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girl love socks
Show Parameters
- Original Prompt
- A cute anime catgirl sitting casually on a soft rug in a well-lit room, she is gently touching the top of one of her knee-high socks, looking down, focus on legs and feet area, full body shot, detailed, cinematic lighting.
- Quality Tag
- high quality, masterpiece, year_2025, year_2024, sfw, ﹝Prompts﹞
- Size
- 1280 x 720
- Sampling Steps
- 28
- Sampling Method
- Euler
- CFG Scale
- 5
- Negative
- worst quality, bad quality, low quality, distortion, jpeg artifacts, lowres, bad anatomy, bad composition, bad hands, bad fingers, error, missing fingers, extra digit, fewer digits, cropped, artist name, copyright name, text, signature, watermark, nsfw, nude, nudity, light particles, multiple_views
Model & LoRA used
Similar Images
Show morecharacter: shirakami_fubuki
1girl, solo, shirakami_fubuki, long white hair, ahoge, single braid over one shoulder, hair between eyes, sidelocks, aqua-green eyes, white animal ears, black shorts, detached sleeves, neckerchief, gold earrings, thigh strap, sitting, leaning back on both hands, legs raised, both feet up, soles of feet, bare right foot, right foot sole bare and damp, left foot wearing a single white sock, sock sole visibly damp and darkened, sweaty, showing off both soles, looking at viewer, one eye half-closed, lopsided smirk, blush, from below, foreshortening, close-up on feet,
The camera sits low and close, tilted up from below the level of her knees, so her raised feet dominate the foreground with their soles turned flat toward the lens while her upper body recedes small and tilted behind them. She has flopped back onto a low padded bench, weight propped on both hands planted behind her hips, elbows slightly bent, arms taking the load; her spine arches and her shoulders roll back, which lifts both bare legs high and swings them toward the viewer. Her right leg crosses slightly over the left so the two soles sit one above the other, both facing outward, toes of the right foot spread and the right sole fully exposed from heel to ball; the left foot sits just behind it, its sole seen through the pale knit of a single white sock. The bare right sole reads damp: skin sheened and faintly flushed pink at the heel and the ball, a soft shine along the arch where moisture catches the light, tiny beaded sweat along the edges of the toes and a few curling strands of hair stuck to the ankle. The sock on the left foot is damp through, the sole fabric darkened in a soft irregular blotch at the ball and heel, clinging and slightly wrinkled where it presses, the toe seam a little wet-darkened. Her white hair spills back over the bench edge in a loose fan, the single braid flipped forward across her shoulder with its tip resting near her hip, sidelocks hanging free, and the animal ears tilt outward as she turns her chin down over her chest to look straight into the lens, one eye half-lidded, one corner of her mouth pulled up in a lopsided smirk, a light flush across the nose and cheeks. Contact points are exact: both palms flat on the bench cushion just behind her hips, the cushion compressed and creased under them, her shoulder blades brushing the bench back, her shorts hem rucked up at the hip, the two soles hanging over the bench edge with nothing supporting the heels. Warm afternoon light comes in low from a window at the left of frame, striking the outer edge of the bare right sole and the curve of her ankle while the inner arch and the socked sole sit in a soft olive-grey shadow; the bench, the pale wall behind and the floor fall into muted shadow beyond, and her cast shadow slides down and to the right across the floor. Palette is restricted to white, warm pink-skin tones, dusty slate grey and the deeper grey of the damp sock, with only her aqua eyes as saturated accent. The smooth matte of the bench fabric, the moist gleam of the bare sole and the flat wet cling of knit against skin are the three distinct surfaces carrying the detail. Warm, teasing.
風竜桜華
character: shirakami_fubuki
1girl, solo, shirakami_fubuki, long white hair, ahoge, single braid over one shoulder, hair between eyes, sidelocks, aqua-green eyes, white animal ears, black shorts, detached sleeves, neckerchief, gold earrings, thigh strap, sitting, leaning back on both hands, legs raised, both feet up, soles of feet, bare right foot, right foot sole bare and damp, left foot wearing a single white sock, sock sole visibly damp and darkened, sweaty, showing off both soles, looking at viewer, one eye half-closed, lopsided smirk, blush, from below, foreshortening, close-up on feet,
The camera sits low and close, tilted up from below the level of her knees, so her raised feet dominate the foreground with their soles turned flat toward the lens while her upper body recedes small and tilted behind them. She has flopped back onto a low padded bench, weight propped on both hands planted behind her hips, elbows slightly bent, arms taking the load; her spine arches and her shoulders roll back, which lifts both bare legs high and swings them toward the viewer. Her right leg crosses slightly over the left so the two soles sit one above the other, both facing outward, toes of the right foot spread and the right sole fully exposed from heel to ball; the left foot sits just behind it, its sole seen through the pale knit of a single white sock. The bare right sole reads damp: skin sheened and faintly flushed pink at the heel and the ball, a soft shine along the arch where moisture catches the light, tiny beaded sweat along the edges of the toes and a few curling strands of hair stuck to the ankle. The sock on the left foot is damp through, the sole fabric darkened in a soft irregular blotch at the ball and heel, clinging and slightly wrinkled where it presses, the toe seam a little wet-darkened. Her white hair spills back over the bench edge in a loose fan, the single braid flipped forward across her shoulder with its tip resting near her hip, sidelocks hanging free, and the animal ears tilt outward as she turns her chin down over her chest to look straight into the lens, one eye half-lidded, one corner of her mouth pulled up in a lopsided smirk, a light flush across the nose and cheeks. Contact points are exact: both palms flat on the bench cushion just behind her hips, the cushion compressed and creased under them, her shoulder blades brushing the bench back, her shorts hem rucked up at the hip, the two soles hanging over the bench edge with nothing supporting the heels. Warm afternoon light comes in low from a window at the left of frame, striking the outer edge of the bare right sole and the curve of her ankle while the inner arch and the socked sole sit in a soft olive-grey shadow; the bench, the pale wall behind and the floor fall into muted shadow beyond, and her cast shadow slides down and to the right across the floor. Palette is restricted to white, warm pink-skin tones, dusty slate grey and the deeper grey of the damp sock, with only her aqua eyes as saturated accent. The smooth matte of the bench fabric, the moist gleam of the bare sole and the flat wet cling of knit against skin are the three distinct surfaces carrying the detail. Warm, teasing.
風竜桜華
山
山田太郎
character: shirakami_fubuki
1girl, solo, shirakami_fubuki, long white hair, ahoge, single braid over one shoulder, hair between eyes, sidelocks, aqua-green eyes, white animal ears, black shorts, detached sleeves, neckerchief, gold earrings, thigh strap, sitting, leaning back on both hands, legs raised, both feet up, soles of feet, bare right foot, right foot sole bare and damp, left foot wearing a single white sock, sock sole visibly damp and darkened, sweaty, showing off both soles, looking at viewer, one eye half-closed, lopsided smirk, blush, from below, foreshortening, close-up on feet,
The camera sits low and close, tilted up from below the level of her knees, so her raised feet dominate the foreground with their soles turned flat toward the lens while her upper body recedes small and tilted behind them. She has flopped back onto a low padded bench, weight propped on both hands planted behind her hips, elbows slightly bent, arms taking the load; her spine arches and her shoulders roll back, which lifts both bare legs high and swings them toward the viewer. Her right leg crosses slightly over the left so the two soles sit one above the other, both facing outward, toes of the right foot spread and the right sole fully exposed from heel to ball; the left foot sits just behind it, its sole seen through the pale knit of a single white sock. The bare right sole reads damp: skin sheened and faintly flushed pink at the heel and the ball, a soft shine along the arch where moisture catches the light, tiny beaded sweat along the edges of the toes and a few curling strands of hair stuck to the ankle. The sock on the left foot is damp through, the sole fabric darkened in a soft irregular blotch at the ball and heel, clinging and slightly wrinkled where it presses, the toe seam a little wet-darkened. Her white hair spills back over the bench edge in a loose fan, the single braid flipped forward across her shoulder with its tip resting near her hip, sidelocks hanging free, and the animal ears tilt outward as she turns her chin down over her chest to look straight into the lens, one eye half-lidded, one corner of her mouth pulled up in a lopsided smirk, a light flush across the nose and cheeks. Contact points are exact: both palms flat on the bench cushion just behind her hips, the cushion compressed and creased under them, her shoulder blades brushing the bench back, her shorts hem rucked up at the hip, the two soles hanging over the bench edge with nothing supporting the heels. Warm afternoon light comes in low from a window at the left of frame, striking the outer edge of the bare right sole and the curve of her ankle while the inner arch and the socked sole sit in a soft olive-grey shadow; the bench, the pale wall behind and the floor fall into muted shadow beyond, and her cast shadow slides down and to the right across the floor. Palette is restricted to white, warm pink-skin tones, dusty slate grey and the deeper grey of the damp sock, with only her aqua eyes as saturated accent. The smooth matte of the bench fabric, the moist gleam of the bare sole and the flat wet cling of knit against skin are the three distinct surfaces carrying the detail. Warm, teasing.
風竜桜華
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