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Kylee Violette (Kiy Chan)

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1girl, solo, adult woman, mature female, short light brown hair, curly hair, tousled curls, blue eyes, beautiful face, makeup, eyeshadow, eyeliner, lipstick, blush, earrings, dress with detached sleeves, off-shoulder sleeves, sleeves down at upper arms, bare shoulders, large breasts, curvy figure, wide hips, thick thighs, hourglass silhouette, from below, cowboy shot, three-quarter view, slight dutch angle, looking at viewer, one hand at her collarbone, head tilt, wind, hair in motion, warm rim light, city rooftop, evening, depth of field, bokeh, The camera looks up from below at a slight dutch angle in a cowboy shot, catching her in a three-quarter view against a dusk sky. She is a single adult woman in her late twenties, mature and curvy with a full hourglass silhouette -- large chest, a defined waist, wide hips and thick thighs that the dress's cut makes plainly readable. Her hair is short and light brown, worked into tight tousled curls that the rooftop wind pushes across her brow and lifts at the temples, individual curls springing loose and throwing small shadows on her forehead. Her face is turned down toward the lens, blue eyes meeting the viewer directly under a lifted chin; her makeup is fully done -- mauve eyeshadow blended at the crease, a clean black winged liner, dark lashes, a soft rose lipstick with a faint gloss catching the sky, and blush warmed along the cheekbones. Small silver hoop earrings hang from both earlobes, swaying slightly with the tilt of her head. She wears a deep teal dress with detached off-shoulder sleeves: a fitted bodice that follows her bust and waist, and each sleeve a separate band of the same fabric sitting around the upper arm below the shoulder, leaving the shoulders and collarbones entirely bare. Her right hand rests at the base of her throat, fingertips pressed lightly against her own collarbone, the back of the hand turned to the camera; her left arm hangs at her side, the detached sleeve pushed up a little by the pose so a slim gap of bare arm shows between sleeve and wrist. Her weight sits on her back leg, her front hip pushed out to one side, the dress fabric pulled slantwise across the hip and falling in a soft diagonal fold toward her knee. She stands at the parapet of a city rooftop: the low concrete wall runs behind her hip, her elbow almost brushing its top edge, and behind the wall the skyline recedes in out-of-focus blocks of dark blue and amber. The sun is low behind a haze of cloud, off to her left and below the roofline, so a warm orange edge-light traces the left side of her curls, her bare left shoulder, the outer edge of the detached sleeve and the rim of the hoop earring, while the whole right side of her face and body falls into cool shadow filled only by the deep blue skylight. Her cast shadow stretches across the concrete at her feet, long and soft-edged, broken where her hip crosses the wall's line. The palette holds to deep teal, warm skin tones, light brown gold in the backlit curls, and the dusk sky's blue-to-amber gradient, with the silver of the earrings as the single bright note. The composition is her figure filling the left two-thirds of the frame, the sky and the receding skyline carrying the right third as open negative space, the parapet's horizontal making a low anchor line under her hips. Effortlessly stylish, quietly magnetic.
Show Parameters
Original Prompt
A short light brown hair curly and blue eyes as beautiful woman aged up as wearing a dresses with sleeves down as makeup and earrings, large chest and curvy a bit
Mode
flash
Size
1104 x 1824
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Model & LoRA used

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AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, adult woman, mature female, short light brown hair, curly hair, tousled curls, blue eyes, beautiful face, makeup, eyeshadow, eyeliner, lipstick, blush, earrings, dress with detached sleeves, off-shoulder sleeves, sleeves down at upper arms, bare shoulders, large breasts, curvy figure, wide hips, thick thighs, hourglass silhouette, from below, cowboy shot, three-quarter view, slight dutch angle, looking at viewer, one hand at her collarbone, head tilt, wind, hair in motion, warm rim light, city rooftop, evening, depth of field, bokeh, The camera looks up from below at a slight dutch angle in a cowboy shot, catching her in a three-quarter view against a dusk sky. She is a single adult woman in her late twenties, mature and curvy with a full hourglass silhouette -- large chest, a defined waist, wide hips and thick thighs that the dress's cut makes plainly readable. Her hair is short and light brown, worked into tight tousled curls that the rooftop wind pushes across her brow and lifts at the temples, individual curls springing loose and throwing small shadows on her forehead. Her face is turned down toward the lens, blue eyes meeting the viewer directly under a lifted chin; her makeup is fully done -- mauve eyeshadow blended at the crease, a clean black winged liner, dark lashes, a soft rose lipstick with a faint gloss catching the sky, and blush warmed along the cheekbones. Small silver hoop earrings hang from both earlobes, swaying slightly with the tilt of her head. She wears a deep teal dress with detached off-shoulder sleeves: a fitted bodice that follows her bust and waist, and each sleeve a separate band of the same fabric sitting around the upper arm below the shoulder, leaving the shoulders and collarbones entirely bare. Her right hand rests at the base of her throat, fingertips pressed lightly against her own collarbone, the back of the hand turned to the camera; her left arm hangs at her side, the detached sleeve pushed up a little by the pose so a slim gap of bare arm shows between sleeve and wrist. Her weight sits on her back leg, her front hip pushed out to one side, the dress fabric pulled slantwise across the hip and falling in a soft diagonal fold toward her knee. She stands at the parapet of a city rooftop: the low concrete wall runs behind her hip, her elbow almost brushing its top edge, and behind the wall the skyline recedes in out-of-focus blocks of dark blue and amber. The sun is low behind a haze of cloud, off to her left and below the roofline, so a warm orange edge-light traces the left side of her curls, her bare left shoulder, the outer edge of the detached sleeve and the rim of the hoop earring, while the whole right side of her face and body falls into cool shadow filled only by the deep blue skylight. Her cast shadow stretches across the concrete at her feet, long and soft-edged, broken where her hip crosses the wall's line. The palette holds to deep teal, warm skin tones, light brown gold in the backlit curls, and the dusk sky's blue-to-amber gradient, with the silver of the earrings as the single bright note. The composition is her figure filling the left two-thirds of the frame, the sky and the receding skyline carrying the right third as open negative space, the parapet's horizontal making a low anchor line under her hips. Effortlessly stylish, quietly magnetic.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, adult woman, mature female, short light brown hair, curly hair, tousled curls, blue eyes, beautiful face, makeup, eyeshadow, eyeliner, lipstick, blush, earrings, dress with detached sleeves, off-shoulder sleeves, sleeves down at upper arms, bare shoulders, large breasts, curvy figure, wide hips, thick thighs, hourglass silhouette, from below, cowboy shot, three-quarter view, slight dutch angle, looking at viewer, one hand at her collarbone, head tilt, wind, hair in motion, warm rim light, city rooftop, evening, depth of field, bokeh, The camera looks up from below at a slight dutch angle in a cowboy shot, catching her in a three-quarter view against a dusk sky. She is a single adult woman in her late twenties, mature and curvy with a full hourglass silhouette -- large chest, a defined waist, wide hips and thick thighs that the dress's cut makes plainly readable. Her hair is short and light brown, worked into tight tousled curls that the rooftop wind pushes across her brow and lifts at the temples, individual curls springing loose and throwing small shadows on her forehead. Her face is turned down toward the lens, blue eyes meeting the viewer directly under a lifted chin; her makeup is fully done -- mauve eyeshadow blended at the crease, a clean black winged liner, dark lashes, a soft rose lipstick with a faint gloss catching the sky, and blush warmed along the cheekbones. Small silver hoop earrings hang from both earlobes, swaying slightly with the tilt of her head. She wears a deep teal dress with detached off-shoulder sleeves: a fitted bodice that follows her bust and waist, and each sleeve a separate band of the same fabric sitting around the upper arm below the shoulder, leaving the shoulders and collarbones entirely bare. Her right hand rests at the base of her throat, fingertips pressed lightly against her own collarbone, the back of the hand turned to the camera; her left arm hangs at her side, the detached sleeve pushed up a little by the pose so a slim gap of bare arm shows between sleeve and wrist. Her weight sits on her back leg, her front hip pushed out to one side, the dress fabric pulled slantwise across the hip and falling in a soft diagonal fold toward her knee. She stands at the parapet of a city rooftop: the low concrete wall runs behind her hip, her elbow almost brushing its top edge, and behind the wall the skyline recedes in out-of-focus blocks of dark blue and amber. The sun is low behind a haze of cloud, off to her left and below the roofline, so a warm orange edge-light traces the left side of her curls, her bare left shoulder, the outer edge of the detached sleeve and the rim of the hoop earring, while the whole right side of her face and body falls into cool shadow filled only by the deep blue skylight. Her cast shadow stretches across the concrete at her feet, long and soft-edged, broken where her hip crosses the wall's line. The palette holds to deep teal, warm skin tones, light brown gold in the backlit curls, and the dusk sky's blue-to-amber gradient, with the silver of the earrings as the single bright note. The composition is her figure filling the left two-thirds of the frame, the sky and the receding skyline carrying the right third as open negative space, the parapet's horizontal making a low anchor line under her hips. Effortlessly stylish, quietly magnetic.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, adult woman, mature female, short light brown hair, curly hair, tousled curls, blue eyes, beautiful face, makeup, eyeshadow, eyeliner, lipstick, blush, earrings, dress with detached sleeves, off-shoulder sleeves, sleeves down at upper arms, bare shoulders, large breasts, curvy figure, wide hips, thick thighs, hourglass silhouette, from below, cowboy shot, three-quarter view, slight dutch angle, looking at viewer, one hand at her collarbone, head tilt, wind, hair in motion, warm rim light, city rooftop, evening, depth of field, bokeh, The camera looks up from below at a slight dutch angle in a cowboy shot, catching her in a three-quarter view against a dusk sky. She is a single adult woman in her late twenties, mature and curvy with a full hourglass silhouette -- large chest, a defined waist, wide hips and thick thighs that the dress's cut makes plainly readable. Her hair is short and light brown, worked into tight tousled curls that the rooftop wind pushes across her brow and lifts at the temples, individual curls springing loose and throwing small shadows on her forehead. Her face is turned down toward the lens, blue eyes meeting the viewer directly under a lifted chin; her makeup is fully done -- mauve eyeshadow blended at the crease, a clean black winged liner, dark lashes, a soft rose lipstick with a faint gloss catching the sky, and blush warmed along the cheekbones. Small silver hoop earrings hang from both earlobes, swaying slightly with the tilt of her head. She wears a deep teal dress with detached off-shoulder sleeves: a fitted bodice that follows her bust and waist, and each sleeve a separate band of the same fabric sitting around the upper arm below the shoulder, leaving the shoulders and collarbones entirely bare. Her right hand rests at the base of her throat, fingertips pressed lightly against her own collarbone, the back of the hand turned to the camera; her left arm hangs at her side, the detached sleeve pushed up a little by the pose so a slim gap of bare arm shows between sleeve and wrist. Her weight sits on her back leg, her front hip pushed out to one side, the dress fabric pulled slantwise across the hip and falling in a soft diagonal fold toward her knee. She stands at the parapet of a city rooftop: the low concrete wall runs behind her hip, her elbow almost brushing its top edge, and behind the wall the skyline recedes in out-of-focus blocks of dark blue and amber. The sun is low behind a haze of cloud, off to her left and below the roofline, so a warm orange edge-light traces the left side of her curls, her bare left shoulder, the outer edge of the detached sleeve and the rim of the hoop earring, while the whole right side of her face and body falls into cool shadow filled only by the deep blue skylight. Her cast shadow stretches across the concrete at her feet, long and soft-edged, broken where her hip crosses the wall's line. The palette holds to deep teal, warm skin tones, light brown gold in the backlit curls, and the dusk sky's blue-to-amber gradient, with the silver of the earrings as the single bright note. The composition is her figure filling the left two-thirds of the frame, the sky and the receding skyline carrying the right third as open negative space, the parapet's horizontal making a low anchor line under her hips. Effortlessly stylish, quietly magnetic.
Kylee Violette (Kiy Chan)

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