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π×∞
この前に「乙π」という一言で生成したら、乙πそのものは映らなかったけど、 明らかに上半身裸、見えるのは肩から上のみ、で睦み合う百合ゆりな女子2人組が出力されて、 まさかこの一連の生成で初のセンシティブ判定がこんなプロンプトで出るとは…と驚愕しているところです。 そしてちょっとテイストを変えた、これならセンシティブ寄りではなく数学寄りになるのでは…?というプロンプトで生成したところ、かなり計算通りの絵ヅラやね…w 今思いついたけど、この数式はデーモンコアボールの謎を解くカギとなりそうな気がしますぞ〜?(でたらめ)
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- Original Prompt
- π×∞
- Mode
- pro
- Style
- Semi-Real
- Quality Tag
- ﹝Prompts﹞
- Size
- 1232 x 1232
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Style: Semi-Real
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Model & LoRA used
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Show more数式は心を描ける
Chimera 630
scattered musical notes,
user-1583847133313603800
カブ
e
1girl, solo, poem, ink wash painting, from below, looking up, arms outstretched, head tilted back, eyes wide, half-closed mouth, wind, flowing hair, long hair, dark hair, loose strands, flowing clothes, long skirt, bare feet, standing on tiptoe, reaching up, outstretched arm, scattered paper, torn paper, shards, floating particles, glowing particles, broken bars, iron bars, shattered fragments, night sky, starry sky, blazing stars, swirling clouds, nebula, from side, dutch angle, wide shot
A girl stands alone beneath a sky that is tearing open, seen from below at a low dutch angle so her body tilts across the frame and the whole vault of heaven reels above her. Both arms are flung up and open, elbows soft, fingers spread wide and trembling with the effort of reaching, and she is caught on tiptoe, heels lifted clear of the ground, weight carried on the ball of one foot while the other toe drags for balance. Her head is thrown back so her throat is bared and her jaw cut sharp against the glow, eyes wide and wet and fixed straight up into the light, lips parted on a breath she has not finished taking. Her long dark hair pulls sideways and upward off her shoulders in the updraft, individual strands separating and lifting, and the loose fabric of her skirt and sleeves bellies out and streams away from her legs, snapping at the hem.
Around her, iron bars hang in the air in a broken ring; several are cracked through and drifting apart from their sockets, their jagged ends catching the light, and the gaps between them open onto a vast deep blue-black sky crowded with stars burning unnaturally large and bright, their cores white-hot and their halos bleeding outward into torn veils of amber and cold violet cloud that spiral slowly around a single unseen axis. Every upward-facing surface catches the light -- the flat crowns of the shattered bar ends, the tops of her cheekbones, the bridge of her nose, the ridges of her knuckles -- while beneath her chin, inside her elbows and behind her knees the shadows stay deep, and she throws a long, hard, faintly violet shadow down and away from the blaze. Glowing motes and curled flakes of broken metal drift upward past her, not falling but rising, slow, weightless, each one lit on the side that faces the stars and dark on the other. The ground she stands on is a bare, cracked dark plain holding nothing else, so that the empty space at the bottom of the frame sets her smallness against the immensity overhead.
The palette is restricted to deep indigo and ink black, hot white starfire, and a warm amber bleeding through the cloud, with the girl's skin and hair kept in muted umber so the sky owns the colour. Her figure is drawn clean and specific -- the strain in the tendons of her raised arms, the lift of her chin, the fine strands crossing her face -- while the sky and the broken bars are rendered loose and blooming. A whispered awe, dizzy and free.
Ethorin
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