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Rey Shaut

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Rey Shaut

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character: silence_(arknights), copyright: arknights 1girl, solo, silence_(arknights), large brown owl wings, feathered wings, spotted feather tips, dark brown feather tips, wings hanging down, relaxed wings, long brown hair, wavy hair, half-up hairstyle, hair between eyes, cream ribbon bow at back of hair, dried flowers, flower accessory, yellow eyes, caramel-orange dress, sleeveless dress, square neckline, wide shoulder straps, fitted bodice, front button placket, small buttons, gathered waist, midi skirt, flowing skirt, corduroy texture, velvety fabric, bare feet, barefoot, no shoes, full body, from behind, looking back, gradient background, pastel orange to gray gradient, autumn cottagecore, warm earthy palette, fashion collage layout, detailed fabric folds, soft natural light View from behind, three-quarter turned to the right: a single young woman stands with her back to the camera on a plain unmarked ground, her body angled away so that the great brown wings dominate the frame, and only her right cheek, right eye and the loose wave of hair along her jaw are visible as she glances back over her right shoulder. The wings rise from her shoulder blades, large and heavy, the primaries reaching past her hips; they hang relaxed and downward, the upper coverts lying in long overlapping rows of warm chestnut, the flight feathers darker toward the tips and marked there with deep chocolate oval spots ringed by a paler margin, each spot sitting where the barbs spread. They are folded loose, not spread, and the lowest tips of the primaries brush the ground behind her bare heels, bending slightly at the contact. Specular sheen follows the curve of each feather shaft, and the shadow the wings cast falls forward and to the left, pooling under the hem of her skirt. Her hair is long and brown, wavy, gathered in a half-up style: the upper section is swept back and tied at the crown of her head with a cream ribbon bow whose loops sit conspicuously at the back of her head, its tails trailing down into the loose lower waves that spread over the base of her neck and the tops of her shoulders. A few thin strands of dried flowers — pale straw-coloured stems, tiny papery amber blooms — are tucked in beside the bow. Her glasses are absent from the view; the slender curve of one ear and one yellow eye turned back toward the viewer are what the angle gives. Her dress is unbroken caramel-orange, sleeveless, cut with a square neckline whose wide shoulder straps lie flat over her shoulders; from behind, the fitted bodice hugs the back and cinches into a slightly gathered waist before the midi skirt falls in soft elegant folds to just below the knee. The fabric reads as fine corduroy — a velvety nap with low ribs that catch the light along every crest and darken in every trough; the vertical ridge runs unbroken down the bodice and follows each fold of the skirt. At the centre front a row of small round buttons runs from the square neckline down to the waist, each one casting a pinpoint shadow to its lower left. The skirt presses slightly against the backs of her calves and swings a little to the right, lifted by the same turn of her shoulders. Her feet are completely unshod: bare heels on the ground, bare toes with a faint dusting of pale dust along the edges, the skirt hem hanging clear above them. The background is a clean vertical gradient, pastel orange at the top fading gently through a warm cream band to a soft neutral gray at the bottom, with no horizon line, no scenery and no props; the only things in the frame are the figure, her wings and the flat colour field. The pose reads as quiet, gently romantic countryside calm; the palette is limited to the oranges and browns of the dress and feathers, the cream of the bow, and the pastel-to-gray gradient, nothing else admitted. Soft diffuse light from the upper right, cool gray shadow on the left side of the figure and beneath the wings. Tender, dreamy and effortlessly elegant.
Show Parameters
Original Prompt
silence(arknights). Behind the back are a pair of large, intricately detailed brown wings, with dark spots at the tips of the feathers reminiscent of an owl’s wings. The wings are relaxed and hang downward. Gradient background (pastel orange at the top, gray at the bottom). cute autumn cottagecore outfit, soft feminine fashion, warm caramel-orange sleeveless dress, square neckline, wide shoulder straps, fitted bodice, front row of small buttons, slightly gathered waist, flowing midi skirt, soft velvety or corduroy-like fabric texture, warm amber-brown color, elegant soft folds, romantic countryside aesthetic, delicate and cozy style, paired with long wavy brown hair, half-up hairstyle, cream ribbon bow at the back, subtle autumn accessories, dried flowers, warm earthy tones, woodland inspiration, soft vintage mood, gentle feminine look, detailed fabric texture, highly detailed clothing, full outfit focus, no shoes, clean composition, aesthetic fashion collage style, soft natural colors, charming dreamy atmosphere
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.07k

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AI artwork
rs
character: silence_(arknights), copyright: arknights 1girl, solo, silence_(arknights), large brown owl wings, feathered wings, spotted feather tips, dark brown feather tips, wings hanging down, relaxed wings, long brown hair, wavy hair, half-up hairstyle, hair between eyes, cream ribbon bow at back of hair, dried flowers, flower accessory, yellow eyes, caramel-orange dress, sleeveless dress, square neckline, wide shoulder straps, fitted bodice, front button placket, small buttons, gathered waist, midi skirt, flowing skirt, corduroy texture, velvety fabric, bare feet, barefoot, no shoes, full body, from behind, looking back, gradient background, pastel orange to gray gradient, autumn cottagecore, warm earthy palette, fashion collage layout, detailed fabric folds, soft natural light View from behind, three-quarter turned to the right: a single young woman stands with her back to the camera on a plain unmarked ground, her body angled away so that the great brown wings dominate the frame, and only her right cheek, right eye and the loose wave of hair along her jaw are visible as she glances back over her right shoulder. The wings rise from her shoulder blades, large and heavy, the primaries reaching past her hips; they hang relaxed and downward, the upper coverts lying in long overlapping rows of warm chestnut, the flight feathers darker toward the tips and marked there with deep chocolate oval spots ringed by a paler margin, each spot sitting where the barbs spread. They are folded loose, not spread, and the lowest tips of the primaries brush the ground behind her bare heels, bending slightly at the contact. Specular sheen follows the curve of each feather shaft, and the shadow the wings cast falls forward and to the left, pooling under the hem of her skirt. Her hair is long and brown, wavy, gathered in a half-up style: the upper section is swept back and tied at the crown of her head with a cream ribbon bow whose loops sit conspicuously at the back of her head, its tails trailing down into the loose lower waves that spread over the base of her neck and the tops of her shoulders. A few thin strands of dried flowers — pale straw-coloured stems, tiny papery amber blooms — are tucked in beside the bow. Her glasses are absent from the view; the slender curve of one ear and one yellow eye turned back toward the viewer are what the angle gives. Her dress is unbroken caramel-orange, sleeveless, cut with a square neckline whose wide shoulder straps lie flat over her shoulders; from behind, the fitted bodice hugs the back and cinches into a slightly gathered waist before the midi skirt falls in soft elegant folds to just below the knee. The fabric reads as fine corduroy — a velvety nap with low ribs that catch the light along every crest and darken in every trough; the vertical ridge runs unbroken down the bodice and follows each fold of the skirt. At the centre front a row of small round buttons runs from the square neckline down to the waist, each one casting a pinpoint shadow to its lower left. The skirt presses slightly against the backs of her calves and swings a little to the right, lifted by the same turn of her shoulders. Her feet are completely unshod: bare heels on the ground, bare toes with a faint dusting of pale dust along the edges, the skirt hem hanging clear above them. The background is a clean vertical gradient, pastel orange at the top fading gently through a warm cream band to a soft neutral gray at the bottom, with no horizon line, no scenery and no props; the only things in the frame are the figure, her wings and the flat colour field. The pose reads as quiet, gently romantic countryside calm; the palette is limited to the oranges and browns of the dress and feathers, the cream of the bow, and the pastel-to-gray gradient, nothing else admitted. Soft diffuse light from the upper right, cool gray shadow on the left side of the figure and beneath the wings. Tender, dreamy and effortlessly elegant.
Rey Shaut
AI artwork
rs
character: silence_(arknights), copyright: arknights 1girl, solo, silence_(arknights), large brown owl wings, feathered wings, spotted feather tips, dark brown feather tips, wings hanging down, relaxed wings, long brown hair, wavy hair, half-up hairstyle, hair between eyes, cream ribbon bow at back of hair, dried flowers, flower accessory, yellow eyes, caramel-orange dress, sleeveless dress, square neckline, wide shoulder straps, fitted bodice, front button placket, small buttons, gathered waist, midi skirt, flowing skirt, corduroy texture, velvety fabric, bare feet, barefoot, no shoes, full body, from behind, looking back, gradient background, pastel orange to gray gradient, autumn cottagecore, warm earthy palette, fashion collage layout, detailed fabric folds, soft natural light View from behind, three-quarter turned to the right: a single young woman stands with her back to the camera on a plain unmarked ground, her body angled away so that the great brown wings dominate the frame, and only her right cheek, right eye and the loose wave of hair along her jaw are visible as she glances back over her right shoulder. The wings rise from her shoulder blades, large and heavy, the primaries reaching past her hips; they hang relaxed and downward, the upper coverts lying in long overlapping rows of warm chestnut, the flight feathers darker toward the tips and marked there with deep chocolate oval spots ringed by a paler margin, each spot sitting where the barbs spread. They are folded loose, not spread, and the lowest tips of the primaries brush the ground behind her bare heels, bending slightly at the contact. Specular sheen follows the curve of each feather shaft, and the shadow the wings cast falls forward and to the left, pooling under the hem of her skirt. Her hair is long and brown, wavy, gathered in a half-up style: the upper section is swept back and tied at the crown of her head with a cream ribbon bow whose loops sit conspicuously at the back of her head, its tails trailing down into the loose lower waves that spread over the base of her neck and the tops of her shoulders. A few thin strands of dried flowers — pale straw-coloured stems, tiny papery amber blooms — are tucked in beside the bow. Her glasses are absent from the view; the slender curve of one ear and one yellow eye turned back toward the viewer are what the angle gives. Her dress is unbroken caramel-orange, sleeveless, cut with a square neckline whose wide shoulder straps lie flat over her shoulders; from behind, the fitted bodice hugs the back and cinches into a slightly gathered waist before the midi skirt falls in soft elegant folds to just below the knee. The fabric reads as fine corduroy — a velvety nap with low ribs that catch the light along every crest and darken in every trough; the vertical ridge runs unbroken down the bodice and follows each fold of the skirt. At the centre front a row of small round buttons runs from the square neckline down to the waist, each one casting a pinpoint shadow to its lower left. The skirt presses slightly against the backs of her calves and swings a little to the right, lifted by the same turn of her shoulders. Her feet are completely unshod: bare heels on the ground, bare toes with a faint dusting of pale dust along the edges, the skirt hem hanging clear above them. The background is a clean vertical gradient, pastel orange at the top fading gently through a warm cream band to a soft neutral gray at the bottom, with no horizon line, no scenery and no props; the only things in the frame are the figure, her wings and the flat colour field. The pose reads as quiet, gently romantic countryside calm; the palette is limited to the oranges and browns of the dress and feathers, the cream of the bow, and the pastel-to-gray gradient, nothing else admitted. Soft diffuse light from the upper right, cool gray shadow on the left side of the figure and beneath the wings. Tender, dreamy and effortlessly elegant.
Rey Shaut
AI artwork
rs
character: silence_(arknights), copyright: arknights 1girl, solo, silence_(arknights), large brown owl wings, feathered wings, spotted feather tips, dark brown feather tips, wings hanging down, relaxed wings, long brown hair, wavy hair, half-up hairstyle, hair between eyes, cream ribbon bow at back of hair, dried flowers, flower accessory, yellow eyes, caramel-orange dress, sleeveless dress, square neckline, wide shoulder straps, fitted bodice, front button placket, small buttons, gathered waist, midi skirt, flowing skirt, corduroy texture, velvety fabric, bare feet, barefoot, no shoes, full body, from behind, looking back, gradient background, pastel orange to gray gradient, autumn cottagecore, warm earthy palette, fashion collage layout, detailed fabric folds, soft natural light View from behind, three-quarter turned to the right: a single young woman stands with her back to the camera on a plain unmarked ground, her body angled away so that the great brown wings dominate the frame, and only her right cheek, right eye and the loose wave of hair along her jaw are visible as she glances back over her right shoulder. The wings rise from her shoulder blades, large and heavy, the primaries reaching past her hips; they hang relaxed and downward, the upper coverts lying in long overlapping rows of warm chestnut, the flight feathers darker toward the tips and marked there with deep chocolate oval spots ringed by a paler margin, each spot sitting where the barbs spread. They are folded loose, not spread, and the lowest tips of the primaries brush the ground behind her bare heels, bending slightly at the contact. Specular sheen follows the curve of each feather shaft, and the shadow the wings cast falls forward and to the left, pooling under the hem of her skirt. Her hair is long and brown, wavy, gathered in a half-up style: the upper section is swept back and tied at the crown of her head with a cream ribbon bow whose loops sit conspicuously at the back of her head, its tails trailing down into the loose lower waves that spread over the base of her neck and the tops of her shoulders. A few thin strands of dried flowers — pale straw-coloured stems, tiny papery amber blooms — are tucked in beside the bow. Her glasses are absent from the view; the slender curve of one ear and one yellow eye turned back toward the viewer are what the angle gives. Her dress is unbroken caramel-orange, sleeveless, cut with a square neckline whose wide shoulder straps lie flat over her shoulders; from behind, the fitted bodice hugs the back and cinches into a slightly gathered waist before the midi skirt falls in soft elegant folds to just below the knee. The fabric reads as fine corduroy — a velvety nap with low ribs that catch the light along every crest and darken in every trough; the vertical ridge runs unbroken down the bodice and follows each fold of the skirt. At the centre front a row of small round buttons runs from the square neckline down to the waist, each one casting a pinpoint shadow to its lower left. The skirt presses slightly against the backs of her calves and swings a little to the right, lifted by the same turn of her shoulders. Her feet are completely unshod: bare heels on the ground, bare toes with a faint dusting of pale dust along the edges, the skirt hem hanging clear above them. The background is a clean vertical gradient, pastel orange at the top fading gently through a warm cream band to a soft neutral gray at the bottom, with no horizon line, no scenery and no props; the only things in the frame are the figure, her wings and the flat colour field. The pose reads as quiet, gently romantic countryside calm; the palette is limited to the oranges and browns of the dress and feathers, the cream of the bow, and the pastel-to-gray gradient, nothing else admitted. Soft diffuse light from the upper right, cool gray shadow on the left side of the figure and beneath the wings. Tender, dreamy and effortlessly elegant.
Rey Shaut

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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