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AI artwork featuring #Cyber Halloween
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syobonekopon

Contest Entry
Neon Punk Halloween#Cyber Halloween
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1girl, solo, pumpkin on head, pumpkin helmet covering the head, jirai-kei fashion, black lace-trimmed blouse, black ribbon bow at the collar, plaid pleated mini skirt, black thigh-high socks, platform Mary Jane shoes, dark gothic makeup, heavy eyeliner, drooping eyeliner, blush across the cheeks, from below, low angle, worm's-eye view, night, neon-lit street, neon signs, wet asphalt, rain, holding pumpkin stem, standing, head tilt, looking down at viewer, half-closed eyes, smirk, :d, one knee slightly bent, oversized pumpkin, layered necklaces, bandaged arm, black nail polish, cinematic lighting, wide shot, Shot from a low worm's-eye angle on a rain-slicked neon alley, a single girl stands off-center against the vertical glow of the signs, her platform shoes planted wide apart on the wet asphalt, right heel lifted, weight on the left foot. An enormous orange pumpkin sits over her head like a helmet, its ribbed shell swallowing her crown and temples, the carved eye-holes dark slabs cut into the rind, a short curled stem at the very top. Her right hand reaches up and grips the stem, forearm passing in front of the pumpkin's face; her left hand hangs loose at her hip, black nails curled, a thin bandage wrapped around her forearm. Her black lace-trimmed blouse sits over the plaid pleated mini skirt; the bow at her collar rests against her collarbone. One knee is bent, the other leg straight, the thigh-high socks hugging each leg tight. Her chin tilts down, and through the carved holes her eyes look straight down at the viewer, half-lidded, and the lower half of her face shows a small lopsided smirk. Neon signs press close on both walls: magenta on the left, teal on the right, both bleeding down the wood of the shutters and the vertical facades, their Japanese lettering warped to near-illegible by the low angle. Rain falls as fine streaks; where the drops strike the wet street, faint reflection circles spread out under the light. The light comes from the signs, and the pumpkin is a caught reflector: its upward-facing ribs and the stem catch magenta and teal on their top faces while the underside and the carved eye openings stay deep black; the same two colors land on her cheeks, her collarbone and along the folds of her skirt, and the platform shoes throw short hard shadows on the wet ground. The palette is confined to magenta, teal, black, and the orange of the pumpkin, with the pale skin and the white bandage the only other light values. Neon-noir, cold and electric.
Show Parameters
Original Prompt
ใƒใ‚ชใƒณ่ก—ใ€ใ‹ใผใกใ‚ƒใฎ่ขซใ‚Š็‰ฉใ€ๅœฐ้›ท็ณปใƒ•ใ‚กใƒƒใ‚ทใƒงใƒณ
Mode
flash
Size
1104 x 1824
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Model & LoRA used

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AI artwork
s
1girl, solo, pumpkin on head, pumpkin helmet covering the head, jirai-kei fashion, black lace-trimmed blouse, black ribbon bow at the collar, plaid pleated mini skirt, black thigh-high socks, platform Mary Jane shoes, dark gothic makeup, heavy eyeliner, drooping eyeliner, blush across the cheeks, from below, low angle, worm's-eye view, night, neon-lit street, neon signs, wet asphalt, rain, holding pumpkin stem, standing, head tilt, looking down at viewer, half-closed eyes, smirk, :d, one knee slightly bent, oversized pumpkin, layered necklaces, bandaged arm, black nail polish, cinematic lighting, wide shot, Shot from a low worm's-eye angle on a rain-slicked neon alley, a single girl stands off-center against the vertical glow of the signs, her platform shoes planted wide apart on the wet asphalt, right heel lifted, weight on the left foot. An enormous orange pumpkin sits over her head like a helmet, its ribbed shell swallowing her crown and temples, the carved eye-holes dark slabs cut into the rind, a short curled stem at the very top. Her right hand reaches up and grips the stem, forearm passing in front of the pumpkin's face; her left hand hangs loose at her hip, black nails curled, a thin bandage wrapped around her forearm. Her black lace-trimmed blouse sits over the plaid pleated mini skirt; the bow at her collar rests against her collarbone. One knee is bent, the other leg straight, the thigh-high socks hugging each leg tight. Her chin tilts down, and through the carved holes her eyes look straight down at the viewer, half-lidded, and the lower half of her face shows a small lopsided smirk. Neon signs press close on both walls: magenta on the left, teal on the right, both bleeding down the wood of the shutters and the vertical facades, their Japanese lettering warped to near-illegible by the low angle. Rain falls as fine streaks; where the drops strike the wet street, faint reflection circles spread out under the light. The light comes from the signs, and the pumpkin is a caught reflector: its upward-facing ribs and the stem catch magenta and teal on their top faces while the underside and the carved eye openings stay deep black; the same two colors land on her cheeks, her collarbone and along the folds of her skirt, and the platform shoes throw short hard shadows on the wet ground. The palette is confined to magenta, teal, black, and the orange of the pumpkin, with the pale skin and the white bandage the only other light values. Neon-noir, cold and electric.
syobonekopon
AI artwork
s
1girl, solo, pumpkin on head, pumpkin worn as a headpiece, large orange jack-o'-lantern helmet covering the top and back of the head, carved triangular eyes of the pumpkin dark and unlit, jirai-kei fashion, black oversized cardigan, black blouse with peter-pan collar, black-and-white plaid pleated miniskirt, black thigh-high socks, black chunky platform boots, dark makeup, under-eye blush, small black hair clips, long black hair falling from beneath the pumpkin, wavy hair, heavy eyelashes, neon-lit street, night, city street, neon signs, wet asphalt, from below, cowboy shot, dutch angle, tilted head, hands on own cheeks, looking down at viewer, half-closed eyes, light smile, reflecting light, depth of field, high contrast, moody The camera sits low and canted a few degrees off plumb, tilted up at a girl who stands on the wet asphalt of a narrow neon street at night, her weight on her left leg with the right knee bent so the platform boot rests on its toe. From this angle the pumpkin swallows the top of the frame: a real, slightly lopsided orange gourd worn like a helmet, its width pressing down over her brow so the carved triangular eyes sit just above her face, their cut walls showing the pale inner rind faintly, and strands of her long black hair spilling out from under the rim to fall along the sides of her neck and over the shoulders of the cardigan. Her dark curly-tinted hair is no longer mascara but soft; her chin dips down toward the lens and her eyelids lower halfway, a faint closed-lip smile with no teeth, and her gaze drops straight to the viewer from under the pumpkin's shadow. Both of her hands are up at her cheeks, fingertips pressed softly into the skin below her eyes, elbows angled out and slightly forward so the loose black cardigan hangs away from her ribs and the plaid pleated skirt swings slightly from the tilt of her hips. The peter-pan collar shows flat and clean under the cardigan's open front; the black thigh-highs run straight into the boots, topped by the shadow of the skirt hem. She stands at the near edge of the frame on a shallow puddle of dark water; the neon signs of the street behind her are stacked vertically on both sides, violet and cyan and hot pink, their characters blurred and unreadable at this depth, and they bend and shatter into long coloured streaks in the wet road, the brightest reflections smeared longer than their sources and softened by the water's film. A pink glow washes her left cheek and the left curve of the pumpkin; a cyan glow catches the right side of her jaw and the far cardigan sleeve, so the carve-outs of the pumpkin stay dark cavities on the side turned from the lights. The street recedes in compressed perspective behind her shoulders, its poles and signboxes thinning into dark, and the only light in the scene comes from those signs and their reflections on the puddle -- wet, glossy, low-key, quietly bewitching.
syobonekopon
AI artwork
s
1girl, solo, pumpkin on head, pumpkin worn as a headpiece, large orange jack-o'-lantern helmet covering the top and back of the head, carved triangular eyes of the pumpkin dark and unlit, jirai-kei fashion, black oversized cardigan, black blouse with peter-pan collar, black-and-white plaid pleated miniskirt, black thigh-high socks, black chunky platform boots, dark makeup, under-eye blush, small black hair clips, long black hair falling from beneath the pumpkin, wavy hair, heavy eyelashes, neon-lit street, night, city street, neon signs, wet asphalt, from below, cowboy shot, dutch angle, tilted head, hands on own cheeks, looking down at viewer, half-closed eyes, light smile, reflecting light, depth of field, high contrast, moody The camera sits low and canted a few degrees off plumb, tilted up at a girl who stands on the wet asphalt of a narrow neon street at night, her weight on her left leg with the right knee bent so the platform boot rests on its toe. From this angle the pumpkin swallows the top of the frame: a real, slightly lopsided orange gourd worn like a helmet, its width pressing down over her brow so the carved triangular eyes sit just above her face, their cut walls showing the pale inner rind faintly, and strands of her long black hair spilling out from under the rim to fall along the sides of her neck and over the shoulders of the cardigan. Her dark curly-tinted hair is no longer mascara but soft; her chin dips down toward the lens and her eyelids lower halfway, a faint closed-lip smile with no teeth, and her gaze drops straight to the viewer from under the pumpkin's shadow. Both of her hands are up at her cheeks, fingertips pressed softly into the skin below her eyes, elbows angled out and slightly forward so the loose black cardigan hangs away from her ribs and the plaid pleated skirt swings slightly from the tilt of her hips. The peter-pan collar shows flat and clean under the cardigan's open front; the black thigh-highs run straight into the boots, topped by the shadow of the skirt hem. She stands at the near edge of the frame on a shallow puddle of dark water; the neon signs of the street behind her are stacked vertically on both sides, violet and cyan and hot pink, their characters blurred and unreadable at this depth, and they bend and shatter into long coloured streaks in the wet road, the brightest reflections smeared longer than their sources and softened by the water's film. A pink glow washes her left cheek and the left curve of the pumpkin; a cyan glow catches the right side of her jaw and the far cardigan sleeve, so the carve-outs of the pumpkin stay dark cavities on the side turned from the lights. The street recedes in compressed perspective behind her shoulders, its poles and signboxes thinning into dark, and the only light in the scene comes from those signs and their reflections on the puddle -- wet, glossy, low-key, quietly bewitching.
syobonekopon
AI artwork
s
1girl, solo, pumpkin on head, pumpkin worn as a headpiece, large orange jack-o'-lantern helmet covering the top and back of the head, carved triangular eyes of the pumpkin dark and unlit, jirai-kei fashion, black oversized cardigan, black blouse with peter-pan collar, black-and-white plaid pleated miniskirt, black thigh-high socks, black chunky platform boots, dark makeup, under-eye blush, small black hair clips, long black hair falling from beneath the pumpkin, wavy hair, heavy eyelashes, neon-lit street, night, city street, neon signs, wet asphalt, from below, cowboy shot, dutch angle, tilted head, hands on own cheeks, looking down at viewer, half-closed eyes, light smile, reflecting light, depth of field, high contrast, moody The camera sits low and canted a few degrees off plumb, tilted up at a girl who stands on the wet asphalt of a narrow neon street at night, her weight on her left leg with the right knee bent so the platform boot rests on its toe. From this angle the pumpkin swallows the top of the frame: a real, slightly lopsided orange gourd worn like a helmet, its width pressing down over her brow so the carved triangular eyes sit just above her face, their cut walls showing the pale inner rind faintly, and strands of her long black hair spilling out from under the rim to fall along the sides of her neck and over the shoulders of the cardigan. Her dark curly-tinted hair is no longer mascara but soft; her chin dips down toward the lens and her eyelids lower halfway, a faint closed-lip smile with no teeth, and her gaze drops straight to the viewer from under the pumpkin's shadow. Both of her hands are up at her cheeks, fingertips pressed softly into the skin below her eyes, elbows angled out and slightly forward so the loose black cardigan hangs away from her ribs and the plaid pleated skirt swings slightly from the tilt of her hips. The peter-pan collar shows flat and clean under the cardigan's open front; the black thigh-highs run straight into the boots, topped by the shadow of the skirt hem. She stands at the near edge of the frame on a shallow puddle of dark water; the neon signs of the street behind her are stacked vertically on both sides, violet and cyan and hot pink, their characters blurred and unreadable at this depth, and they bend and shatter into long coloured streaks in the wet road, the brightest reflections smeared longer than their sources and softened by the water's film. A pink glow washes her left cheek and the left curve of the pumpkin; a cyan glow catches the right side of her jaw and the far cardigan sleeve, so the carve-outs of the pumpkin stay dark cavities on the side turned from the lights. The street recedes in compressed perspective behind her shoulders, its poles and signboxes thinning into dark, and the only light in the scene comes from those signs and their reflections on the puddle -- wet, glossy, low-key, quietly bewitching.
syobonekopon

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