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東京タワーを背に歩く、情熱のランウェイ
東京タワーの鮮やかな灯りを背負い、真っ赤なカーペットを颯爽と歩く彼女の姿に一目惚れしました。オレンジのコートをなびかせながら、凛とした表情でこちらを見つめる姿がとても美しくて、思わず見入ってしまいます(ミオにおまかせした文章です)。
Show Parameters
- Original Prompt
- 安室奈美恵さん、ミニスカートにブーツを履いていて暖色系のコーディネート、正面を向いている、東京タワー前のイベント会場でランウェイ、全身像。
- Mode
- flash
- Style
- Polished Manhwa
- Size
- 1104 x 1824
Style: Polished Manhwa
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Model & LoRA used
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cel shading, best quality, textured hair, detail illustration, detail eyes, clean outlines, smooth shading, very aesthetic, 25 years old, female, American. Voluminous brunette hair flowing to the waist without bangs, with amber eyes. A gorgeous and haughty cat-like beauty with a slender face, distinct eyebrows, large and long-opened eyes, a straight bridge of the nose, and plump lips in harmony. A doll-like model-type cold beauty whose soft front cheeks and slightly lowered eyelids add a languid and dreamy charm to her prim impression.
Body type: A slim glamour body type where slender shoulders and arms, a narrow waist, and a flat abdomen contrast with round and full breasts. From the waist down, the pelvis spreads wide, and the hips bulge plumply to the sides and back, leading from a round bottom line to smooth thighs and long legs.
Outfit: A white top with a pointed shirt collar and long sleeves. The center front is open vertically and connected by three small silver buckles, and the bottom spreads to the sides, exposing the abdomen. Voluminous ivory shirring decorations wrap around the pelvis, followed by a cream-colored ultra-mini skirt with thin belt details. Matched with white floral see-through lace tights, white square-toed heels with straps across the instep, and long silver drop earrings, holding a clutch that sparkles like silver foil.
Gaze: Looking straight ahead while keeping the head straight with the chin slightly lowered.
Camera composition: A vertical front full-body composition capturing from the head to the tips of the shoes. The person is centered, and a red runway narrows toward the back, creating a sense of perspective. Grass is visible on the left, and a waterway and spectator seats are on the right, with following models blurred.
Action: Runway walking, stepping forward as if crossing one leg in front of the other. The arm on the right side of the screen is bent, holding the clutch by the waist, while the opposite arm hangs naturally, moving in time with the walk.
Expression: A cold and serious model runway expression without a smile, with lips closed and strength in the eyes.
Background: A vivid red runway extending long beside an outdoor waterway. On the left is a wide green lawn, and on the right, calm turquoise water and a bright stone walkway run side-by-side, with spectators sitting in a line across the water. Models follow in a line behind, and the receding runway and surrounding scenery are blurred in a fashion show scene under natural light.
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김
김따따
동그라미0
1girl, solo, adult woman, straight brown hair, shoulder-length hair, short-sleeve fitted black dress, black opaque tights, black high heels, large structured black handbag hanging from left arm, walking, mid-stride, confident, busy city crosswalk, urban crowd, pedestrians in background, storefronts in background, daylight, modern city, extreme low angle, from below, worm's-eye view, foreshortening, wide shot, looking to the side,
The camera sits almost at ground level on the asphalt directly beneath her, tilted up, so the near crosswalk stripes flare wide across the bottom of the frame and the whole city rises above them. The woman is centered but off-vertical, caught mid-stride at the moment her right heel has just planted on a white stripe and her left leg is still trailing back with the toe lifted clear of the paint; her weight rides forward over the front foot so the fitted black skirt of the dress pulls taut across her thigh and the hem lifts slightly with the step. Black opaque tights run seamless from the hem down, matte and dense, catching a thin blade of light along the front of each shin. The black high heels are seen from below and slightly behind as she strides: slim stiletto heels, pointed toes, one sole angled toward the lens. The large structured black handbag is hooked in the crook of her left arm, its boxy body pressed against her left hip, the two top handles gathering in the fold of her elbow, its base weighing the arm down; her left hand rests lightly over the handle clasp, fingers loose. Her right arm swings back with her stride. Seen from this low angle, her straight brown hair falls past her jaw to her shoulders and swings behind her on the turn of her step; her chin is lifted, her jaw set, her eyes looking off to her right past the crowd rather than at the lens, giving an unbothered, forward-driving air.
Above and around her, background pedestrians at crosswalk level are cut off by the low crop into legs, coats and bags, crossing in both directions, some out of focus in the middle distance and a few in far focus near the far sidewalk edge, none of them overlapping her silhouette. Beyond them the storefronts line the street on both sides, glass fronts and awnings dissolving upward into the bright pale sky so the buildings lean steeply inward with the perspective and only their lower floors are described. Daylight is diffuse, high and slightly overcast-bright, falling evenly from above with no hard single source; the woman's cast shadow pools tight under her planted foot and stretches back beneath her trailing one. Palette: black concentrated in the dress, the tights, the heels and the handbag, against the gray-white asphalt and crosswalk paint, warm muted brick and green-awning accents in the storefronts, and a cool pale-blue sky above. The only crisp detail is her — the fabric tension, the tights, the heel contact — while the crowd and façades are simplified into honest background mass. Cool, brisk, effortlessly urban confidence.
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