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AI art "バンブーメモリー" featuring #Uma Musume Pretty Derby
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バンブーメモリー

#Uma Musume Pretty Derby
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character: bamboo_memory_(ultra_marine)_(umamusume) 1girl, solo, bamboo_memory_(ultra_marine)_(umamusume), brown hair with pale streaks, multicolored streaked hair, blue eyes, horse ears, horse tail, racing at speed, riding motorcycle, Serow 225, leaning hard into a turn, night, race circuit, floodlights, motion blur, speed lines, from below, dutch angle, cowboy shot, looking ahead, gritted teeth, grin, determined, white tank top, white shirt tied around waist, cutoff denim short shorts, wristband, headlight streak, tire smoke, dark blue and sodium-orange palette, A low, tilted camera looks up and across at her from just above the tarmac of the inside of the bend, the horizon thrown off-level by the dutch angle so the whole circuit leans with her. She is banked far over to the right, one knee thrown out and hovering a hand's width above the asphalt, the Serow 225's knobby tires biting at full lean, her hips shifted off the saddle to the inside, both hands clamped hard on the bars, her chin tucked down toward the tank and her blue eyes fixed straight ahead through the visor-dark of the night, teeth just showing in a wide grin. Her brown hair, streaked pale, is ripped back off her shoulders by the wind, horse ears pinned flat and her horse tail streaming out behind the tail-light; the white tank top clings to her back while the white shirt knotted around her waist snaps and flutters, and her cutoff denim shorts and wristband stay crisp against the speed. The track surface rushes under her: white and yellow curbing smears to a continuous band at the inside of the turn, the center line stretches away in long perspective lines, and the rear tire throws a thin sheet of grit and a thread of smoke that trails back along the lean. The machine's single round headlight throws one hard cone forward onto the tarmac and it is the only light on the road itself; high above and behind, the floodlight pylons throw wide white pools across the far side of the circuit, and the darkness between them is absolute, broken only by red tail-lights of the distance and the faint glow of the pit buildings beyond the infield. The palette is deep navy night, cool white floodlight and hot sodium orange on the curbing, with her pale hair and white shirt the brightest notes; the lean is real enough that the contact patch of the front tire is visibly flattened where it meets the ground. Fast, electric.
Show Parameters
Original Prompt
バンブーメモリー(UltraMarine)が、セロー225バイクに乗って夜のサーキットを疾走している画像を作って下さい、
Mode
pro
Size
864 x 1152
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

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AI artwork
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1girl, solo, racing, riding motorcycle, large motorcycle, crimson motorcycle, motorcycle racing, high speed, motion blur, speed lines, blazing red hair, long hair, hair streaming backward in the wind, sheath dress, pink sheath dress, fitted dress, leaning forward, gripping handlebars, crouched low over the tank, from below, foreshortening, dutch angle, low angle, dynamic angle, looking ahead, focused expression, gritted teeth, windblown, race track, asphalt, checkered curb, grandstand, guardrail, daytime, bright sunlight, lens flare, chromatic streaks, sense of speed The camera sits low and close to the tarmac, tilted hard into a dutch angle, looking up from below and slightly ahead so the motorcycle's front wheel and fairing loom oversized in the near foreground and the rider's body recedes in foreshortening behind them. A single girl rides the machine: she is crouched far forward off the seat, chest almost on the fuel tank, hips lifted slightly, both knees clamped hard against the crimson bodywork, both boots braced on the rear-set pegs, both gloved hands wrapped tight around the clip-on bars with her wrists rolled down. Her blazing red hair is long and whips straight back past her shoulders in one heavy sheet, individual strands breaking loose and streaking horizontally, some crossing her cheek. She wears a close-fitting sheath dress, pink, cut narrow so it hugs her torso and thighs, the hem pulled taut and fluttering backward along her hip under the wind, the fabric creasing sharply where her waist folds over the tank. Her chin is down, eyes fixed hard forward on the vanishing point of the track, brows drawn, teeth gritted, jaw set -- no smile, all concentration. The motorcycle is huge and crimson, its fairing a deep red gloss with a scorched hot highlight running along the upper edge, the front wheel a blurred disc of spokes radiating outward from the hub, the tire's contact patch the only crisp thing in the frame because it is the one point touching the ground. The race track runs beneath and beyond: dark asphalt smeared into long horizontal motion streaks, the white-and-red checkered curb on the inside line stretching into a curve, a low guardrail, and a grandstand reduced to a blurred band of grey and coloured speckles far behind. Light comes from a high, hard sun ahead and to the right, so the machine's right flank burns with specular white and the underside and left side fall into deep red-black shadow, while a hard low shadow runs under the bike and the sun throws a faint lens flare across the upper corner of the frame. Palette is held to crimson, hot pink, asphalt grey and blazing white highlights, nothing else admitted. The wheels' motion blur is fastest at the rim and sharp only at the hub -- single-variable physics made visible. Kinetic, blazing.
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