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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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1girl, solo, mature female, very long black hair, blue eyes, hair ornament, necklace, large breasts, underboob, bare shoulders, midriff, navel, pelvic curtain, loincloth, black thighhighs, sandals, polearm, holding polearm, standing, contrapposto, from below, low angle, dutch angle, looking down at viewer, half-closed eyes, light smile, parted lips, wind, outdoors, desert canyon, dusk,
A low-angle shot tilts up from behind her right hip, the horizon canted a few degrees by a dutch tilt, so her full height rises into a wide amber sky. She stands in a shallow desert canyon at dusk, weight sunk onto her left leg with the right knee eased forward and the right hip pushed out, the near hip carrying the pelvic curtain's weight. Both bare shoulders and her collarbones catch the last light; the necklace's pendant rests in the hollow of her chest, exactly at the top edge of the pale wrap that crosses high beneath her large breasts and leaves the underside exposed, the bare midriff arching down to the waistband where the loincloth panel hangs in front and the pelvic curtain's strips of cloth weight away from her hips. Her very long black hair pours past her waist and streams to one side in the wind, the hair ornament pinned at her left temple flashing where the light finds it. The black thighhighs run unbroken to her upper thighs, and her feet are planted in strappy sandals, toes gripping the pale dust.
Her right hand is fisted around the polearm's shaft just below the blade's collar, and she lets the weapon's butt settle into the ground beside her sandal so she leans on it like a walking staff, shoulder relaxed; her left hand rests knuckles against her hip above the curtain. Her chin is tipped down and her half-lidded blue eyes look straight down the shaft at the viewer, one brow a fraction higher, lips parted a little in a faint closed smile that is confident rather than warm. The low sun burns behind the canyon's far rim, backlighting the dust that drifts around her calves and lighting every hair on her silhouette edge with a thin gold line while her front stays in cool blue shadow, so her skin and cloth read low and soft against the glare. The canyon walls frame her on both sides in deep rust red, the whole palette held to black, amber-gold, rust red, and her own cool skin tones. Wind pulls strands of hair across the shadowed side of her face and the loose hem of the pelvic curtain twitches at each gust, and a slow veil of sand skitters along the canyon floor at her feet. Still, sun-hazed, quietly commanding.
Emerson Gutierrez Palomino
eg
1girl, solo, mature female, very long black hair, blue eyes, hair ornament, necklace, large breasts, underboob, bare shoulders, midriff, navel, loincloth, pelvic curtain, black thighhighs, sandals, polearm, holding weapon, standing, contrapposto, looking at viewer, from below, low angle, cowboy shot, dutch angle, desert, stone ruin, dusk, warm rim light, cool shadow,
Shot from a low angle looking up, the mature woman stands in a slight contrapposto on a wind-scoured sandstone ledge, her weight settled on her right leg so the left hip rises and the pelvic curtain falls in a long diagonal across it; her left foot is set a half step forward with the toes gripping the stone through the open leather straps of her sandal, and the black thighhighs pull taut across the thigh, their top edge biting a soft line into the skin just below where the curtain swings free. Both hands close around a tall polearm: the right hand higher at chest height, thumb wrapped and knuckles pale, the left hand lower near her hip controlling the haft, the butt of the weapon planted on the rock behind her heel, and the shaft leans forward across the frame so its head crosses the open sky at the upper left. The dark ragged hem of the loincloth and the loose panels of the pelvic curtain are pushed back to her right side by the same wind, which also lifts the very long black hair off her bare shoulders and sends it streaming in a heavy rope past her elbow; the hair ornament glints where it is pinned above her temple, and the necklace sits on her collarbone with its pendant fallen just into the shadow of her breasts. She is turned three-quarters toward the low camera, chin slightly down and eyes looking straight into the lens with a faint closed-lip smile that does not reach the level brows, one eyebrow carrying a hair's breadth more arch than the other, and the caught light in her blue eyes is cold and clear. Behind her the ruined stair of a sandstone wall and grain drift away into haze, its scale shrinking fast so her figure dominates the picture; the low sun sits off-frame to the right, striking a warm edge along her left arm, the top of one breast, the ridge of the polearm and the rim of her cheekbone, leaving the undersides of breast and hem and the deep folds of the curtain in cool blue shadow, and a long hard shadow of the shaft is cast across the ledge stones to the left of her feet. The palette is held to warm sand, deep black, the cold blue of shadow and her eyes, and a little dull gold on the ornament and necklace, nothing else admitted. Airy, quietly imperious.
Emerson Gutierrez Palomino
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