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AI art "sister book 4" featuring #Thigh-highs, #brown hair, #Black thigh-highs, #Thighs, #Nun and #Medium Breasts
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sister book 4

#Thigh-highs#brown hair#Black thigh-highs#Thighs#Nun#Medium Breasts
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Comments

1girl, solo, shiny thighhigh, mature body, masterpiece, happy, nun clothes, mnung5, long hair, brown hair, breasts, headwear, indoors, bible \(object\), sitting, table, reading, holding, medium breasts, stained glass, window, nun, black thighhighs, mai_kgnun
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Original Prompt
1girl, solo, shiny thighhigh, MATURE BODY, masterpiece, happy, nun,black_thighhighs, nun, nun clothes, mai_kgnun,mnung5,nun,long_hair,brown_hair,breasts,nun,black_thighhighs,headwear , indoors, bible (object), sitting, table, reading, holding, MEDIUM BREASTS, stained glass, window,
Size
679 x 1023
Sampling Steps
24
Sampling Method
Euler a
CFG Scale
5
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, 2 people , two heads

Model & LoRA used

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AI artwork
kk
1 girl, solo, nun headwear, white wimple, black veil, gold trim, cleavage cutout, chest curtain, pelvic curtain, lifting skirt, white satin gloves, elbow-length gloves, sheer white thigh-high stockings, white ballet flats, flushed face, blush, embarrassed, sexy nun-style outfit, Christian dress, standing, arms up, head tilt, looking to the side, from below, cowboy shot, dutch angle, chapel interior, single candlelight, warm amber light A single girl stands in the narrow aisle of a small stone chapel, the camera tilted from below and canted a few degrees so the black veil and the fluted columns lean the same way. Her weight is on her left leg with the right knee bent inward, toes turned pigeon-toed, and both gloved hands are curled into the front hem of the white-and-gold habit, lifting it a hand's width so the fabric bells outward and the sheer white thigh-highs catch the candlelight from the hip down. The chest curtain of layered white lace hangs across the deep square cutout at her sternum, parting where she has drawn a sharp breath; the pelvic curtain swings forward off her belt in the same gesture, its edge sliding over the stockings. The wimple frames her jaw tight and clean, the veil falling behind her shoulders in one unbroken fall to mid-back. Her heels are together and her ballet flats side by side on the worn paving, left sole perfectly flat, right pressed on its outer edge; the toe of the right flat has scuffed a half-moon of pale dust off the stone. One white satin glove is peeled a finger's width at the wrist, the cuff loose and catching the light. Her chin is dipped and turned over her right shoulder, eyes cutting sideways toward the shadow beyond the last pew, mouth slightly open, breath shallow, the flush rising from her throat and burning across both cheeks and the tips of her ears. Light comes from a single tall candle in a wall sconce behind her left shoulder, low and warm: it rims the veil's edge in amber, models the near column, and falls off into absolute dark at the top of the frame and at the far end of the nave. Her shadow stretches long across the flagstones toward the altar rail, thrown by that one flame. Palette is the black of the veil, the warm bone-white of the habit and lace, the soft grey-white of stockings and flats and the low amber of candle and skin beyond the blush; nothing else is admitted. The cloth is rendered with the slight sheen of fine wool crepe, the satin's liquid highlights and the stockings' faint transmission of light along the shin. Quiet, illicit.
Killer King

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