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373 tomi

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character: hayami_kanade 1girl, solo, hayami_kanade, short hair, blue hair, black hair, parted bangs, yellow eyes, standing, watson cross, crossed legs, slight turn, looking at viewer, serious expression, cold gaze, white military uniform, double-breasted jacket, red lapel, gold ornament, black tie, black pleated skirt, wide belt, buckle, chain accessory, white cape, red lining, epaulettes, white thighhighs, garter straps, garter belt, tight fit, flesh pressure, (subtle skin indentations:0.5), opaque white socks, wrinkles below knees, machinery background, grey abstract background, sharp focus, detailed clothes, intricate design, cowboy shot, from below, A low camera looks up at one young woman standing alone in a heroically upright stance, her body in a slight turn so that her right shoulder angles a little toward the lens while her hips stay three-quarters away. Both feet are planted on the same unseen floor and both are visible; her weight rests on the straight left leg while the right leg crosses over it at the knee, the right foot set down in front of the left with the crossing clearly above the ankles, thigh over thigh. She lifts her chin and looks straight down the lens from under level brows, lids low and steady, lips closed flat and slightly compressed at the corners — a grave, glacial regard that gives nothing away, and she is perfectly still. Her short blue-black hair falls to the jawline in a blunt shape, parted bangs splitting over a white forehead, a few strands cut across the cheek turned toward the viewer; her eyes are sharp yellow. She wears the full white military uniform with a precise, tight fit: a double-breasted jacket buttoned high with two facing rows of gold buttons, a red lapel folding back at the collar and a black tie knotted into it; gold ornament worked at the collar and down the front placket; epaulettes with gold fringe squared on both shoulders; a wide white belt with a polished buckle cinching the waist; a chain accessory looping from the belt at her left hip. Below it the black pleated skirt hangs in stiff, well-pressed folds. A white cape drops from her shoulders in a heavy fall, its inner face turned out at the lower edge as a band of red lining, and it swings back a little behind the hip that carries her weight. The fabric pulls snug across chest and thighs — tight enough that the white thighhighs' garter straps and garter belt press a slight ridge and shallow indentation into the soft flesh at the tops of her legs when the light rakes across it. Opaque white knee-high socks are drawn up smooth and taut, with a few fine wrinkles gathered only in the fabric below the knees as the leg bends into the cross. Behind her a bank of machinery recedes: dark steel columns, ribbed conduits, bolted flanges, pipework threading up out of frame, all of it simplified and desaturated into a flat grey abstract backdrop so that only bold geometric masses and a few pale edges read; the conduits run diagonally and their perspective lines lead inward toward her waist. She is sharply in focus, the machinery softly out of focus. A single cold key light comes from high on the left, catching the gold on the epaulettes and the buckle, the ridge of the red lapel, and a thin highlight along the taut white cloth over the thigh; its raking angle is what makes the shallow indentations at the garter line legible, and her shadow falls low and hard across the grey floor at the right. Palette of white, black, red and gold against monochrome grey. Severe and immaculate.
Show Parameters
Original Prompt
masterpiece, best quality, highres, 1girl, hayami_kanade,solo, slight turn, looking at viewer, serious expression, cold gaze, crossed legs ,standing,watson cross, white military uniform, double-breasted jacket, red lapel, gold ornament, black tie, black pleated skirt, wide belt with buckle, chain accessory, white cape, red lining, epaulettes, white thighhighs, garter straps, garter belt, tight fit, flesh pressure, (subtle skin indentations:0.5), opaque white socks, There are a few wrinkles in the knee-high socks below the knees., machinery background, grey abstract background, sharp focus, detailed clothes, intricate design
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1056 x 1888
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
3t
character: hayami_kanade 1girl, solo, hayami_kanade, short hair, blue hair, black hair, parted bangs, yellow eyes, standing, watson cross, crossed legs, slight turn, looking at viewer, serious expression, cold gaze, white military uniform, double-breasted jacket, red lapel, gold ornament, black tie, black pleated skirt, wide belt, buckle, chain accessory, white cape, red lining, epaulettes, white thighhighs, garter straps, garter belt, tight fit, flesh pressure, (subtle skin indentations:0.5), opaque white socks, wrinkles below knees, machinery background, grey abstract background, sharp focus, detailed clothes, intricate design, cowboy shot, from below, A low camera looks up at one young woman standing alone in a heroically upright stance, her body in a slight turn so that her right shoulder angles a little toward the lens while her hips stay three-quarters away. Both feet are planted on the same unseen floor and both are visible; her weight rests on the straight left leg while the right leg crosses over it at the knee, the right foot set down in front of the left with the crossing clearly above the ankles, thigh over thigh. She lifts her chin and looks straight down the lens from under level brows, lids low and steady, lips closed flat and slightly compressed at the corners — a grave, glacial regard that gives nothing away, and she is perfectly still. Her short blue-black hair falls to the jawline in a blunt shape, parted bangs splitting over a white forehead, a few strands cut across the cheek turned toward the viewer; her eyes are sharp yellow. She wears the full white military uniform with a precise, tight fit: a double-breasted jacket buttoned high with two facing rows of gold buttons, a red lapel folding back at the collar and a black tie knotted into it; gold ornament worked at the collar and down the front placket; epaulettes with gold fringe squared on both shoulders; a wide white belt with a polished buckle cinching the waist; a chain accessory looping from the belt at her left hip. Below it the black pleated skirt hangs in stiff, well-pressed folds. A white cape drops from her shoulders in a heavy fall, its inner face turned out at the lower edge as a band of red lining, and it swings back a little behind the hip that carries her weight. The fabric pulls snug across chest and thighs — tight enough that the white thighhighs' garter straps and garter belt press a slight ridge and shallow indentation into the soft flesh at the tops of her legs when the light rakes across it. Opaque white knee-high socks are drawn up smooth and taut, with a few fine wrinkles gathered only in the fabric below the knees as the leg bends into the cross. Behind her a bank of machinery recedes: dark steel columns, ribbed conduits, bolted flanges, pipework threading up out of frame, all of it simplified and desaturated into a flat grey abstract backdrop so that only bold geometric masses and a few pale edges read; the conduits run diagonally and their perspective lines lead inward toward her waist. She is sharply in focus, the machinery softly out of focus. A single cold key light comes from high on the left, catching the gold on the epaulettes and the buckle, the ridge of the red lapel, and a thin highlight along the taut white cloth over the thigh; its raking angle is what makes the shallow indentations at the garter line legible, and her shadow falls low and hard across the grey floor at the right. Palette of white, black, red and gold against monochrome grey. Severe and immaculate.
373 tomi
#The Idolmaster#The Idolmaster Cinderella Girls#Kanade Hayami
AI artwork
3t
character: hayami_kanade 1girl, solo, hayami_kanade, short hair, blue hair, black hair, parted bangs, yellow eyes, standing, watson cross, crossed legs, slight turn, looking at viewer, serious expression, cold gaze, white military uniform, double-breasted jacket, red lapel, gold ornament, black tie, black pleated skirt, wide belt, buckle, chain accessory, white cape, red lining, epaulettes, white thighhighs, garter straps, garter belt, tight fit, flesh pressure, (subtle skin indentations:0.5), opaque white socks, wrinkles below knees, machinery background, grey abstract background, sharp focus, detailed clothes, intricate design, cowboy shot, from below, A low camera looks up at one young woman standing alone in a heroically upright stance, her body in a slight turn so that her right shoulder angles a little toward the lens while her hips stay three-quarters away. Both feet are planted on the same unseen floor and both are visible; her weight rests on the straight left leg while the right leg crosses over it at the knee, the right foot set down in front of the left with the crossing clearly above the ankles, thigh over thigh. She lifts her chin and looks straight down the lens from under level brows, lids low and steady, lips closed flat and slightly compressed at the corners — a grave, glacial regard that gives nothing away, and she is perfectly still. Her short blue-black hair falls to the jawline in a blunt shape, parted bangs splitting over a white forehead, a few strands cut across the cheek turned toward the viewer; her eyes are sharp yellow. She wears the full white military uniform with a precise, tight fit: a double-breasted jacket buttoned high with two facing rows of gold buttons, a red lapel folding back at the collar and a black tie knotted into it; gold ornament worked at the collar and down the front placket; epaulettes with gold fringe squared on both shoulders; a wide white belt with a polished buckle cinching the waist; a chain accessory looping from the belt at her left hip. Below it the black pleated skirt hangs in stiff, well-pressed folds. A white cape drops from her shoulders in a heavy fall, its inner face turned out at the lower edge as a band of red lining, and it swings back a little behind the hip that carries her weight. The fabric pulls snug across chest and thighs — tight enough that the white thighhighs' garter straps and garter belt press a slight ridge and shallow indentation into the soft flesh at the tops of her legs when the light rakes across it. Opaque white knee-high socks are drawn up smooth and taut, with a few fine wrinkles gathered only in the fabric below the knees as the leg bends into the cross. Behind her a bank of machinery recedes: dark steel columns, ribbed conduits, bolted flanges, pipework threading up out of frame, all of it simplified and desaturated into a flat grey abstract backdrop so that only bold geometric masses and a few pale edges read; the conduits run diagonally and their perspective lines lead inward toward her waist. She is sharply in focus, the machinery softly out of focus. A single cold key light comes from high on the left, catching the gold on the epaulettes and the buckle, the ridge of the red lapel, and a thin highlight along the taut white cloth over the thigh; its raking angle is what makes the shallow indentations at the garter line legible, and her shadow falls low and hard across the grey floor at the right. Palette of white, black, red and gold against monochrome grey. Severe and immaculate.
373 tomi
#The Idolmaster#The Idolmaster Cinderella Girls#Kanade Hayami
AI artwork
s6
character: hayami_kanade 1girl, solo, slight turn, looking at viewer, serious expression, cold gaze, short hair, blue hair, black hair, parted bangs, yellow eyes, white military uniform, double-breasted jacket, red lapel, gold ornament, black necktie, black pleated skirt, wide belt with buckle, chain accessory, white cape, red lining, epaulettes, white thighhighs, garter straps, garter belt, tight fit, flesh pressure, subtle skin indentations, opaque white socks, machinery background, yellow abstract background, sharp focus, detailed clothes, intricate design, cowboy shot, from below, dutch angle, head tilt, clenched hands, cape billowing, contrapposto, looking down on viewer, From a low angle tilted a few degrees off vertical, a single short-haired girl holds the frame, her body angled a little away from the lens while her head comes back over her shoulder and her yellow eyes fix the viewer dead-on. Her blue-black hair is cut short with parted bangs falling across her brow; the rest is tucked and swings slightly against her cheek with the turn. A narrow chin and a flat, ice-cold stare: mouth set in a hard straight line, eyelids lowered a fraction, one brow level, no softness anywhere in it. She wears a white double-breasted military jacket buttoned high, its collar edged in red, a black necktie knotted tight at the throat. Gold ornamentwork runs along the placket and catches on the shoulder boards of the epaulettes; a short chain accessory hangs from the belt line and swings a little free of the hip. The jacket is cut close -- it strains just perceptibly across the chest and the upper arms, the fabric pulling into faint tension creases, the pressure of the tight fit showing as subtle shallow indentations where the cloth presses into the skin. A wide white belt with a heavy buckle cinches her waist. Below it a black pleated skirt, and beneath that the white garter belt with taut straps running down to white thighhighs that grip the thigh so tightly the stocking tops leave a faint band pressed into the flesh. Opaque white socks complete the leg. A white cape falls from her shoulders, its red lining flashing where the cloth turns and billows away from her back. The cape snaps out to one side as if a fan is blowing across the set, the red lining opening like a wound in the white fabric -- the one piece of physics the eye can check: it bellies outward in one direction, and the chain on her belt follows the same pull. Behind her, hard yellow fills a flat colour field, over which an abstract tangle of machinery is drawn: pipes, cylinder housings, ducts and stripped panel frames, rendered in flat silhouette so they read as graphic shapes against the yellow rather than as a real space. There is no floor line, no horizon and no other figure -- the machinery is a backdrop plane and she is the only thing in front of it. Key light comes from high left and slightly behind, so the gold ornaments flare and the white of the cape shoulders glows while the underside of her chin, the inner pleats of the skirt and the shadowed machinery pits go dark yellow-black. Flat graphic shading with crisp edges; no bloom, no haze. Palette is strictly white, black, red, gold and the yellow ground, each landing where the costume puts it. Sharp focus, every seam, stitch and stud legible. Cold, and quietly commanding.
sute69
#The Idolmaster#The Idolmaster Cinderella Girls#Kanade Hayami
AI artwork
3t
character: hayami_kanade 1girl, solo, hayami_kanade, short hair, blue hair, black hair, parted bangs, yellow eyes, standing, watson cross, crossed legs, slight turn, looking at viewer, serious expression, cold gaze, white military uniform, double-breasted jacket, red lapel, gold ornament, black tie, black pleated skirt, wide belt, buckle, chain accessory, white cape, red lining, epaulettes, white thighhighs, garter straps, garter belt, tight fit, flesh pressure, (subtle skin indentations:0.5), opaque white socks, wrinkles below knees, machinery background, grey abstract background, sharp focus, detailed clothes, intricate design, cowboy shot, from below, A low camera looks up at one young woman standing alone in a heroically upright stance, her body in a slight turn so that her right shoulder angles a little toward the lens while her hips stay three-quarters away. Both feet are planted on the same unseen floor and both are visible; her weight rests on the straight left leg while the right leg crosses over it at the knee, the right foot set down in front of the left with the crossing clearly above the ankles, thigh over thigh. She lifts her chin and looks straight down the lens from under level brows, lids low and steady, lips closed flat and slightly compressed at the corners — a grave, glacial regard that gives nothing away, and she is perfectly still. Her short blue-black hair falls to the jawline in a blunt shape, parted bangs splitting over a white forehead, a few strands cut across the cheek turned toward the viewer; her eyes are sharp yellow. She wears the full white military uniform with a precise, tight fit: a double-breasted jacket buttoned high with two facing rows of gold buttons, a red lapel folding back at the collar and a black tie knotted into it; gold ornament worked at the collar and down the front placket; epaulettes with gold fringe squared on both shoulders; a wide white belt with a polished buckle cinching the waist; a chain accessory looping from the belt at her left hip. Below it the black pleated skirt hangs in stiff, well-pressed folds. A white cape drops from her shoulders in a heavy fall, its inner face turned out at the lower edge as a band of red lining, and it swings back a little behind the hip that carries her weight. The fabric pulls snug across chest and thighs — tight enough that the white thighhighs' garter straps and garter belt press a slight ridge and shallow indentation into the soft flesh at the tops of her legs when the light rakes across it. Opaque white knee-high socks are drawn up smooth and taut, with a few fine wrinkles gathered only in the fabric below the knees as the leg bends into the cross. Behind her a bank of machinery recedes: dark steel columns, ribbed conduits, bolted flanges, pipework threading up out of frame, all of it simplified and desaturated into a flat grey abstract backdrop so that only bold geometric masses and a few pale edges read; the conduits run diagonally and their perspective lines lead inward toward her waist. She is sharply in focus, the machinery softly out of focus. A single cold key light comes from high on the left, catching the gold on the epaulettes and the buckle, the ridge of the red lapel, and a thin highlight along the taut white cloth over the thigh; its raking angle is what makes the shallow indentations at the garter line legible, and her shadow falls low and hard across the grey floor at the right. Palette of white, black, red and gold against monochrome grey. Severe and immaculate.
373 tomi
#The Idolmaster#The Idolmaster Cinderella Girls#Kanade Hayami

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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