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AI artwork featuring #Sleeping, #Meadow, #Black-framed Eyewear, #Sleeping bag, #Shoujo Kageki Revue Starlight, #Junna Hoshimi and #Moonlight
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Junna Hoshimi, Shoujo Kageki Revue Starlight

#Sleeping#Meadow#Black-framed Eyewear#Sleeping bag#Shoujo Kageki Revue Starlight#Junna Hoshimi#Moonlight
余

余命一万一日

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character: hoshimi_junna full body, solo, sleeping, eyes closed, sleeping bag, navy blue sleeping bag, drawstring, cinched tight, hood-like collar, only face and a little hair visible, glasses, long hair, purple hair, ponytail, sidelocks, hair ornament, hair over shoulder, lying on back, on grass, grassy field, night, moonlight, from above, foreshortening, eight heads tall, tall female, closed mouth, relaxed face, calm, bare hands not visible, no blanket folds open, dark background, rim light, cool palette Full-body view from high above, looking down the length of her body: she lies flat on her back in a grassy field at night, and the camera sits steeply overhead, so the sleeping bag runs vertically through the frame in strong foreshortening, her hooded head at the top edge and the mummy-shaped foot of the bag tapering to the bottom, the whole body inside the letterbox of the frame with a band of grass visible on either side. She is eight heads tall and adult-proportioned; inside the bag the length of her is read from the bag's own silhouette, a long straight form under the padding, and the proportions are not foreshortened into a dwarf shape. The bag is deep navy blue nylon, quilted in horizontal chambers, filled enough to bulge softly and read as thick insulation; at the neck the cowl-like hood is drawn up and closed, the drawstring pulled to its limit and knotted so the fabric puckers into tight radial gathers around a small oval opening. Only her face and a little of her hair come through that opening: a narrow wedge of forehead, both closed eyes with lashes lowered and lids smooth, the bridge and lenses of dark-framed glasses resting in place over them, her nose and mouth relaxed, lips parted a faint sliver; a few strands of long purple hair escape the gathers and lie forward across the cowl's upper edge, one sidelock slipping out toward her cheek, the rest of her long ponytail and the ornamented tie packed away inside the hood, pressing a soft rounded shape into the fabric behind her head. Her arms are sealed inside the bag along her sides, and no hand is visible; the bag's surface shows their faint ridge. Grass surrounds and partly overlaps the bag's edge -- blades bent flat underneath it, longer stalks leaning over the rim and crossing in front of the navy nylon in the foreground -- so the bag visibly presses the meadow down where it rests and the elastic drawstring has left a slight tension crease in the fabric at the neck. The only light is the moon, high and off to the upper right out of frame: cool silver-blue strikes the upper faces of the bag's quilted chambers, the top edge of the cowl and the lenses of her glasses, which catch two small hard white glints; a thin rim of moonlight picks out the escaping strands of hair and the tips of the grass blades nearest the lens, while the underside of the bag, the pinched gathers at the throat and the gaps between grass blades fall into deep blue-black shadow. Grass thrown up by the near stalks casts thin shadows reaching left across the nylon. The palette is restricted to navy, silver-blue, black-green and the pale warm of her skin; no other light source exists, and beyond the grass the field sinks into darkness. Quiet, tender.
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Original Prompt
紺色の寝袋に入ってぐっすり眠っている星見純那の全身像。八頭身。首回りのドローコードはいっぱいまで締められて顔とほんの少しの髪だけが外に出ている。眼鏡はかけたまま。草原の中で、月明かりに浮かび上がっている。
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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余
character: hoshimi_junna full body, solo, sleeping, eyes closed, sleeping bag, navy blue sleeping bag, drawstring, cinched tight, hood-like collar, only face and a little hair visible, glasses, long hair, purple hair, ponytail, sidelocks, hair ornament, hair over shoulder, lying on back, on grass, grassy field, night, moonlight, from above, foreshortening, eight heads tall, tall female, closed mouth, relaxed face, calm, bare hands not visible, no blanket folds open, dark background, rim light, cool palette Full-body view from high above, looking down the length of her body: she lies flat on her back in a grassy field at night, and the camera sits steeply overhead, so the sleeping bag runs vertically through the frame in strong foreshortening, her hooded head at the top edge and the mummy-shaped foot of the bag tapering to the bottom, the whole body inside the letterbox of the frame with a band of grass visible on either side. She is eight heads tall and adult-proportioned; inside the bag the length of her is read from the bag's own silhouette, a long straight form under the padding, and the proportions are not foreshortened into a dwarf shape. The bag is deep navy blue nylon, quilted in horizontal chambers, filled enough to bulge softly and read as thick insulation; at the neck the cowl-like hood is drawn up and closed, the drawstring pulled to its limit and knotted so the fabric puckers into tight radial gathers around a small oval opening. Only her face and a little of her hair come through that opening: a narrow wedge of forehead, both closed eyes with lashes lowered and lids smooth, the bridge and lenses of dark-framed glasses resting in place over them, her nose and mouth relaxed, lips parted a faint sliver; a few strands of long purple hair escape the gathers and lie forward across the cowl's upper edge, one sidelock slipping out toward her cheek, the rest of her long ponytail and the ornamented tie packed away inside the hood, pressing a soft rounded shape into the fabric behind her head. Her arms are sealed inside the bag along her sides, and no hand is visible; the bag's surface shows their faint ridge. Grass surrounds and partly overlaps the bag's edge -- blades bent flat underneath it, longer stalks leaning over the rim and crossing in front of the navy nylon in the foreground -- so the bag visibly presses the meadow down where it rests and the elastic drawstring has left a slight tension crease in the fabric at the neck. The only light is the moon, high and off to the upper right out of frame: cool silver-blue strikes the upper faces of the bag's quilted chambers, the top edge of the cowl and the lenses of her glasses, which catch two small hard white glints; a thin rim of moonlight picks out the escaping strands of hair and the tips of the grass blades nearest the lens, while the underside of the bag, the pinched gathers at the throat and the gaps between grass blades fall into deep blue-black shadow. Grass thrown up by the near stalks casts thin shadows reaching left across the nylon. The palette is restricted to navy, silver-blue, black-green and the pale warm of her skin; no other light source exists, and beyond the grass the field sinks into darkness. Quiet, tender.
余命一万一日
#Sleeping#Meadow#Black-framed Eyewear
AI artwork
余
character: hoshimi_junna full body, solo, sleeping, eyes closed, sleeping bag, navy blue sleeping bag, drawstring, cinched tight, hood-like collar, only face and a little hair visible, glasses, long hair, purple hair, ponytail, sidelocks, hair ornament, hair over shoulder, lying on back, on grass, grassy field, night, moonlight, from above, foreshortening, eight heads tall, tall female, closed mouth, relaxed face, calm, bare hands not visible, no blanket folds open, dark background, rim light, cool palette Full-body view from high above, looking down the length of her body: she lies flat on her back in a grassy field at night, and the camera sits steeply overhead, so the sleeping bag runs vertically through the frame in strong foreshortening, her hooded head at the top edge and the mummy-shaped foot of the bag tapering to the bottom, the whole body inside the letterbox of the frame with a band of grass visible on either side. She is eight heads tall and adult-proportioned; inside the bag the length of her is read from the bag's own silhouette, a long straight form under the padding, and the proportions are not foreshortened into a dwarf shape. The bag is deep navy blue nylon, quilted in horizontal chambers, filled enough to bulge softly and read as thick insulation; at the neck the cowl-like hood is drawn up and closed, the drawstring pulled to its limit and knotted so the fabric puckers into tight radial gathers around a small oval opening. Only her face and a little of her hair come through that opening: a narrow wedge of forehead, both closed eyes with lashes lowered and lids smooth, the bridge and lenses of dark-framed glasses resting in place over them, her nose and mouth relaxed, lips parted a faint sliver; a few strands of long purple hair escape the gathers and lie forward across the cowl's upper edge, one sidelock slipping out toward her cheek, the rest of her long ponytail and the ornamented tie packed away inside the hood, pressing a soft rounded shape into the fabric behind her head. Her arms are sealed inside the bag along her sides, and no hand is visible; the bag's surface shows their faint ridge. Grass surrounds and partly overlaps the bag's edge -- blades bent flat underneath it, longer stalks leaning over the rim and crossing in front of the navy nylon in the foreground -- so the bag visibly presses the meadow down where it rests and the elastic drawstring has left a slight tension crease in the fabric at the neck. The only light is the moon, high and off to the upper right out of frame: cool silver-blue strikes the upper faces of the bag's quilted chambers, the top edge of the cowl and the lenses of her glasses, which catch two small hard white glints; a thin rim of moonlight picks out the escaping strands of hair and the tips of the grass blades nearest the lens, while the underside of the bag, the pinched gathers at the throat and the gaps between grass blades fall into deep blue-black shadow. Grass thrown up by the near stalks casts thin shadows reaching left across the nylon. The palette is restricted to navy, silver-blue, black-green and the pale warm of her skin; no other light source exists, and beyond the grass the field sinks into darkness. Quiet, tender.
余命一万一日
#Sleeping#Meadow#Black-framed Eyewear
AI artwork
余
character: hoshimi_junna full body, solo, sleeping, eyes closed, sleeping bag, navy blue sleeping bag, drawstring, cinched tight, hood-like collar, only face and a little hair visible, glasses, long hair, purple hair, ponytail, sidelocks, hair ornament, hair over shoulder, lying on back, on grass, grassy field, night, moonlight, from above, foreshortening, eight heads tall, tall female, closed mouth, relaxed face, calm, bare hands not visible, no blanket folds open, dark background, rim light, cool palette Full-body view from high above, looking down the length of her body: she lies flat on her back in a grassy field at night, and the camera sits steeply overhead, so the sleeping bag runs vertically through the frame in strong foreshortening, her hooded head at the top edge and the mummy-shaped foot of the bag tapering to the bottom, the whole body inside the letterbox of the frame with a band of grass visible on either side. She is eight heads tall and adult-proportioned; inside the bag the length of her is read from the bag's own silhouette, a long straight form under the padding, and the proportions are not foreshortened into a dwarf shape. The bag is deep navy blue nylon, quilted in horizontal chambers, filled enough to bulge softly and read as thick insulation; at the neck the cowl-like hood is drawn up and closed, the drawstring pulled to its limit and knotted so the fabric puckers into tight radial gathers around a small oval opening. Only her face and a little of her hair come through that opening: a narrow wedge of forehead, both closed eyes with lashes lowered and lids smooth, the bridge and lenses of dark-framed glasses resting in place over them, her nose and mouth relaxed, lips parted a faint sliver; a few strands of long purple hair escape the gathers and lie forward across the cowl's upper edge, one sidelock slipping out toward her cheek, the rest of her long ponytail and the ornamented tie packed away inside the hood, pressing a soft rounded shape into the fabric behind her head. Her arms are sealed inside the bag along her sides, and no hand is visible; the bag's surface shows their faint ridge. Grass surrounds and partly overlaps the bag's edge -- blades bent flat underneath it, longer stalks leaning over the rim and crossing in front of the navy nylon in the foreground -- so the bag visibly presses the meadow down where it rests and the elastic drawstring has left a slight tension crease in the fabric at the neck. The only light is the moon, high and off to the upper right out of frame: cool silver-blue strikes the upper faces of the bag's quilted chambers, the top edge of the cowl and the lenses of her glasses, which catch two small hard white glints; a thin rim of moonlight picks out the escaping strands of hair and the tips of the grass blades nearest the lens, while the underside of the bag, the pinched gathers at the throat and the gaps between grass blades fall into deep blue-black shadow. Grass thrown up by the near stalks casts thin shadows reaching left across the nylon. The palette is restricted to navy, silver-blue, black-green and the pale warm of her skin; no other light source exists, and beyond the grass the field sinks into darkness. Quiet, tender.
余命一万一日
#Sleeping#Black-framed Eyewear#Sleeping bag
AI artwork
余
character: nishikigi_chisato 1girl, solo, nishikigi_chisato, blonde hair, short hair, red eyes, hair ribbon, red ribbon, eight heads tall, full body, sleeping, asleep, eyes closed, deeply asleep, inside navy sleeping bag, hooded sleeping bag, mummy sleeping bag, drawcord cinched tight, collar drawn closed, face only visible, small amount of hair visible, relaxed face, soft parted lips, faint blush on cheeks, resting head on folded arm, curled up inside bag, from above, high angle, top-down perspective, lying on low camp cot, head on small pillow, dim room, faint moonlight from side, navy fabric folds, warm skin tone against navy, quiet, tender From a high three-quarter angle looking down, the entire figure lies inside a navy blue mummy-style sleeping bag on a low camp cot, the full length of the bag from hood to foot box inside the frame, the body curled on its side with knees drawn up so the bag swells into a smooth rounded crescent. Only the face and a little blonde hair show at the top: the drawcord at the collar is pulled all the way shut, gathering the navy fabric into tight puckered folds that ring the face opening like a small hood, cinched so closely that no neck, shoulder or hand escapes — a small oval of face framed by navy fabric, a few short blonde strands slipping out at the brow and temple, the red ribbon tucked unseen deep inside the bag. Eight-heads-tall proportions read in the length of the bag: head small at the crown, body elongated past seven more head-lengths to the tapered foot. The face is slack with deep sleep — eyelids fully closed, lashes resting, lips slightly parted, one cheek faintly flushed and pressed against the folded edge of the hood. The head rests on a small flat pillow, one arm folded under it inside the bag, the other hand lost in the fabric. The room is dim and close; a single cool moonlight falls from the upper left, catching the top ridge of the navy bag in pale silver and leaving the underside in deep shadow, the puckered drawcord folds casting small soft shadows into the hood's opening. Palette limited to navy, cool blue-grey shadow, warm pale skin and the single blonde note of exposed hair. The fabric of the bag bunches and creases where the body curls inside it. Quiet, tender.
余命一万一日
#Sleeping#Sleeping bag#Lycoris Recoil

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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