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AI art "A vending machine in an empty room" featuring #No humans, #Can, #Vending machine, #Table, #Tiled floor and #Canned drink
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A vending machine in an empty room

#No humans#Can#Vending machine#Table#Tiled floor#Canned drink
mw

Mr Water

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no humans, indoors, scenery, vending machine, vending machine on counter, counter, wall, background wall, shadow, tiles, tile floor, tiled floor, shelf, shelves, soda cans, canned drinks, beverages, glass front, row of cans behind glass, room interior, empty room, from below, dutch angle, wide shot, windowless room, fluorescent light, hard shadow, cool palette A low, tilted wide shot looks up from tile level across a windowless back room, the camera set just above the floor and canted a few degrees so the far wall's top edge runs diagonally and the counter looms. A squat vending machine, off-white enamel cabinet yellowed at the seams, stands squarely on top of a grey steel counter against the back wall, its base overhanging the counter's front lip by a hand's width; the counter in turn sits on four scuffed legs on the tile floor, so the machine's whole weight reads as one stacked silhouette in the middle of the frame. Behind the machine a plain painted wall, matte beige gone grimy near the skirting, fills the upper half; a steel shelf is bolted to that wall at the left, one corner bent and holding a single dusty can, its brackets casting two thin shadow bars down the plaster. Inside the machine's glass front, three lit rows of cans and bottled beverages stand shoulder to shoulder -- soda cans in red and blue, clear bottles, a lopsided row where one can has been taken and the spiral is left empty -- each can showing a bright vertical highlight and a small shadow beneath on the shelf lip. The glass reflects a rectangular white glare from the overhead fluorescent tube, which hangs just out of frame at the top left and is the only light source; it rakes down at a slant so the machine casts a hard shadow that climbs the wall behind it and another that falls across the counter and drops in a stepped shape down the counter's front and onto the floor. The tile floor is a grid of small square tiles the colour of weak tea, grout lines darker and greyer in the shadow, each tile catching a faint sheen along the light's path; one tile near the counter leg is cracked in a Y. Everything is empty and still -- no people, no chairs, no cartons, nothing on the counter but the machine's own feet. Palette of cold off-white, grey steel, weak tea-brown tile and the red and blue points of the cans behind glass, with the shadow lying in a desaturated blue-grey. Quiet, stale stillness.
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Original Prompt
The image shows a vending machine sitting on top of a counter in a room with a wall in the background. The vending machine is filled with cans of soda and other beverages. indoors, no humans, shadow, scenery, tiles, tile floor, shelf
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.06k

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AI artwork
mw
no humans, empty room, indoors, vending machine, vending machine on counter, countertop, wall in background, cans, soda cans, beverage cans, drinks, shelf, shelves, display case, glass display case, shop, store interior, tiles, tile floor, tile wall, dark, dim lighting, shadow, cast shadow, scenery, no people, still life, wide shot, from side, dutch angle, low camera, fluorescent glow, linoleum A low, slightly tilted camera sits at counter height just off the vending machine's left corner, looking up and across the room so the counter edge cuts diagonally through the lower third of the frame. The vending machine is the whole subject: a squat old steel-bodied unit, its enamel a faded cream gone grey with grime, planted squarely on top of a tiled service counter whose top is scuffed white ceramic hexagons with dark grout lines running away toward the back wall. Behind and above it, the back wall is tiled in dull green squares, half of them chipped or missing so the grey mortar bed shows through, and a shelf of grey particleboard runs along the wall to the right of the machine, empty except for a single knocked-over cardboard carton and a row of dust rings where cans once stood; below that shelf a glass-fronted display case is built into the counter's far end, its sliding glass doors reflecting nothing but the room's darkness, a few wire racks visible inside with nothing on them. The vending machine's lit front panel is the only strong light in the image: a rectangular column of cold greenish-white fluorescent glow behind the glass, and inside it the cans — three rows, red and silver and blue and orange, labels facing outward, some pushed back crooked, one front slot empty where a can has been taken. That glow spills out and lands as a bright trapezoid on the countertop in front of the machine, catches the near corner of the glass, and throws the machine's own hard rectangular shadow up and left across the green tile wall, sharpest at the machine's base and softening as it climbs. Everything beyond that pool of light is genuinely dark: the ceiling is black, the far end of the shop disappears into unlit cabinets, and the tile floor in the bottom foreground is lit only by a faint cold streak running along the grout seams toward the wet patch where a spill has dried glossy. A small detail makes the light source legible: the fluorescent tube inside the machine flickers against the glass, so the reflection of the cans doubles faintly on the inner pane while the machine's outside enamel stays matte. Palette held to cold green-white, grimy cream, dark grey and the four can colours only. Quiet, abandoned, humming.
Mr Water
#Darkness#No humans#Night

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