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AI artwork featuring #Blue Lock, #Bachira Meguru and #Isagi Yoichi

Bachira Meguru, Isagi Yoichi

#Blue Lock #Bachira Meguru #Isagi Yoichi

Published on Nov 10, 2026

Izanagi

character: bachira_meguru, isagi_yoichi, artist: blackwhiplash, copyright: blue_lock 2boys, bachira meguru, isagi yoichi, femboy, thick fat sexy ass, huge ass, wide hips, narrow waist, twerking, shaking hips, ass focus, dancing, locker room, from behind, from below, looking back, looking at another, over-shoulder composition, multicolored hair, blonde hair, black hair, short hair, two-tone hair, yellow eyes, bob cut, fringe, black hair, hair between eyes, blue eyes, short hair, wet look, sweat, blush, open mouth, grin, :d, one eye closed, towel, lockers, wooden bench, steam, tile floor, male focus, 2boys, ass shake, arched back, hands on knees, leaning forward, spread legs, knee on bench, bare back, bare legs, thigh gap, sweat drop, motion lines, dutch angle The camera sits low behind the bench and slightly to Isagi's side, a true over-shoulder composition: Isagi's near shoulder and the back of his head occupy the left foreground, blurred and large, his blue eyes tilted down over his own shoulder, watching. Beyond him, mid-frame and low, Bachira is caught at the bottom of the bounce — knees bent wide apart, weight sunk through both feet, one knee braced against the bench edge, hips thrown back and to the right, spine in a long arch, both hands gripping just above his knees, chin turned over his right shoulder so his yellow eyes come back across the frame straight at Isagi. His fringe falls forward over his brow from the whip of the motion; the two-tone bob — blonde at the crown and fringe, black underneath — flips outward at the ends. Sweat beads at his nape, along his spine and behind one knee. He is stripped down to a loose femboy cut: a damp white towel slung low across the hips, knotted at one side and riding up as the hips swing, exposing a thick, heavy, round ass that takes the whole light and the whole detail budget — the fabric creasing hard into the top of it, the sweat on the skin taking a bright specular streak. The flesh is full and fatty, compressing under the towel's edge so the edge dents inward and the skin swells up around it; his shorts are kicked half-off one ankle, bunched on the tiles. His back and thighs are bare, tight and slight through the waist and shoulders so the contrast against the wide hips reads as a deliberate femboy silhouette. Isagi is fully dressed in his blue team jacket and tie, collar open, jacket pushed back by the towel over his shoulder, one hand flat on the locker door beside him, gripping the handle instead of the towel, knuckles pale. He does not move; only his eyes track, and a single drop runs from his temple to his jaw. His gaze lands on the point where Bachira's hip meets the towel. Bachira's mouth is open in a panting half-grin, tongue behind his teeth, one eye narrowed in a teasing flash, and a tiny jerk of his chin dares the other boy to look. The locker room is narrow and tall: two rows of dented blue-grey metal lockers converging in perspective, a wooden bench running between them, a wet tile floor, a strip of overhead fluorescent light. That strip is the only light source — it rises in the mirror of the wet floor, throws a hard cool-white edge down Bachira's back and the top of the towel, and leaves the corners of the room and the underside of the bench in a deep graphite dark. The floor carries the evidence of the dance: two wet footprints turned inward, a water trail from the showers, a smeared reflection broken across the tiles, a dropped sock, steam drifting and catching the light in one visible column. Palette: cold blue-grey lockers and tiles, off-white towel, warm honey skin with a flush of pink across the cheeks and the back of the neck, everything else suppressed; the blonde-and-black hair is the one bright accent in the middle of the frame. Cool, charged, teasing.

Bachira Meguru, Isagi Yoichi

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