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Emilia, Re:ZERO -Starting Life in Another World-
Show Parameters
- Original Prompt
- エミリア、ポーズ、メイド服、変態、生脚、全身網タイツのインナースーツ、網長手袋、恥ずかしがる、下半身網タイツ
- Mode
- pro
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
Show more月(
character: emilia_(re:zero)
1girl, solo, emilia_(re:zero), long_hair, white_hair, grey_hair, purple_eyes, hair_ornament, hair_flower, hair_ribbon, braid, crown_braid, maid outfit, maid apron, frilled apron, maid headdress, fishnet bodysuit, full-body fishnet inner suit, fishnet long gloves, fishnet tights, bare legs, embarrassed, blush, perverted lewd look, half-closed eyes, averted gaze, posing, contrapposto, hand on own chest, from below, cowboy shot, looking down, dutch angle, knee up, standing on one leg, barefoot, empty stone chamber, single window light, cool palette, light smile, tareme
From below, seen in a low dutch angle at a cowboy-shot crop, the girl with long white hair and violet eyes stands on the balls of her bare feet on a cold stone floor, framed from mid-thigh upward. Her crown braid wraps over the top of her head; a white flower and a ribbon sit where the braid meets her temple, and a long loose braid falls over her right shoulder, its tip curling toward her waist. Her pose is twisted: left hip pushed out, right knee lifted and turned inward, arms bent so one fishnet-gloved hand rests flat against her own collarbone and the other hangs just away from her thigh, fingers half curled. The maid outfit layers over the full-body fishnet inner suit — the black bodice and its white frilled apron cinch at the waist, the apron skirt flaring outward and lifted a hand-span by the strain of her raised knee, so beneath it the fishnet tights close her hips and thighs and her bare calf and ankle are uncovered below the skirt's shadow. The fishnet sleeves of the inner suit go up her arms to the elbow and the fishnet long gloves begin where they stop, pinching slightly at the upper arm, and above them the maid's short puff sleeves sit at her shoulders. Her head is tilted down and away from the lens, chin tucked, so she looks down and to the side past her own raised knee rather than at the viewer; her violet eyes are half-lidded and cast sideways through the strands of white hair falling across her brow, lips parted, a deep flush spread across both cheeks and the tops of her ears, one corner of her mouth pulled up in a small strained smile. She is caught mid-turn, weight whole on the left foot, the lifted right foot just settling back down, and the loose braid and the apron hem swing outward together, one beat behind her body.
The chamber around her is bare pale stone, windowless wall behind with a single high arched window cut on the left side, and through it one column of cool daylight falls at a steep angle across her left shoulder, the top of her head and the frilled apron, while her right side and the lower part of her legs sink into soft shadow; the window's cast light is the only source and below the skirt the darkness deepens so that the fishnet tights under the hem read as a lattice of small diamonds catching only the faint lift from the floor. A thin pale line of light runs along the seam where the stone floor meets the wall, and her own shadow, thrown long and wavering toward the right, breaks at her bare heel. Palette held to white hair, white on the apron and flower, black on the bodice, and the cool grey of the stone, with violet reserved for her eyes and the flush, and red nowhere but the ribbon. A soft, tense, teasing mood.
月夜 (つきや)
月(
character: emilia_(re:zero)
1girl, solo, emilia_(re:zero), long_hair, white_hair, grey_hair, purple_eyes, hair_ornament, hair_flower, hair_ribbon, braid, crown_braid, maid outfit, maid apron, frilled apron, maid headdress, fishnet bodysuit, full-body fishnet inner suit, fishnet long gloves, fishnet tights, bare legs, embarrassed, blush, perverted lewd look, half-closed eyes, averted gaze, posing, contrapposto, hand on own chest, from below, cowboy shot, looking down, dutch angle, knee up, standing on one leg, barefoot, empty stone chamber, single window light, cool palette, light smile, tareme
From below, seen in a low dutch angle at a cowboy-shot crop, the girl with long white hair and violet eyes stands on the balls of her bare feet on a cold stone floor, framed from mid-thigh upward. Her crown braid wraps over the top of her head; a white flower and a ribbon sit where the braid meets her temple, and a long loose braid falls over her right shoulder, its tip curling toward her waist. Her pose is twisted: left hip pushed out, right knee lifted and turned inward, arms bent so one fishnet-gloved hand rests flat against her own collarbone and the other hangs just away from her thigh, fingers half curled. The maid outfit layers over the full-body fishnet inner suit — the black bodice and its white frilled apron cinch at the waist, the apron skirt flaring outward and lifted a hand-span by the strain of her raised knee, so beneath it the fishnet tights close her hips and thighs and her bare calf and ankle are uncovered below the skirt's shadow. The fishnet sleeves of the inner suit go up her arms to the elbow and the fishnet long gloves begin where they stop, pinching slightly at the upper arm, and above them the maid's short puff sleeves sit at her shoulders. Her head is tilted down and away from the lens, chin tucked, so she looks down and to the side past her own raised knee rather than at the viewer; her violet eyes are half-lidded and cast sideways through the strands of white hair falling across her brow, lips parted, a deep flush spread across both cheeks and the tops of her ears, one corner of her mouth pulled up in a small strained smile. She is caught mid-turn, weight whole on the left foot, the lifted right foot just settling back down, and the loose braid and the apron hem swing outward together, one beat behind her body.
The chamber around her is bare pale stone, windowless wall behind with a single high arched window cut on the left side, and through it one column of cool daylight falls at a steep angle across her left shoulder, the top of her head and the frilled apron, while her right side and the lower part of her legs sink into soft shadow; the window's cast light is the only source and below the skirt the darkness deepens so that the fishnet tights under the hem read as a lattice of small diamonds catching only the faint lift from the floor. A thin pale line of light runs along the seam where the stone floor meets the wall, and her own shadow, thrown long and wavering toward the right, breaks at her bare heel. Palette held to white hair, white on the apron and flower, black on the bodice, and the cool grey of the stone, with violet reserved for her eyes and the flush, and red nowhere but the ribbon. A soft, tense, teasing mood.
月夜 (つきや)
月(
character: emilia_(re:zero)
1girl, solo, emilia_(re:zero), long_hair, white_hair, grey_hair, purple_eyes, hair_ornament, hair_flower, hair_ribbon, braid, crown_braid, maid outfit, maid apron, frilled apron, maid headdress, fishnet bodysuit, full-body fishnet inner suit, fishnet long gloves, fishnet tights, bare legs, embarrassed, blush, perverted lewd look, half-closed eyes, averted gaze, posing, contrapposto, hand on own chest, from below, cowboy shot, looking down, dutch angle, knee up, standing on one leg, barefoot, empty stone chamber, single window light, cool palette, light smile, tareme
From below, seen in a low dutch angle at a cowboy-shot crop, the girl with long white hair and violet eyes stands on the balls of her bare feet on a cold stone floor, framed from mid-thigh upward. Her crown braid wraps over the top of her head; a white flower and a ribbon sit where the braid meets her temple, and a long loose braid falls over her right shoulder, its tip curling toward her waist. Her pose is twisted: left hip pushed out, right knee lifted and turned inward, arms bent so one fishnet-gloved hand rests flat against her own collarbone and the other hangs just away from her thigh, fingers half curled. The maid outfit layers over the full-body fishnet inner suit — the black bodice and its white frilled apron cinch at the waist, the apron skirt flaring outward and lifted a hand-span by the strain of her raised knee, so beneath it the fishnet tights close her hips and thighs and her bare calf and ankle are uncovered below the skirt's shadow. The fishnet sleeves of the inner suit go up her arms to the elbow and the fishnet long gloves begin where they stop, pinching slightly at the upper arm, and above them the maid's short puff sleeves sit at her shoulders. Her head is tilted down and away from the lens, chin tucked, so she looks down and to the side past her own raised knee rather than at the viewer; her violet eyes are half-lidded and cast sideways through the strands of white hair falling across her brow, lips parted, a deep flush spread across both cheeks and the tops of her ears, one corner of her mouth pulled up in a small strained smile. She is caught mid-turn, weight whole on the left foot, the lifted right foot just settling back down, and the loose braid and the apron hem swing outward together, one beat behind her body.
The chamber around her is bare pale stone, windowless wall behind with a single high arched window cut on the left side, and through it one column of cool daylight falls at a steep angle across her left shoulder, the top of her head and the frilled apron, while her right side and the lower part of her legs sink into soft shadow; the window's cast light is the only source and below the skirt the darkness deepens so that the fishnet tights under the hem read as a lattice of small diamonds catching only the faint lift from the floor. A thin pale line of light runs along the seam where the stone floor meets the wall, and her own shadow, thrown long and wavering toward the right, breaks at her bare heel. Palette held to white hair, white on the apron and flower, black on the bodice, and the cool grey of the stone, with violet reserved for her eyes and the flush, and red nowhere but the ribbon. A soft, tense, teasing mood.
月夜 (つきや)
橋日
character: asumi_sena
1girl, solo, asumi_sena, long hair, grey hair with pink streaks and pink inner layers, multicolored hair, streaked hair, pink hair streaks falling forward over one shoulder, pink eyes, hair ornament, pink bow at the back of her head, tail curling behind her hips, earrings, jewelry, maid outfit, frilled maid headdress, black and white maid dress, white apron, puffy short sleeves, white wrist cuffs, blushing, heavy blush across both cheeks and the tips of her ears, embarrassed, flustered, shy expression, averted gaze, looking down and to the side, half-closed eyes, wobbly closed mouth, one hand pressed flat over her burning cheek, other hand gripping the apron hem, shoulders drawn up, knees together, weight on her back foot, from below, dutch angle, cowboy shot, indoor, doorway, warm interior light,
The camera sits low and tilted, so the girl in the maid dress is seen from below at a slight dutch angle from mid-thigh to above her head, the doorframe behind her running visibly off vertical. She stands just inside a doorway, caught in the moment of being looked at: her shoulders are pulled up toward her ears and her whole torso twists a quarter-turn away from the viewer while her hips stay square, an uncomfortable, involuntary cringe rather than a pose. Her right hand is pressed flat against her right cheek, fingers spread over the hot skin, and the fingers indent the soft cheek slightly; her left hand grips a fold of the white apron at her hip, knuckles pale, the cotton bunched and pulled a little out of its waistband. Her knees are together and her weight is on her back foot, the front toe turned inward and barely touching the floor, and the skirt of the black maid dress swings a half-step late around her legs. The frilled headdress sits slightly crooked, pushed back on the crown of her head, and the pink bow at the back is pushed askew by the doorframe she just brushed past; the long grey hair and its pink streaks spill forward over her right shoulder and fall in front of the apron, a few strands stuck to her flushed cheek. Her gaze drops to the floorboards to her left, lids lowered, chin tucked, mouth pressed to a small wavering line, and the pink of her eyes catches the warm light as a thin bright rim along the lower lid.
Behind her the room is a plain domestic interior: a wooden doorframe, a strip of hallway, a coat rail out of focus with nothing hanging on it. All light comes from a single warm bulb in the room ahead of her, low and to camera-left, so the left side of her face, the white apron and the frilled headdress are lit warm cream while the right side of her face and the doorframe fall into a soft warm shadow; her cast shadow is thrown backward onto the hall wall behind her, small and slightly crouched. Bloom of the bulb smears faintly on the upper doorframe. The palette stays tight: black of the dress, the white of apron and frills, the warm amber of the bulb, and the grey-and-pink of her hair as the only saturated note, everything else muted. Fine linework, the fabric of the dress rendered with visible weave and weight rather than flat fill, the frills crisp at the hem. Small, hot, quietly flustered.
橋日
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