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02 NSFW/NFSW - https://t.me/BOBAHY

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02 NSFW/NFSW - https://t.me/BOBAHY

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character: ryomou_shimei 1girl, solo, ryomou shimei, short blue hair, emerald green eyes, mole under mouth, blue and white maid outfit, white frills, red bow, maid headpiece, blue gloves, hands clasped together in front, hands together, standing, elegant posture, confident, looking down, looking at viewer, from below, slightly low-angle, mid-thigh to head framing, cowboy shot, subtle mischievous smile, closed mouth smile, calm self-assured expression, half-closed eyes, dominant presence, soft cinematic lighting, rich colors, delicate shading, clean lineart, polished anime illustration, no eyepatch, both eyes visible, bare of eye covering, symmetrical eye area unobstructed, one person, indoor maid's parlor A slightly low-angle vertical shot framed from mid-thigh up: a short blue-haired young woman stands centered but not squared to the lens, her weight settled on her right leg with the left knee softly bent and the left hip dropped, so her silhouette carries a slow curve from shoulder to hem rather than a flat front face. Her short blue hair is rendered with silky two-tone volume, the fringe falling in a sharp, glossy sweep across the brow and the ends curving inward at her jaw; a small dark mole sits just under the right corner of her lower lip. Both eyes are uncovered and fully visible — no eyepatch, no strap, the eye area completely clear — and the emerald-green irises catch a single high highlight as her chin dips downward: she looks down the line of her nose at the viewer from below, lids dropped to a calm half-mast, one brow level, the other lifted a fraction. Her mouth is closed in a small, lopsided mischievous smile, one corner pulled higher than the other, with no teeth showing. Her arms hang forward, elbows soft and close to her ribs, and both gloved hands meet low in front of her waist, fingers of one hand gently overlapped and resting over the back of the other, resting weight rather than grip; the blue gloves are snug from wrist to each knuckle. The blue and white maid dress reads clearly: a white frilled bib and apron panels layered over a deep blue bodice and skirt, the white frills scalloped along the bust line, the apron edge and the short sleeve cuffs, with a red bow knotted just under her collar and one more small red bow at the apron waist; a white maid headpiece sits on the crown of her head, its frilled band arcing between the hair's parting and the gorgeously rendered strands. Her shoulders are back, her neck long, her posture composed and unhurried — the ease of someone who does not need to raise her voice. The environment is a soft, uncluttered interior corner: a faint wainscot line and a shadowed wall behind her, out of focus, with enough depth separation that she detaches cleanly from it. Key light comes from above and slightly camera-left — a broad, soft cinematic source that lays a gentle highlight along her fringe, the tops of her shoulders, the frills of the bib and the curve of the red bow, and drops a soft falloff under her chin, under her jaw and beneath her clasped hands, with a faint secondary bounce from the pale floor lifting the underside of the skirt's shadow. Where the light grazes the white frills they are the brightest thing in frame, and the deep blue fabric holds its color in the shadows rather than going gray. Palette is disciplined: deep cobalt blue in the dress and hair, crisp warm white in the frills, apron and headpiece, a single saturated crimson in the two bows, emerald green only in the one visible eye, and a neutral warm-grey environment holding it all together. Care in the render is concentrated in the face, the eye's modeling, the lash line and mouth corner, the fine scalloping of every frill, the gloves' seams and the soft sheen where her clasped fingers press together. Naturally dominant, quietly playful.
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Original Prompt
Ryomou Shimei from Ikki Tousen: Great Guardians, wearing her iconic blue and white maid outfit with white frills, red bow, maid headpiece and blue gloves. A beautiful, polished anime illustration, framed from mid-thigh up. Static, slightly low-angle composition, Ryomou standing confidently and looking down toward the viewer. A subtle mischievous smile, captivating emerald-green eye, calm self-assured expression and naturally dominant presence. Elegant posture, hands gently clasped together in front of her, refined anime facial features, beautiful hair rendering, soft cinematic lighting, rich colors, delicate shading and exceptionally clean anime artwork.
Mode
ultra
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
low quality, blurry face, bad anatomy, deformed hands, extra fingers, extra limbs, distorted face, incorrect character, wrong eyepatch, missing eyepatch, wrong outfit, bad proportions, messy lineart, noise, grain, dithering, watermark, text.
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PixAI DiT.3

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Avatar image of 02 NSFW/NFSW - https://t.me/BOBAHY
character: ryomou_shimei 1girl, solo, ryomou shimei, short blue hair, emerald green eyes, mole under mouth, blue and white maid outfit, white frills, red bow, maid headpiece, blue gloves, hands clasped together in front, hands together, standing, elegant posture, confident, looking down, looking at viewer, from below, slightly low-angle, mid-thigh to head framing, cowboy shot, subtle mischievous smile, closed mouth smile, calm self-assured expression, half-closed eyes, dominant presence, soft cinematic lighting, rich colors, delicate shading, clean lineart, polished anime illustration, no eyepatch, both eyes visible, bare of eye covering, symmetrical eye area unobstructed, one person, indoor maid's parlor A slightly low-angle vertical shot framed from mid-thigh up: a short blue-haired young woman stands centered but not squared to the lens, her weight settled on her right leg with the left knee softly bent and the left hip dropped, so her silhouette carries a slow curve from shoulder to hem rather than a flat front face. Her short blue hair is rendered with silky two-tone volume, the fringe falling in a sharp, glossy sweep across the brow and the ends curving inward at her jaw; a small dark mole sits just under the right corner of her lower lip. Both eyes are uncovered and fully visible — no eyepatch, no strap, the eye area completely clear — and the emerald-green irises catch a single high highlight as her chin dips downward: she looks down the line of her nose at the viewer from below, lids dropped to a calm half-mast, one brow level, the other lifted a fraction. Her mouth is closed in a small, lopsided mischievous smile, one corner pulled higher than the other, with no teeth showing. Her arms hang forward, elbows soft and close to her ribs, and both gloved hands meet low in front of her waist, fingers of one hand gently overlapped and resting over the back of the other, resting weight rather than grip; the blue gloves are snug from wrist to each knuckle. The blue and white maid dress reads clearly: a white frilled bib and apron panels layered over a deep blue bodice and skirt, the white frills scalloped along the bust line, the apron edge and the short sleeve cuffs, with a red bow knotted just under her collar and one more small red bow at the apron waist; a white maid headpiece sits on the crown of her head, its frilled band arcing between the hair's parting and the gorgeously rendered strands. Her shoulders are back, her neck long, her posture composed and unhurried — the ease of someone who does not need to raise her voice. The environment is a soft, uncluttered interior corner: a faint wainscot line and a shadowed wall behind her, out of focus, with enough depth separation that she detaches cleanly from it. Key light comes from above and slightly camera-left — a broad, soft cinematic source that lays a gentle highlight along her fringe, the tops of her shoulders, the frills of the bib and the curve of the red bow, and drops a soft falloff under her chin, under her jaw and beneath her clasped hands, with a faint secondary bounce from the pale floor lifting the underside of the skirt's shadow. Where the light grazes the white frills they are the brightest thing in frame, and the deep blue fabric holds its color in the shadows rather than going gray. Palette is disciplined: deep cobalt blue in the dress and hair, crisp warm white in the frills, apron and headpiece, a single saturated crimson in the two bows, emerald green only in the one visible eye, and a neutral warm-grey environment holding it all together. Care in the render is concentrated in the face, the eye's modeling, the lash line and mouth corner, the fine scalloping of every frill, the gloves' seams and the soft sheen where her clasped fingers press together. Naturally dominant, quietly playful.
02 NSFW/NFSW - https://t.me/BOBAHY
AI artwork
Avatar image of 02 NSFW/NFSW - https://t.me/BOBAHY
character: ryomou_shimei 1girl, solo, ryomou shimei, short blue hair, emerald green eyes, mole under mouth, blue and white maid outfit, white frills, red bow, maid headpiece, blue gloves, hands clasped together in front, hands together, standing, elegant posture, confident, looking down, looking at viewer, from below, slightly low-angle, mid-thigh to head framing, cowboy shot, subtle mischievous smile, closed mouth smile, calm self-assured expression, half-closed eyes, dominant presence, soft cinematic lighting, rich colors, delicate shading, clean lineart, polished anime illustration, no eyepatch, both eyes visible, bare of eye covering, symmetrical eye area unobstructed, one person, indoor maid's parlor A slightly low-angle vertical shot framed from mid-thigh up: a short blue-haired young woman stands centered but not squared to the lens, her weight settled on her right leg with the left knee softly bent and the left hip dropped, so her silhouette carries a slow curve from shoulder to hem rather than a flat front face. Her short blue hair is rendered with silky two-tone volume, the fringe falling in a sharp, glossy sweep across the brow and the ends curving inward at her jaw; a small dark mole sits just under the right corner of her lower lip. Both eyes are uncovered and fully visible — no eyepatch, no strap, the eye area completely clear — and the emerald-green irises catch a single high highlight as her chin dips downward: she looks down the line of her nose at the viewer from below, lids dropped to a calm half-mast, one brow level, the other lifted a fraction. Her mouth is closed in a small, lopsided mischievous smile, one corner pulled higher than the other, with no teeth showing. Her arms hang forward, elbows soft and close to her ribs, and both gloved hands meet low in front of her waist, fingers of one hand gently overlapped and resting over the back of the other, resting weight rather than grip; the blue gloves are snug from wrist to each knuckle. The blue and white maid dress reads clearly: a white frilled bib and apron panels layered over a deep blue bodice and skirt, the white frills scalloped along the bust line, the apron edge and the short sleeve cuffs, with a red bow knotted just under her collar and one more small red bow at the apron waist; a white maid headpiece sits on the crown of her head, its frilled band arcing between the hair's parting and the gorgeously rendered strands. Her shoulders are back, her neck long, her posture composed and unhurried — the ease of someone who does not need to raise her voice. The environment is a soft, uncluttered interior corner: a faint wainscot line and a shadowed wall behind her, out of focus, with enough depth separation that she detaches cleanly from it. Key light comes from above and slightly camera-left — a broad, soft cinematic source that lays a gentle highlight along her fringe, the tops of her shoulders, the frills of the bib and the curve of the red bow, and drops a soft falloff under her chin, under her jaw and beneath her clasped hands, with a faint secondary bounce from the pale floor lifting the underside of the skirt's shadow. Where the light grazes the white frills they are the brightest thing in frame, and the deep blue fabric holds its color in the shadows rather than going gray. Palette is disciplined: deep cobalt blue in the dress and hair, crisp warm white in the frills, apron and headpiece, a single saturated crimson in the two bows, emerald green only in the one visible eye, and a neutral warm-grey environment holding it all together. Care in the render is concentrated in the face, the eye's modeling, the lash line and mouth corner, the fine scalloping of every frill, the gloves' seams and the soft sheen where her clasped fingers press together. Naturally dominant, quietly playful.
02 NSFW/NFSW - https://t.me/BOBAHY
AI artwork
橋日
character: tsumugi_kokage tsumugi_kokage, 1girl, solo, maid outfit, maid headdress, frilled apron, puffy short sleeves, black dress, white frills, embarrassed, blushing, heavy blush, pout, puffy cheeks, half-closed eyes, looking away, sideways glance, fidgeting, hands together, fingers fidgeting, head tilt, short hair, medium hair, blue hair, multicolored hair, hair ornament, blue eyes, cowboy shot, from above, three-quarter view, Shot from above and slightly in front, the camera looks down at a girl caught in the middle of an embarrassed fidget. Her head tips down and away toward the lower-left of the frame, chin tucked, so the top of her short, medium-length blue hair fills the upper part of the figure — the strands carry two tones, a deeper navy mass and a paler sky-blue lock that sweeps across her bangs, with a small hair ornament pinned at the side of her head just above the temple, its edge glinting in the light. Her blue eyes cut sideways toward the floor rather than meeting the lens, lashes low, one brow drawn up in a worried arch. A hot blush spreads across both cheeks and the bridge of her nose, the reddening visible up to the tips of her ears. Her mouth is pressed into a small closed pout, cheeks faintly puffed, as though she is holding back a complaint. She is dressed in a maid outfit: a black dress with a fitted bodice, a wide white frilled apron tied at the waist with its bow slightly crooked from her nervous tugging, a frilled white collar, puffy short sleeves ending in white cuffs, and a ruffled white maid headdress set back on her hair behind the ornament. Her shoulders are pushed up in a self-conscious shrug. Both hands are drawn in at her waist, fingers of one hand picking at the fingers of the other, the knuckles pressing into the apron's fabric so it wrinkles under them; her weight sits on her back foot, one hip cocked, the toe of the forward foot turned inward. The dress skirt flares and hangs with a slight sway from her shift of weight. She stands in a plain interior corner with no clutter: a bare pale wall behind her and a wooden floor beneath, an empty off-white field with nothing but a soft falloff of shadow into the corner. A single warm window light comes in from the upper left, striking the top of her hair, the near cheek, the outer edge of the headdress frill and the shoulder of the apron, leaving the right side of her face and the underside of the skirt in cool grey shadow that pools behind her on the wall. The apron's frills return a soft white bounce light onto her jaw. Her cast shadow falls to the lower right and stretches slightly from the angle of the light. Flat cel-shaded rendering with clean crisp linework, two-tone shadow shapes, and a bright, saturated palette dominated by black and white of the uniform with the blue of her hair and eyes and the deep red of her blush as the only other colours. Tender, flustered.
橋日
#Tsumugi Kokage#PixAI Halloween 2026

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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