navy and charcoal suits, ID lanyards swinging, a man scrolling his phone mid-step, a woman balancing a paper coffee cup, a briefcase tucked under an arm, tired faces with blank eyes; crosswalk stripes run along the bottom of the frame, a traffic light burns red, and a thin wisp of steam rises from a manhole cover. The ghost has the classic round look of a Mario ghost: a perfectly round, smooth matte white body, two tiny round-tipped arms, two small black oval eyes, and a wide open mouth — dark inside, with a rounded tongue and two small fangs — alone taking up the whole upper middle of the frame. It is too wide to fit between the towers at all: the buildings squeeze its sides and their edges bite into its silhouette, its body bulging upward out of the canyon; its smooth white surface hangs so close that you can see the soft sheen and gentle shading across its round underside, taking the cool blue of the sky, and each of its tiny arms alone is longer than a city bus. Its shadow swallows the entire street below — crosswalk, sidewalks and every lane — and the crowd keeps walking inside it. Camera almost on the asphalt between the crosswalk stripes, pitched steeply upward; every vertical in the frame converges to a single point high above the top edge, the glass towers lean inward from both sides and press against the ghost's body, and it looms wall to wall in the canyon of sky, exactly over the unaware crowd. The sun now passes behind the ghost: the whole street — every lane, the crosswalk, the sidewalks — lies inside one huge soft shadow, rooftops and crowd sinking into a cool open shade that keeps every colour readable, while a bright rim traces the white edge of its body against the sky, and the far end of the street beyond its shadow still catches hard daylight. Anime illustration, crisp clean lineart with soft cel shading, cinematic contrast of scale, a cool shadowed street beneath the bright rim of the ghost, no text anywhere.
- Mode
- flash
- Size
- 1104 x 1824
Prompt Helper
Model & LoRA used
Similar Images
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a4
character: boo_mario
detail illustration, -2::simple illustration, cool lighting, pale color, flat shading, sketch, soft gradient, clean lineart, An extreme worm's-eye view of a busy city street at lunch hour: dozens of office workers in suits stream across the crosswalk and along the sidewalks, a river of cars and a city bus idle bumper to bumper, and directly above them a single gigantic white ghost — wider than the street, wider than the gap between the towers themselves — dives straight down out of the sky, so wide that the two rows of towers are narrower than it, its round body wedged between them, pressed against the glass on both sides, overflowing behind the rooftops — and not one person looks up. Every head is level or bent toward a phone, as if this were an ordinary day.
The crowd moves on autopilot: navy and charcoal suits, ID lanyards swinging, a man scrolling his phone mid-step, a woman balancing a paper coffee cup, a briefcase tucked under an arm, tired faces with blank eyes; crosswalk stripes run along the bottom of the frame, a traffic light burns red, and a thin wisp of steam rises from a manhole cover.
The ghost has the classic round look of a Mario ghost: a perfectly round, smooth matte white body, two tiny round-tipped arms, two small black oval eyes, and a wide open mouth — dark inside, with a rounded tongue and two small fangs — alone taking up the whole upper middle of the frame. It is too wide to fit between the towers at all: the buildings squeeze its sides and their edges bite into its silhouette, its body bulging upward out of the canyon; its smooth white surface hangs so close that you can see the soft sheen and gentle shading across its round underside, taking the cool blue of the sky, and each of its tiny arms alone is longer than a city bus. Its shadow swallows the entire street below — crosswalk, sidewalks and every lane — and the crowd keeps walking inside it.
Camera almost on the asphalt between the crosswalk stripes, pitched steeply upward; every vertical in the frame converges to a single point high above the top edge, the glass towers lean inward from both sides and press against the ghost's body, and it looms wall to wall in the canyon of sky, exactly over the unaware crowd.
The sun now passes behind the ghost: the whole street — every lane, the crosswalk, the sidewalks — lies inside one huge soft shadow, rooftops and crowd sinking into a cool open shade that keeps every colour readable, while a bright rim traces the white edge of its body against the sky, and the far end of the street beyond its shadow still catches hard daylight. Anime illustration, crisp clean lineart with soft cel shading, cinematic contrast of scale, a cool shadowed street beneath the bright rim of the ghost, no text anywhere.
Agent47
a4
character: boo_mario
detail illustration, -2::simple illustration, cool lighting, pale color, flat shading, sketch, soft gradient, clean lineart, An extreme worm's-eye view of a busy city street at lunch hour: dozens of office workers in suits stream across the crosswalk and along the sidewalks, a river of cars and a city bus idle bumper to bumper, and directly above them a single gigantic white ghost — wider than the street, wider than the gap between the towers themselves — dives straight down out of the sky, so wide that the two rows of towers are narrower than it, its round body wedged between them, pressed against the glass on both sides, overflowing behind the rooftops — and not one person looks up. Every head is level or bent toward a phone, as if this were an ordinary day.
The crowd moves on autopilot: navy and charcoal suits, ID lanyards swinging, a man scrolling his phone mid-step, a woman balancing a paper coffee cup, a briefcase tucked under an arm, tired faces with blank eyes; crosswalk stripes run along the bottom of the frame, a traffic light burns red, and a thin wisp of steam rises from a manhole cover.
The ghost has the classic round look of a Mario ghost: a perfectly round, smooth matte white body, two tiny round-tipped arms, two small black oval eyes, and a wide open mouth — dark inside, with a rounded tongue and two small fangs — alone taking up the whole upper middle of the frame. It is too wide to fit between the towers at all: the buildings squeeze its sides and their edges bite into its silhouette, its body bulging upward out of the canyon; its smooth white surface hangs so close that you can see the soft sheen and gentle shading across its round underside, taking the cool blue of the sky, and each of its tiny arms alone is longer than a city bus. Its shadow swallows the entire street below — crosswalk, sidewalks and every lane — and the crowd keeps walking inside it.
Camera almost on the asphalt between the crosswalk stripes, pitched steeply upward; every vertical in the frame converges to a single point high above the top edge, the glass towers lean inward from both sides and press against the ghost's body, and it looms wall to wall in the canyon of sky, exactly over the unaware crowd.
The sun now passes behind the ghost: the whole street — every lane, the crosswalk, the sidewalks — lies inside one huge soft shadow, rooftops and crowd sinking into a cool open shade that keeps every colour readable, while a bright rim traces the white edge of its body against the sky, and the far end of the street beyond its shadow still catches hard daylight. Anime illustration, crisp clean lineart with soft cel shading, cinematic contrast of scale, a cool shadowed street beneath the bright rim of the ghost, no text anywhere.
Agent47
a4
character: boo_mario
detail illustration, -2::simple illustration, cool lighting, pale color, flat shading, sketch, soft gradient, clean lineart, An extreme worm's-eye view of a busy city street at lunch hour: dozens of office workers in suits stream across the crosswalk and along the sidewalks, a river of cars and a city bus idle bumper to bumper, and directly above them a single giant white ghost — wider than the street itself — dives straight down out of the sky, its body spanning the full width of the frame and blotting out the whole sky between the towers, its wide open mouth aimed right down at the roadway, its two stubby arms stretched forward — and not one person looks up. Every head is level or bent toward a phone, as if this were an ordinary day.
The crowd moves on autopilot: navy and charcoal suits, ID lanyards swinging, a man scrolling his phone mid-step, a woman balancing a paper coffee cup, a briefcase tucked under an arm, tired faces with blank eyes; crosswalk stripes run along the bottom of the frame, a traffic light burns red, and a thin wisp of steam rises from a manhole cover.
The ghost has the classic round look of a Mario ghost: a perfectly round, smooth matte white body, two tiny round-tipped arms, two small black oval eyes, and a wide open mouth — dark inside, with a rounded tongue and two small fangs — alone taking up the whole upper middle of the frame. Its body is cropped by both edges of the frame, leaving blue sky only in the corners; its smooth white surface hangs so close that you can see the soft sheen and gentle shading across its round underside, taking the cool blue of the sky, and each of its tiny arms alone is longer than a city bus. Its shadow covers the whole crosswalk and both lanes below.
Camera almost on the asphalt between the crosswalk stripes, pitched steeply upward; every vertical in the frame converges to a single point high above the top edge, the glass towers lean inward from both sides and vanish behind the ghost's body, and it looms wall to wall in the canyon of sky, exactly over the unaware crowd.
The sun now passes behind the ghost: the whole street lies in one huge soft shadow, rooftops and crowd sinking into a cool open shade that keeps every colour readable, while a bright rim traces the white edge of its body against the sky, and the far end of the street beyond its shadow still catches hard daylight. Anime illustration, crisp clean lineart with soft cel shading, cinematic contrast of scale, a cool shadowed street beneath the bright rim of the ghost, no text anywhere.
Agent47
a4
character: boo_mario
detail illustration, -2::simple illustration, cool lighting, pale color, flat shading, sketch, soft gradient, clean lineart, An extreme worm's-eye view of a busy city street at lunch hour: dozens of office workers in suits stream across the crosswalk and along the sidewalks, a river of cars and a city bus idle bumper to bumper, and directly above them a single giant white ghost — wider than the street itself — dives straight down out of the sky, its body spanning the full width of the frame and blotting out the whole sky between the towers, its wide open mouth aimed right down at the roadway, its two stubby arms stretched forward — and not one person looks up. Every head is level or bent toward a phone, as if this were an ordinary day.
The crowd moves on autopilot: navy and charcoal suits, ID lanyards swinging, a man scrolling his phone mid-step, a woman balancing a paper coffee cup, a briefcase tucked under an arm, tired faces with blank eyes; crosswalk stripes run along the bottom of the frame, a traffic light burns red, and a thin wisp of steam rises from a manhole cover.
The ghost has the classic round look of a Mario ghost: a perfectly round, smooth matte white body, two tiny round-tipped arms, two small black oval eyes, and a wide open mouth — dark inside, with a rounded tongue and two small fangs — alone taking up the whole upper middle of the frame. Its body is cropped by both edges of the frame, leaving blue sky only in the corners; its smooth white surface hangs so close that you can see the soft sheen and gentle shading across its round underside, taking the cool blue of the sky, and each of its tiny arms alone is longer than a city bus. Its shadow covers the whole crosswalk and both lanes below.
Camera almost on the asphalt between the crosswalk stripes, pitched steeply upward; every vertical in the frame converges to a single point high above the top edge, the glass towers lean inward from both sides and vanish behind the ghost's body, and it looms wall to wall in the canyon of sky, exactly over the unaware crowd.
The sun now passes behind the ghost: the whole street lies in one huge soft shadow, rooftops and crowd sinking into a cool open shade that keeps every colour readable, while a bright rim traces the white edge of its body against the sky, and the far end of the street beyond its shadow still catches hard daylight. Anime illustration, crisp clean lineart with soft cel shading, cinematic contrast of scale, a cool shadowed street beneath the bright rim of the ghost, no text anywhere.
Agent47
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