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AI art "Goddess of an Arena" featuring #Roman Empire Contest
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Goddess of an Arena

Contest Entry
THE ROMAN EMPIRE – A Journey Through History
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character: athena_(saint_seiya), kido_saori, copyright: saint_seiya 1girl, solo, athena_(saint_seiya), kido_saori, purple hair, long hair, hair ornament, green eyes, medium breasts, big breasts, sleeveless dress, mini skirt, torn dress, bare legs, bare feet, bruises, blood, sweat, open mouth, kneeling, one knee down, one knee up, spear, holding spear, spear planted in ground, aegis, shield, shield behind back, holding shield behind back, looking at viewer, exhausted, from below, dutch angle, cowboy shot, sand, sandy ground, colosseum, crowd, afternoon, sunlight, seductive_smile, half-closed eyes, heavy_breathing, sweat on skin, motion_lines The camera sits low in the sand of the arena floor, tilted a few degrees off level, looking up at her from just in front of her lowered knee, so the Colosseum's upper tiers and the packed crowd rise behind and above her shoulders. She is the only figure in the foreground: Kido Saori, her long purple hair loose and sweat-darkened at the temples, a hair ornament still caught in the strands above her right ear, green eyes fixed straight down the lens at the viewer, lids heavy, a faint lopsided smile pulling the corner of her mouth even as it hangs open with her panting breath. Her sleeveless dress is a pale gladiator's garment shredded by the fight -- a strap torn at the left shoulder, the hem of the mini skirt ripped jagged and riding high on her thigh, the fabric dark where blood has soaked in at the hip and ribs -- leaving her arms, her bare legs and her bare feet fully exposed. Old and new bruises mottle her shoulders, forearms, ribs and knees in violet and yellow-green; thin dried blood traces streak her left forearm, her shin and the corner of her lip; sweat sheets her collarbones, her sternum and the small of her back, catching the light in a fine sheen. Her weight is dropped onto her right knee, pressed hard into the sand, the shin flat, toes of that foot curled and dust-caked; her left leg is bent up with the knee raised, sole planted, thigh supporting her leaning torso. Her right hand grips the shaft of a spear planted upright in the sand a forearm's length in front of her, arm braced straight, shoulder pulled down -- the spearhead bites a small crater into the sand and a faint ridge of displaced sand fans out from its butt where her weight drives it. Her left arm is drawn back behind her hip, fist closed around the rim of the Aegis shield, which hangs flat behind her back and lower back, edge-on and tilted away so it hides nothing of her torso, her dress or her legs; only the shield's rim and a sliver of its embossed face show past her left flank. Sand clings to her knees, shins and the tops of her feet, and her toes have gouged two short furrows where she has dragged herself upright. The Colosseum curves around her in weathered travertine tiers, the crowd filling the seats as a dense, simplified mass of raised arms and shadowed faces rendered smaller and softer with distance, a few banners hanging slack in the still air. It is mid-afternoon: a single hard sun stands high and behind her right shoulder, so the light strikes the right side of her face and body and throws her long shadow forward and to the left across the sand, while the left side of her face and the underside of her chin fall into cool sand-bounced shadow; the tiers behind her sit in their own shade, and the archways glow with hot dust. The palette is bone-white and ochre sand, sun-bleached travertine, the muted browns of the crowd, and the cold violet of her bruises and the purple of her hair as the only saturated notes. Detail is spent on the contact of knee, toes and spear with the sand, on the sweat and bruising across her skin, and on the torn edges of the dress. Exhausted, defiant.
Show Parameters
Original Prompt
Kido Saori (athena) from anime saint seiya as female gladiator fighting inside roman colossium arena, back ground similar to movie Gladiator with crowd as back ground, wear sleevless dress, mini skirt, bare legs and bare feet, bruise and little blood all over body, one knee kneel and another leg นั่งชันเขา, sweat, open mouth, torn dress like brutal fight, use spear to ปัปักพื้นเพือพยุงตัวไม่ให้ล้ม, อีกมือ Aegis shied ไว้ด้านหลัง ไม่บังร่ายกาย, look at viewer, พื้นทราย, เวลาบ่าย, เท้าเปล่า, 1girl, solo, breast, medium breast, big breast
Mode
flash
Size
1104 x 1824
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Model & LoRA used

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1girl, solo, mature female, black hair, very long hair, blue eyes, hair ornament, necklace, large breasts, underboob, midriff, bare shoulders, black thighhighs, sandals, polearm, holding polearm, pelvic curtain, loincloth, from below, low angle, full body, standing, contrapposto, looking down, dutch angle, serious, wind, outdoors, ruins, dusk A low-angle shot from below, tilted slightly off level, looking up the length of a tall mature woman who stands in contrapposto atop a broken stone plinth, her weight on her right leg, right hip pushed out, left foot angled forward with toes just clearing the ledge. Her very long black hair falls past her hips in heavy loose strands, and the wind shoves it back off her left shoulder so it streams behind her; a carved dark hair ornament pinned at the side of her crown catches the light. Her narrowed blue eyes look down along the shaft of the polearm toward the viewer, chin lowered, mouth a flat firm line, a faint crease at the brow. She holds the polearm in her left hand, the shaft running diagonally down from above the top edge of the frame to the plinth beside her boot, her fingers wrapped around the shaft, the butt of it planted and resting against the stone at her heel; her right arm hangs relaxed, knuckles just brushing the fabric of the pelvic curtain. The loincloth is cinched low at her hips beneath a ragged pelvic curtain of dark cloth panels, and the hard cut of the wind lifts one panel out to her right, exposing the bare slope of her midriff and the underside of her breasts where the wrap rides high; her shoulders and collarbones are bare, a simple pendant necklace resting on her sternum. Black thighhighs hug her legs from mid-thigh to ankle, the tops pressing a slight band into the skin, and her sandals are dusty leather with straps crossing over her instep, the sole biting into the grit of the plinth. The only light is a low dusk sun behind and to the left of her, so her front is mostly in shade except for a warm rim along her left arm, the edge of the polearm's blade, the curve of her thigh and the loose strands of hair; long shadows stretch down the ruined colonnade behind her, its broken columns receding into violet haze, and the deep dusk sky fills the top third of the frame above her head. Muted palette of cold stone grey, dusty violet and warm amber rim light, her hair and thighhighs reading as near-black. Dust drifts visibly in the wind, settling on the up-facing ledges of the ruins but never on the vertical faces. Quiet, imposing, wind-scoured.
Emerson Gutierrez Palomino
AI artwork
eg
1girl, solo, mature female, black hair, very long hair, blue eyes, hair ornament, necklace, large breasts, underboob, midriff, bare shoulders, black thighhighs, sandals, polearm, holding polearm, pelvic curtain, loincloth, from below, low angle, full body, standing, contrapposto, looking down, dutch angle, serious, wind, outdoors, ruins, dusk A low-angle shot from below, tilted slightly off level, looking up the length of a tall mature woman who stands in contrapposto atop a broken stone plinth, her weight on her right leg, right hip pushed out, left foot angled forward with toes just clearing the ledge. Her very long black hair falls past her hips in heavy loose strands, and the wind shoves it back off her left shoulder so it streams behind her; a carved dark hair ornament pinned at the side of her crown catches the light. Her narrowed blue eyes look down along the shaft of the polearm toward the viewer, chin lowered, mouth a flat firm line, a faint crease at the brow. She holds the polearm in her left hand, the shaft running diagonally down from above the top edge of the frame to the plinth beside her boot, her fingers wrapped around the shaft, the butt of it planted and resting against the stone at her heel; her right arm hangs relaxed, knuckles just brushing the fabric of the pelvic curtain. The loincloth is cinched low at her hips beneath a ragged pelvic curtain of dark cloth panels, and the hard cut of the wind lifts one panel out to her right, exposing the bare slope of her midriff and the underside of her breasts where the wrap rides high; her shoulders and collarbones are bare, a simple pendant necklace resting on her sternum. Black thighhighs hug her legs from mid-thigh to ankle, the tops pressing a slight band into the skin, and her sandals are dusty leather with straps crossing over her instep, the sole biting into the grit of the plinth. The only light is a low dusk sun behind and to the left of her, so her front is mostly in shade except for a warm rim along her left arm, the edge of the polearm's blade, the curve of her thigh and the loose strands of hair; long shadows stretch down the ruined colonnade behind her, its broken columns receding into violet haze, and the deep dusk sky fills the top third of the frame above her head. Muted palette of cold stone grey, dusty violet and warm amber rim light, her hair and thighhighs reading as near-black. Dust drifts visibly in the wind, settling on the up-facing ledges of the ruins but never on the vertical faces. Quiet, imposing, wind-scoured.
Emerson Gutierrez Palomino

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