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AI art "嚴肅前輩與緊張後輩的辦公室日常" featuring #Cardigan, #Necktie, #Multiple Girls, #Suit, #Plaid skirt, #Indoors, #Pencil Skirt and #Holding Paper
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嚴肅前輩與緊張後輩的辦公室日常

這張圖描繪了兩位氣質截然不同的職場女性,看著那位抱著文件、神情緊張的後輩,讓我忍不住想起自己剛出社會時那種手忙腳亂的樣子,真的很有共鳴呢。希望大家會喜歡這種帶點幽默的職場日常感,如果覺得有趣的話,請不吝嗇給我點讚和關注,也歡迎在評論區分享你們的辦公室趣事喔!

#Cardigan#Necktie#Multiple Girls#Suit#Plaid skirt#Indoors#Pencil Skirt#Holding Paper
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2girls, two characters together, cool aloof beauty chairwoman, soft cute secretary, office, from below, dutch angle, cowboy shot, standing, looking down, half-closed eyes, jitome, expressionless, closed mouth, long straight black hair, hair past waist, blunt bangs, sharp narrow eyes, dark grey eyes, tall, slender, black tailored blazer, white collared shirt buttoned to the throat, black necktie, black pencil skirt, black tights, black low heels, arms crossed, clipboard held against chest, small stature, round face, large eyes, brown eyes, short fluffy light-brown hair, ahoge, blush, wide-eyed, open mouth, slight pout, cream cardigan, oversized, sleeves past wrists, white blouse, brown ribbon at collar, plaid brown skirt, brown loafers, hugging papers to chest, shoulder bag slipping, leaning forward, head tilt, looking up at another, office corridor, glass partition, fluorescent ceiling light, cool grey palette, warm cream accent, dutch angle, from below, cowboy shot The camera sits low and canted: the floor tiles run diagonally across the bottom of the frame while the top of the corridor leans the other way, so the taller woman's head is pushed toward the top-left corner and her chin is seen from underneath, the underside of her jaw a clean diagonal against the flat white ceiling panel. She stands square-hipped in the middle-left of the frame, weight settled on her back foot, both arms folded high across her chest with the clipboard clamped flat against her left forearm, the crisp white shirt cuff showing a half-centimetre past the blazer sleeve. Her long straight black hair falls behind her shoulders and past her waist, blunt bangs cut dead straight across her brow; she looks down her nose at the shorter woman, lids lowered to a flat half-closed line, lips pressed shut, one brow lifted a few millimetres and nothing else moving in her face. The secretary is caught mid-lean at the right of the frame, her whole line of action slanting forward toward the other woman: front foot stepped in, back heel just lifting off the tile, torso tipped in, and a stack of papers clutched to her chest with both hands so the top sheet buckles up at the corner. Her cream cardigan sleeves swallow her hands to the knuckles and the brown shoulder bag has slid off her shoulder and hangs at her elbow, strap pulled taut. Short fluffy light-brown hair sticks up in a loose ahoge that swings forward with the lean; her face is tipped up, big brown eyes wide and fixed on the chairwoman's lowered eyes, mouth open a fraction in a small pouty breath, a hot blush climbing both cheeks. One of her loafers has scuffed a faint half-moon of rubber along the polished tile. Behind them a glass partition divides the corridor, its metal handrail catching a specular streak; the ceiling fluorescent tube above and slightly behind the chairwoman is the only light, so it rims the crown of her black hair and the top edge of the glass while throwing both faces into soft even grey, the undersides of chins and the crease of the folded arms into shadow, and the far end of the corridor into a dim, out-of-focus falloff. Palette held to charcoal, white, cool grey and glass with one warm cream-and-brown accent on the secretary. Quietly tense, softly comic.
Show Parameters
Original Prompt
一個清冷美女会長和她的軟萌秘書
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

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AI artwork
j3
1girl, solo, anime style, young woman, black hair, long hair, blunt bangs, straight-cut bangs, hair reaching past the waist, black eyes with bright highlights, visible lower eyelashes, black suit, black blazer, black necktie, white dress shirt, from below, cowboy shot, dutch angle, leaning forward, looking down at viewer, one hand in pocket, head tilt, half-closed eyes, light smile, smug, mature female, black footwear visible at the bottom edge, Shot from below at a slight dutch tilt, the camera sits low around her hip line so the black suit rises above the lens in a clean diagonal. She is caught mid-lean: her right shoulder is dipped toward the viewer, spine angled forward about fifteen degrees, weight entirely on her right leg while her left knee softens and her left toe trails a few centimetres behind, heel just lifting off the floor. Her right hand is buried to the knuckles in her trouser pocket, thumb hooked over the pocket lip, stretching the wool taut across the hip; her left arm hangs loose with the fingers loosely curled, nothing in them. Her chin tips down toward the camera and her head cants a few degrees to her left, so the blunt fringe hangs as one solid straight edge just above her brow and the long black hair slides off the far shoulder in a heavy sheet, a single strand dropping free over her near collarbone. Her eyes aim down the tilt of her face straight into the lens under half-lowered lids, the small white highlights burning at the top of each dark iris, and the lower lash line reads as a crisp separate row of fine strokes at every blink-free moment; her smile is a small closed-lip lopsided pull, higher on her left, one eyebrow fractionally raised. The necktie is worn snug at the collar and knocked slightly askew, its knot a little low and its blade hanging over her sternum with the tip tilted off-centre, casting a thin shadow on the white shirt beneath. The environment is a tight pool of pale concrete-grey wall directly behind her, blurred and featureless, no readable signage, no other figures. A single hard white key light comes from high on the frame's right at a low angle, raking across her cheekbone, the shoulder seam and the tie's knot, and drops the left side of her jaw, the far sleeve and the entire background into a graded falloff of cool shadow; the floor beneath is not visible, only deep charcoal. Palette is strictly black, white and skin, with the only saturation sitting in the warm skin tone and the tiny spark of eye highlight. The lowest visible edge of the frame catches one tapered black shoe half on tiptoe, shadow compressing under the toe where it presses the floor. Quietly intimidating, effortlessly stylish.
j363 w

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