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Misaka Mikoto, A Certain Magical Index
Show Parameters
- Original Prompt
- 御坂美琴ちゃんがジーンズに長袖の普段着で名古屋駅のホームで通過中のサンライズエクスプレス号を一眼レフカメラで撮っています。
- Mode
- pro
- Quality Tag
- ﹝Prompts﹞
- Size
- 1408 x 1408
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
Show morecharacter: misaka_mikoto
1girl, solo, misaka_mikoto, brown hair, short hair, medium hair, brown eyes, hair ornament, jeans, long sleeves, casual outfit, long-sleeved shirt, holding camera, SLR camera, camera at eye, viewfinder, photographing, taking a photo, train, passing train, railway platform, Nagoya Station platform, night, night train, from behind, over-shoulder composition, cowboy shot, looking at train, leaning forward, elbows bent, dutch angle, depth of field, motion blur on train, station lighting,
view from behind and slightly to the right of the girl, over her shoulder: her back and the trailing edge of her turning profile fill the lower-left foreground, the SLR camera pressed to her eye, its black body gripped in both hands -- right hand cupping the lens barrel at the focus ring, left hand under the body supporting the base, thumb at the shutter -- the camera strap looped once across the back of her wrist. She stands at the yellow tactile-paved edge of a Nagoya Station platform, weight on her front left foot with the right toe pivoting behind, torso twisted a quarter turn, elbows tucked in, cheek set against the camera's top plate. Below her short brown hair, the loose strands at her nape lift in the draft; her long sleeves are pushed up nowhere, cuffs falling to the backs of her hands, a plain long-sleeved top over dark indigo jeans that break once at the ankle over worn sneakers. Her hair ornament sits at the left side of her head, visible in profile above her ear. She is not looking at the viewer: her whole attention, eye and lens, is aimed up the platform to the right, where the Sunset Express -- cream-and-red livery, its long orange-yellow stripe smeared into a horizontal streak -- slides through the station without stopping, wheels and bogies a soft blur, one lit window after another dragging a smear of warm light along its flank, a fine dust-grey turbulence lifting from the platform edge in front of it. The camera hides the upper half of her face; only her chin, jaw and the set of her mouth show, lips slightly parted in concentration. The lens front catches a small hard glint from the platform lamps; the train is a moving bright mass and she is a still dark shape against it, edge-lit cold white along her right side, left side in shadow. Overhead fluorescent tubes run a receding line of vanishing points down the platform; the far end of the platform and the tracks drop into dark, the train's own windows the only warm colour in the frame. Ripples of reflected window-light run across the polished platform floor and are cut into segments by the platform's edge. Palette: cool blue-white platform fluorescents, deep indigo denim, cream-and-red train with its saffron stripe, and a single warm pool from the train's windows. Photographic telephoto compression, shallow focus on her camera and hands, the train soft behind. Quiet, intent concentration.
misaka 009(asuka00017)
特急まほろば安寧編成と撮り鉄少女
cac40
特急まほろば(安寧編成)を撮影する月村手毬
cac40
1girl, solo, short brown hair, bob cut, brown eyes, navy blue wool cardigan, white collared shirt, collared shirt under cardigan, waving, raised hand, open palm, smile, closed mouth smile, light blush, looking at viewer, from below, from outside train window, seen through window, window frame, glass reflection, train interior, standing in aisle, one hand on window frame, head tilt, warm afternoon light, golden hour, lens flare through glass, monochrome navy and cream palette, film grain, cinematic
The camera looks up from the platform outside the train, low angle, so the carriage window fills the frame and its sill cuts diagonally across the lower third. Behind the glass a young woman with short brown hair stands in the aisle, turned toward the window and leaning in close, her head tilted a little to her right. Her raised right hand is up beside her face, palm open toward the viewer, fingers spread and slightly curled, the wrist bent so the heel of her palm angles back — the wave caught mid-arc, her palm nearly parallel to the glass and a few centimetres behind it. Her other hand rests on the window's lower rubber seal, fingers curled over the ridge, carrying her weight as she leans in on the ball of her left foot while the right foot hangs back. Her smile is closed-lipped and genuine, cheeks lifted, eyes crinkled at the corners and looking straight out at the viewer. Her hair falls slightly forward with the lean, a strand catching light from outside.
The window glass sits between camera and subject: a flattened reflection of the platform and a passing daylight glare drift across the surface, and where her palm approaches the pane the reflection thickens over her skin while her cardigan's navy stays a shade deeper through the tint. Warm low afternoon sunlight comes from the left outside the train, striking the sill and the edge of the glass, laying a bright bar across her raised sleeve and a soft shadow down the right side of her face and neck; the carriage interior behind her falls into a dimmer blue-grey, with an out-of-focus row of seats and a strap rail receding into softness. Window frame struts divide the view with a clean vertical on the right. Palette of navy wool, off-white shirt, warm amber sunlight and cool muted teal interior, nothing else admitted except the brown of her hair and the pink at her cheeks. Tender, a small goodbye held.
miku0000_2911
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