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憧れの先輩とデート中
「あ、社会の窓ガラ空き〜」 「／(^o^)＼」
Show Parameters
- Original Prompt
- 毛先から茶髪〜生え際が銀髪のグラデーションカラーのロングでゆるめのウェーブヘア、銀縁の丸メガネ、琥珀色の瞳、長いまつげ、二重まぶた、グレーの縦編スリーブレスニット、藍色のロングスカート、薬指の銀の指輪、イヤリング、金と真珠のペンダント、美しくつややかな素肌、テーブルに頬杖ついて、朝のカフェの窓際の席で、もう片手でこちらに指をさす、ニッコリしながら、テーブルの上にはカフェマキアートとトースト、ガラス越しの日差し、マスターピース、ハイクオリティ、リアリティのある作画に仕上げる、肌はツヤツヤテカテカに、喫茶店のインテリアはレトロチックに仕上げる
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- pro
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
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1girl, solo, long hair, brown hair, silver hair, two-tone hair, mixed hair color, silver-framed round glasses, round eyewear, amber eyes, grey ribbed sleeveless turtleneck knit top, sleeveless, ribbed knit, bare arms, bare shoulders, navy blue long skirt, silver ring, ring on ring finger, earrings, gold and pearl pendant, necklace, beautiful skin, glossy skin, flawless skin, cheek rest, head resting on hand, hand on cheek, elbow on table, pointing at viewer, outstretched arm, finger pointing, gentle smile, closed-mouth smile, soft smile, looking at viewer, sitting, window seat, morning, cafe, table, cafe macchiato, latte art, toast, sunlight, sunbeam through glass, backlighting, window frame, indoor, cowboy shot, from side, slight dutch angle, depth of field, masterpiece, high quality, warm palette,
Shot from a slight low three-quarter side angle, the frame catching her seated at a small round cafe table pushed right up against a tall window, her body angled towards the glass while her face and the pointing hand come round to the lens. She sits in a wooden cafe chair, spine leaned forward over the tabletop, left elbow planted on the table's edge taking the whole weight of her head, her left cheek pressed into the palm so the skin of her cheek lifts slightly against her fingers; the left forearm runs up from the crockery-stained tabletop at a slant, wrist soft. Her right arm crosses her torso and extends across the table towards the viewer, index finger extended straight at the lens, the other fingers loosely curled, the hand foreshortened large in the near foreground. The silver ring sits on the ring finger of that pointing hand, the band catching a hard white glint. Her hair falls in a long loose sheet over both shoulders and pools onto the tabletop on the far side of the cup, the brown and silver strands twisting through each other in irregular streaks, the silver catching the window light and reading almost white, the brown warm and honeyed; two locks fall forward past her glasses and one strand rests against her cheek above the hand. Silver round wire frames sit across her nose and bridge, the round lenses thin-rimmed and clear, a faint bright ring of reflected window in the upper part of each lens; her amber eyes are just visible behind the glass, warm brown-gold and steady, fixed directly on the viewer over the top of her knuckles. Her lips close in a soft, narrow, closed-mouth smile that lifts the corners without parting them, cheeks rounded by the pressure of her palm. Small earrings hang from both earlobes just clear of the hair; the gold and pearl pendant sits low in the V of skin above the grey knit, one round pearl pendant in a gold setting resting on her collarbone with a small shadow beneath it.
The grey sleeveless knit is a fine vertical rib, the ribs stretching and shifting with the twist of her torso, a soft fold compressing where her waist meets the chair; the armholes are cut high, leaving her shoulders and upper arms bare, and the skin there is smooth and lightly oiled-looking, a narrow, glossy highlight running down the outside of her gesturing forearm and another along her bare shoulder, her skin otherwise matte. The navy long skirt falls from her hips down over the chair and out of frame at the bottom edge, heavy and dark, one knee lifted under the knit and one knee lower, the fabric creasing in long diagonal folds from the hip where she leans.
On the table between them: the macchiato in a short clear glass, white foam banked at the rim with a thin brown espresso ring around it, the handle-less glass standing on a saucer; beside it a small plate with two slices of toast, golden-brown crust, a pat of butter melting into a glossy sheen on the upper face of the nearest slice. The window glass between her and the sun throws a broad diagonal bright band across the tabletop, catching the rim of the glass, the far edge of the toast plate, the top of her pointing knuckles and one long streak down her grey knit sleeve edge, while the side of her face nearer the window is rimmed with warm light and the other side of her face, the underside of her chin and the hollow beneath her cheek hand fall into soft, cool shadow; the window mullion casts a pale angled bar of light and shade over the far half of the table. Outside the glass the street is a bright, blown-out blur of morning, nothing legible, only pale shapes. Small dust motes hang and drift in the sunbeam between the window and the table.
Warm morning palette: honey and pale gold in the sunlight and the toast, brown and silver in the hair, muted slate grey of the knit, deep navy of the skirt, and the cool milk-white of the foam and the window haze, the whole thing held in a soft, high-key light with deep warm shadows in the ribs of the knit. Tender, unhurried morning calm.
yux
1girl, solo, long hair, brown hair, silver hair, two-tone hair, mixed hair color, silver-framed round glasses, round eyewear, amber eyes, grey ribbed sleeveless turtleneck knit top, sleeveless, ribbed knit, bare arms, bare shoulders, navy blue long skirt, silver ring, ring on ring finger, earrings, gold and pearl pendant, necklace, beautiful skin, glossy skin, flawless skin, cheek rest, head resting on hand, hand on cheek, elbow on table, pointing at viewer, outstretched arm, finger pointing, gentle smile, closed-mouth smile, soft smile, looking at viewer, sitting, window seat, morning, cafe, table, cafe macchiato, latte art, toast, sunlight, sunbeam through glass, backlighting, window frame, indoor, cowboy shot, from side, slight dutch angle, depth of field, masterpiece, high quality, warm palette,
Shot from a slight low three-quarter side angle, the frame catching her seated at a small round cafe table pushed right up against a tall window, her body angled towards the glass while her face and the pointing hand come round to the lens. She sits in a wooden cafe chair, spine leaned forward over the tabletop, left elbow planted on the table's edge taking the whole weight of her head, her left cheek pressed into the palm so the skin of her cheek lifts slightly against her fingers; the left forearm runs up from the crockery-stained tabletop at a slant, wrist soft. Her right arm crosses her torso and extends across the table towards the viewer, index finger extended straight at the lens, the other fingers loosely curled, the hand foreshortened large in the near foreground. The silver ring sits on the ring finger of that pointing hand, the band catching a hard white glint. Her hair falls in a long loose sheet over both shoulders and pools onto the tabletop on the far side of the cup, the brown and silver strands twisting through each other in irregular streaks, the silver catching the window light and reading almost white, the brown warm and honeyed; two locks fall forward past her glasses and one strand rests against her cheek above the hand. Silver round wire frames sit across her nose and bridge, the round lenses thin-rimmed and clear, a faint bright ring of reflected window in the upper part of each lens; her amber eyes are just visible behind the glass, warm brown-gold and steady, fixed directly on the viewer over the top of her knuckles. Her lips close in a soft, narrow, closed-mouth smile that lifts the corners without parting them, cheeks rounded by the pressure of her palm. Small earrings hang from both earlobes just clear of the hair; the gold and pearl pendant sits low in the V of skin above the grey knit, one round pearl pendant in a gold setting resting on her collarbone with a small shadow beneath it.
The grey sleeveless knit is a fine vertical rib, the ribs stretching and shifting with the twist of her torso, a soft fold compressing where her waist meets the chair; the armholes are cut high, leaving her shoulders and upper arms bare, and the skin there is smooth and lightly oiled-looking, a narrow, glossy highlight running down the outside of her gesturing forearm and another along her bare shoulder, her skin otherwise matte. The navy long skirt falls from her hips down over the chair and out of frame at the bottom edge, heavy and dark, one knee lifted under the knit and one knee lower, the fabric creasing in long diagonal folds from the hip where she leans.
On the table between them: the macchiato in a short clear glass, white foam banked at the rim with a thin brown espresso ring around it, the handle-less glass standing on a saucer; beside it a small plate with two slices of toast, golden-brown crust, a pat of butter melting into a glossy sheen on the upper face of the nearest slice. The window glass between her and the sun throws a broad diagonal bright band across the tabletop, catching the rim of the glass, the far edge of the toast plate, the top of her pointing knuckles and one long streak down her grey knit sleeve edge, while the side of her face nearer the window is rimmed with warm light and the other side of her face, the underside of her chin and the hollow beneath her cheek hand fall into soft, cool shadow; the window mullion casts a pale angled bar of light and shade over the far half of the table. Outside the glass the street is a bright, blown-out blur of morning, nothing legible, only pale shapes. Small dust motes hang and drift in the sunbeam between the window and the table.
Warm morning palette: honey and pale gold in the sunlight and the toast, brown and silver in the hair, muted slate grey of the knit, deep navy of the skirt, and the cool milk-white of the foam and the window haze, the whole thing held in a soft, high-key light with deep warm shadows in the ribs of the knit. Tender, unhurried morning calm.
yux
1girl, solo, long hair, brown hair, silver hair, two-tone hair, mixed hair color, silver-framed round glasses, round eyewear, amber eyes, grey ribbed sleeveless turtleneck knit top, sleeveless, ribbed knit, bare arms, bare shoulders, navy blue long skirt, silver ring, ring on ring finger, earrings, gold and pearl pendant, necklace, beautiful skin, glossy skin, flawless skin, cheek rest, head resting on hand, hand on cheek, elbow on table, pointing at viewer, outstretched arm, finger pointing, gentle smile, closed-mouth smile, soft smile, looking at viewer, sitting, window seat, morning, cafe, table, cafe macchiato, latte art, toast, sunlight, sunbeam through glass, backlighting, window frame, indoor, cowboy shot, from side, slight dutch angle, depth of field, masterpiece, high quality, warm palette,
Shot from a slight low three-quarter side angle, the frame catching her seated at a small round cafe table pushed right up against a tall window, her body angled towards the glass while her face and the pointing hand come round to the lens. She sits in a wooden cafe chair, spine leaned forward over the tabletop, left elbow planted on the table's edge taking the whole weight of her head, her left cheek pressed into the palm so the skin of her cheek lifts slightly against her fingers; the left forearm runs up from the crockery-stained tabletop at a slant, wrist soft. Her right arm crosses her torso and extends across the table towards the viewer, index finger extended straight at the lens, the other fingers loosely curled, the hand foreshortened large in the near foreground. The silver ring sits on the ring finger of that pointing hand, the band catching a hard white glint. Her hair falls in a long loose sheet over both shoulders and pools onto the tabletop on the far side of the cup, the brown and silver strands twisting through each other in irregular streaks, the silver catching the window light and reading almost white, the brown warm and honeyed; two locks fall forward past her glasses and one strand rests against her cheek above the hand. Silver round wire frames sit across her nose and bridge, the round lenses thin-rimmed and clear, a faint bright ring of reflected window in the upper part of each lens; her amber eyes are just visible behind the glass, warm brown-gold and steady, fixed directly on the viewer over the top of her knuckles. Her lips close in a soft, narrow, closed-mouth smile that lifts the corners without parting them, cheeks rounded by the pressure of her palm. Small earrings hang from both earlobes just clear of the hair; the gold and pearl pendant sits low in the V of skin above the grey knit, one round pearl pendant in a gold setting resting on her collarbone with a small shadow beneath it.
The grey sleeveless knit is a fine vertical rib, the ribs stretching and shifting with the twist of her torso, a soft fold compressing where her waist meets the chair; the armholes are cut high, leaving her shoulders and upper arms bare, and the skin there is smooth and lightly oiled-looking, a narrow, glossy highlight running down the outside of her gesturing forearm and another along her bare shoulder, her skin otherwise matte. The navy long skirt falls from her hips down over the chair and out of frame at the bottom edge, heavy and dark, one knee lifted under the knit and one knee lower, the fabric creasing in long diagonal folds from the hip where she leans.
On the table between them: the macchiato in a short clear glass, white foam banked at the rim with a thin brown espresso ring around it, the handle-less glass standing on a saucer; beside it a small plate with two slices of toast, golden-brown crust, a pat of butter melting into a glossy sheen on the upper face of the nearest slice. The window glass between her and the sun throws a broad diagonal bright band across the tabletop, catching the rim of the glass, the far edge of the toast plate, the top of her pointing knuckles and one long streak down her grey knit sleeve edge, while the side of her face nearer the window is rimmed with warm light and the other side of her face, the underside of her chin and the hollow beneath her cheek hand fall into soft, cool shadow; the window mullion casts a pale angled bar of light and shade over the far half of the table. Outside the glass the street is a bright, blown-out blur of morning, nothing legible, only pale shapes. Small dust motes hang and drift in the sunbeam between the window and the table.
Warm morning palette: honey and pale gold in the sunlight and the toast, brown and silver in the hair, muted slate grey of the knit, deep navy of the skirt, and the cool milk-white of the foam and the window haze, the whole thing held in a soft, high-key light with deep warm shadows in the ribs of the knit. Tender, unhurried morning calm.
yux
1girl, solo, long hair, brown hair, silver hair, two-tone hair, mixed hair color, silver-framed round glasses, round eyewear, amber eyes, grey ribbed sleeveless turtleneck knit top, sleeveless, ribbed knit, bare arms, bare shoulders, navy blue long skirt, silver ring, ring on ring finger, earrings, gold and pearl pendant, necklace, beautiful skin, glossy skin, flawless skin, cheek rest, head resting on hand, hand on cheek, elbow on table, pointing at viewer, outstretched arm, finger pointing, gentle smile, closed-mouth smile, soft smile, looking at viewer, sitting, window seat, morning, cafe, table, cafe macchiato, latte art, toast, sunlight, sunbeam through glass, backlighting, window frame, indoor, cowboy shot, from side, slight dutch angle, depth of field, masterpiece, high quality, warm palette,
Shot from a slight low three-quarter side angle, the frame catching her seated at a small round cafe table pushed right up against a tall window, her body angled towards the glass while her face and the pointing hand come round to the lens. She sits in a wooden cafe chair, spine leaned forward over the tabletop, left elbow planted on the table's edge taking the whole weight of her head, her left cheek pressed into the palm so the skin of her cheek lifts slightly against her fingers; the left forearm runs up from the crockery-stained tabletop at a slant, wrist soft. Her right arm crosses her torso and extends across the table towards the viewer, index finger extended straight at the lens, the other fingers loosely curled, the hand foreshortened large in the near foreground. The silver ring sits on the ring finger of that pointing hand, the band catching a hard white glint. Her hair falls in a long loose sheet over both shoulders and pools onto the tabletop on the far side of the cup, the brown and silver strands twisting through each other in irregular streaks, the silver catching the window light and reading almost white, the brown warm and honeyed; two locks fall forward past her glasses and one strand rests against her cheek above the hand. Silver round wire frames sit across her nose and bridge, the round lenses thin-rimmed and clear, a faint bright ring of reflected window in the upper part of each lens; her amber eyes are just visible behind the glass, warm brown-gold and steady, fixed directly on the viewer over the top of her knuckles. Her lips close in a soft, narrow, closed-mouth smile that lifts the corners without parting them, cheeks rounded by the pressure of her palm. Small earrings hang from both earlobes just clear of the hair; the gold and pearl pendant sits low in the V of skin above the grey knit, one round pearl pendant in a gold setting resting on her collarbone with a small shadow beneath it.
The grey sleeveless knit is a fine vertical rib, the ribs stretching and shifting with the twist of her torso, a soft fold compressing where her waist meets the chair; the armholes are cut high, leaving her shoulders and upper arms bare, and the skin there is smooth and lightly oiled-looking, a narrow, glossy highlight running down the outside of her gesturing forearm and another along her bare shoulder, her skin otherwise matte. The navy long skirt falls from her hips down over the chair and out of frame at the bottom edge, heavy and dark, one knee lifted under the knit and one knee lower, the fabric creasing in long diagonal folds from the hip where she leans.
On the table between them: the macchiato in a short clear glass, white foam banked at the rim with a thin brown espresso ring around it, the handle-less glass standing on a saucer; beside it a small plate with two slices of toast, golden-brown crust, a pat of butter melting into a glossy sheen on the upper face of the nearest slice. The window glass between her and the sun throws a broad diagonal bright band across the tabletop, catching the rim of the glass, the far edge of the toast plate, the top of her pointing knuckles and one long streak down her grey knit sleeve edge, while the side of her face nearer the window is rimmed with warm light and the other side of her face, the underside of her chin and the hollow beneath her cheek hand fall into soft, cool shadow; the window mullion casts a pale angled bar of light and shade over the far half of the table. Outside the glass the street is a bright, blown-out blur of morning, nothing legible, only pale shapes. Small dust motes hang and drift in the sunbeam between the window and the table.
Warm morning palette: honey and pale gold in the sunlight and the toast, brown and silver in the hair, muted slate grey of the knit, deep navy of the skirt, and the cool milk-white of the foam and the window haze, the whole thing held in a soft, high-key light with deep warm shadows in the ribs of the knit. Tender, unhurried morning calm.
yux
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