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息耐者カール

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息耐者カール

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3girls, 1boy, male focus, heart-shaped pupils, heart background, heart-shaped frame, glowing frame, kiss on cheek, kissing cheek, two brides, bride, bridal dress, wedding dress, bride on both sides, central composition, symmetrical composition, man in the middle, cleavage, large breasts, heart-shaped light frame, floating hearts, glowing hearts, cowboy shot, from front, slight from below, head tilt, closed eyes, blush, happy, open mouth, blonde hair, long hair, veil, bridal veil, white dress, bare shoulders, strapless dress, cherry blossom petals, warm glow, lens flare, pastel palette, pink and white palette, painterly anime illustration, bold silhouettes, flat textured colors, loose brushstrokes, splashy accents, graphic contrast, minimal linework, tender, euphoric A three-person close composition seen from the front at a slightly low angle, the man planted dead center and framed by the two women. He stands square to the camera, weight even, shoulders slightly raised, head tipped back a little as he is caught between them; his eyes are wide open and drawn as glossy pink heart shapes with bright highlight dots, pupils replaced entirely by hearts, and his mouth open in a helpless delighted laugh. His hands hang loose at his sides, fingers slack, nothing grabbed. To his left, the first bride leans in from the side, her veil falling in front of her ear, her lips pressed flat and firm against his left cheek so the cheek compresses slightly under the kiss; her eyes shut, her brows drawn up, one hand braced flat on his far shoulder, fingers digging into the fabric. To his right, the second bride mirrors her and leans in from the other side, her lips pressed to his right cheek, her veil sweeping back over her shoulder, her free hand lifted and resting on the front of his chest with the fingertips just touching. Both women wear white bridal dresses cut low with uncluttered necklines, their collarbones and the soft upper curve of their chests lit openly, the bodices clear and close-fitting; nothing crosses their throats. Their hair falls forward across his shoulders as they press in, the ends of it lifting with the small motion of the lean. The three heads form a tight triangle just above the image center, cheek to cheek to cheek, and their bodies overlap in clear order: the brides in front of his shoulders, his chest behind them. Around the group a glowing heart-shaped frame of soft light rings them, a clean outlined heart line sitting in the foreground plane, hugging the contour of the composition and letting the three faces sit inside its upper lobes; the light of it is warm pink-white and bleeds faintly onto the edges of the veils and his collar. Loose hearts of varying sizes float all around the frame's outside, some solid, some translucent, drifting with a shallow tilt. Behind everything, a soft dark rose gradient falls away into shadow, and the only light sources are the heart frame itself and a warm glow rising from below, which throws a rim of pink along the undersides of the chins and jawlines while the backs of their heads stay in dim silhouette. Petals of a few pale cherry blossoms scatter near the frame's lower point. Palette held to rose pink, warm white, cream and deep wine shadow, nothing else admitted. Painterly anime illustration with bold silhouettes, flat yet textured colors, loose brushstrokes, splashy accents, graphic contrast and minimal linework, the medium handled in soft flat shapes with visible paint texture rather than hard outlines. High euphoric tenderness.
Show Parameters
Mode
flash
Style
Tender Brushstroke
Size
1632 x 1232
Style: Tender Brushstroke

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.07k

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息
3girls, 1boy, male focus, heart-shaped pupils, heart background, heart-shaped frame, glowing frame, kiss on cheek, kissing cheek, two brides, bride, bridal dress, wedding dress, bride on both sides, central composition, symmetrical composition, man in the middle, cleavage, large breasts, heart-shaped light frame, floating hearts, glowing hearts, cowboy shot, from front, slight from below, head tilt, closed eyes, blush, happy, open mouth, blonde hair, long hair, veil, bridal veil, white dress, bare shoulders, strapless dress, cherry blossom petals, warm glow, lens flare, pastel palette, pink and white palette, painterly anime illustration, bold silhouettes, flat textured colors, loose brushstrokes, splashy accents, graphic contrast, minimal linework, tender, euphoric A three-person close composition seen from the front at a slightly low angle, the man planted dead center and framed by the two women. He stands square to the camera, weight even, shoulders slightly raised, head tipped back a little as he is caught between them; his eyes are wide open and drawn as glossy pink heart shapes with bright highlight dots, pupils replaced entirely by hearts, and his mouth open in a helpless delighted laugh. His hands hang loose at his sides, fingers slack, nothing grabbed. To his left, the first bride leans in from the side, her veil falling in front of her ear, her lips pressed flat and firm against his left cheek so the cheek compresses slightly under the kiss; her eyes shut, her brows drawn up, one hand braced flat on his far shoulder, fingers digging into the fabric. To his right, the second bride mirrors her and leans in from the other side, her lips pressed to his right cheek, her veil sweeping back over her shoulder, her free hand lifted and resting on the front of his chest with the fingertips just touching. Both women wear white bridal dresses cut low with uncluttered necklines, their collarbones and the soft upper curve of their chests lit openly, the bodices clear and close-fitting; nothing crosses their throats. Their hair falls forward across his shoulders as they press in, the ends of it lifting with the small motion of the lean. The three heads form a tight triangle just above the image center, cheek to cheek to cheek, and their bodies overlap in clear order: the brides in front of his shoulders, his chest behind them. Around the group a glowing heart-shaped frame of soft light rings them, a clean outlined heart line sitting in the foreground plane, hugging the contour of the composition and letting the three faces sit inside its upper lobes; the light of it is warm pink-white and bleeds faintly onto the edges of the veils and his collar. Loose hearts of varying sizes float all around the frame's outside, some solid, some translucent, drifting with a shallow tilt. Behind everything, a soft dark rose gradient falls away into shadow, and the only light sources are the heart frame itself and a warm glow rising from below, which throws a rim of pink along the undersides of the chins and jawlines while the backs of their heads stay in dim silhouette. Petals of a few pale cherry blossoms scatter near the frame's lower point. Palette held to rose pink, warm white, cream and deep wine shadow, nothing else admitted. Painterly anime illustration with bold silhouettes, flat yet textured colors, loose brushstrokes, splashy accents, graphic contrast and minimal linework, the medium handled in soft flat shapes with visible paint texture rather than hard outlines. High euphoric tenderness.
息耐者カール
AI artwork
息
3girls, 1boy, male focus, heart-shaped pupils, heart background, heart-shaped frame, glowing frame, kiss on cheek, kissing cheek, two brides, bride, bridal dress, wedding dress, bride on both sides, central composition, symmetrical composition, man in the middle, cleavage, large breasts, heart-shaped light frame, floating hearts, glowing hearts, cowboy shot, from front, slight from below, head tilt, closed eyes, blush, happy, open mouth, blonde hair, long hair, veil, bridal veil, white dress, bare shoulders, strapless dress, cherry blossom petals, warm glow, lens flare, pastel palette, pink and white palette, painterly anime illustration, bold silhouettes, flat textured colors, loose brushstrokes, splashy accents, graphic contrast, minimal linework, tender, euphoric A three-person close composition seen from the front at a slightly low angle, the man planted dead center and framed by the two women. He stands square to the camera, weight even, shoulders slightly raised, head tipped back a little as he is caught between them; his eyes are wide open and drawn as glossy pink heart shapes with bright highlight dots, pupils replaced entirely by hearts, and his mouth open in a helpless delighted laugh. His hands hang loose at his sides, fingers slack, nothing grabbed. To his left, the first bride leans in from the side, her veil falling in front of her ear, her lips pressed flat and firm against his left cheek so the cheek compresses slightly under the kiss; her eyes shut, her brows drawn up, one hand braced flat on his far shoulder, fingers digging into the fabric. To his right, the second bride mirrors her and leans in from the other side, her lips pressed to his right cheek, her veil sweeping back over her shoulder, her free hand lifted and resting on the front of his chest with the fingertips just touching. Both women wear white bridal dresses cut low with uncluttered necklines, their collarbones and the soft upper curve of their chests lit openly, the bodices clear and close-fitting; nothing crosses their throats. Their hair falls forward across his shoulders as they press in, the ends of it lifting with the small motion of the lean. The three heads form a tight triangle just above the image center, cheek to cheek to cheek, and their bodies overlap in clear order: the brides in front of his shoulders, his chest behind them. Around the group a glowing heart-shaped frame of soft light rings them, a clean outlined heart line sitting in the foreground plane, hugging the contour of the composition and letting the three faces sit inside its upper lobes; the light of it is warm pink-white and bleeds faintly onto the edges of the veils and his collar. Loose hearts of varying sizes float all around the frame's outside, some solid, some translucent, drifting with a shallow tilt. Behind everything, a soft dark rose gradient falls away into shadow, and the only light sources are the heart frame itself and a warm glow rising from below, which throws a rim of pink along the undersides of the chins and jawlines while the backs of their heads stay in dim silhouette. Petals of a few pale cherry blossoms scatter near the frame's lower point. Palette held to rose pink, warm white, cream and deep wine shadow, nothing else admitted. Painterly anime illustration with bold silhouettes, flat yet textured colors, loose brushstrokes, splashy accents, graphic contrast and minimal linework, the medium handled in soft flat shapes with visible paint texture rather than hard outlines. High euphoric tenderness.
息耐者カール
AI artwork
息
3girls, 1boy, male focus, heart-shaped pupils, heart background, heart-shaped frame, glowing frame, kiss on cheek, kissing cheek, two brides, bride, bridal dress, wedding dress, bride on both sides, central composition, symmetrical composition, man in the middle, cleavage, large breasts, heart-shaped light frame, floating hearts, glowing hearts, cowboy shot, from front, slight from below, head tilt, closed eyes, blush, happy, open mouth, blonde hair, long hair, veil, bridal veil, white dress, bare shoulders, strapless dress, cherry blossom petals, warm glow, lens flare, pastel palette, pink and white palette, painterly anime illustration, bold silhouettes, flat textured colors, loose brushstrokes, splashy accents, graphic contrast, minimal linework, tender, euphoric A three-person close composition seen from the front at a slightly low angle, the man planted dead center and framed by the two women. He stands square to the camera, weight even, shoulders slightly raised, head tipped back a little as he is caught between them; his eyes are wide open and drawn as glossy pink heart shapes with bright highlight dots, pupils replaced entirely by hearts, and his mouth open in a helpless delighted laugh. His hands hang loose at his sides, fingers slack, nothing grabbed. To his left, the first bride leans in from the side, her veil falling in front of her ear, her lips pressed flat and firm against his left cheek so the cheek compresses slightly under the kiss; her eyes shut, her brows drawn up, one hand braced flat on his far shoulder, fingers digging into the fabric. To his right, the second bride mirrors her and leans in from the other side, her lips pressed to his right cheek, her veil sweeping back over her shoulder, her free hand lifted and resting on the front of his chest with the fingertips just touching. Both women wear white bridal dresses cut low with uncluttered necklines, their collarbones and the soft upper curve of their chests lit openly, the bodices clear and close-fitting; nothing crosses their throats. Their hair falls forward across his shoulders as they press in, the ends of it lifting with the small motion of the lean. The three heads form a tight triangle just above the image center, cheek to cheek to cheek, and their bodies overlap in clear order: the brides in front of his shoulders, his chest behind them. Around the group a glowing heart-shaped frame of soft light rings them, a clean outlined heart line sitting in the foreground plane, hugging the contour of the composition and letting the three faces sit inside its upper lobes; the light of it is warm pink-white and bleeds faintly onto the edges of the veils and his collar. Loose hearts of varying sizes float all around the frame's outside, some solid, some translucent, drifting with a shallow tilt. Behind everything, a soft dark rose gradient falls away into shadow, and the only light sources are the heart frame itself and a warm glow rising from below, which throws a rim of pink along the undersides of the chins and jawlines while the backs of their heads stay in dim silhouette. Petals of a few pale cherry blossoms scatter near the frame's lower point. Palette held to rose pink, warm white, cream and deep wine shadow, nothing else admitted. Painterly anime illustration with bold silhouettes, flat yet textured colors, loose brushstrokes, splashy accents, graphic contrast and minimal linework, the medium handled in soft flat shapes with visible paint texture rather than hard outlines. High euphoric tenderness.
息耐者カール
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3girls, 1boy, male focus, multiple girls, center, two brides flanking him, kiss on both cheeks, simultaneous cheek kiss, heart-shaped eyes, heart eyes, cleavage, brides' cleavage, heart-shaped frame of light, glowing heart frame, floating hearts, romantic atmosphere, heart background, blush, happy, closed eyes on brides, hug, arms around, from front, upper body, cowboy shot, indoor, soft glow A frontal cowboy-shot of three figures arranged symmetrically in a soft-glowing heart-shaped ring of light: a young man stands dead center, and a bride presses to each of his sides. The bride on the left leans her weight onto her front foot and tips her chin in, her lips pressed flat against his left cheek, her eyes shut, her long white veil swinging forward across his shoulder; the bride on the right mirrors her exactly, lips flattened on his right cheek, veil draping over his other shoulder, both of her hands gripping his upper arm. Each bride has a sheer white off-shoulder bridal gown whose straight neckline sits low and square across her chest, exposing a deep line of cleavage between her breasts, the fabric gathered and pulled taut where their shoulders turn inward toward him; each wears a short white veil anchored in loose, softly waved hair — one bride's hair pale gold, the other's deep brown — both heads tilted so the veils cross his collar. The man's arms are caught halfway up, one hand hovering open at each bride's waist without closing, shoulders drawn up under the double press of their bodies. His head faces the camera, his cheeks flush, and where his eyes should be there are two glossy red heart-shaped highlights, pointed tips up, catching the glow. Around them the heart-shaped frame of light curves in an unbroken luminous line, and small pink hearts float at different depths and sizes in the surrounding air, some drifting in front of the veils, some behind the man's head, all of them warm-lit from the ring itself. The frame's light is the only source: it washes all three faces from the front and casts soft shadows behind them, leaving the background darkness even. The palette holds to white, pink, and the warm red of the heart-eyes, nothing else admitted. Flat, high-contrast cel colors, clean outlines, simple shadows, classic TV anime frame. Bright, giddy.
息耐者カール

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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